For anyone who needs a mock Playstation logo font for some reason

All glyphs are drawn in 7x7

Font from the ingame marquee display of Barcade Brawl, a 2015 game by yours truly. This was made to look similar to the system fonts from old arcade boards, PC microsystems, etc. You've probably seen the fonts I'm talking about; they're everywhere and many people refer to them singularly as "the arcade font" or "the NES font".

This is 7x7 with no wasted matrix, but it looks better without monospacing since not every glyph is the same width. It also makes a decent terminal & chat font, at least for those who don't care about the case of the messages they read and write.

Feel free to use this in your games, etc.!

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Original size: 5.25pt (use multiples of this size for pixel perfection)

A trimmed-down version of Byblos Unicase! It has a distinctive "constantly underscored" look.

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Original size: 5.25pt (use multiples of this size for pixel perfection)

A font with a vague "selected text", "telegraphed message" or "hacker terminal" feeling about it. Seems like something that would be in a video game or creepypasta...

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Original size: 5.25pt (use multiples of this size for pixel perfection)

An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.

This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.

This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.

Pixel demake of "Circlets".

Pandora's Blocks is a new kind of box. A better  box. A box that contains things unheard of in the world of humans, a box that dissolves problems and anxieties and casts them unto the wind, a box that turns the words you say and the thoughts you think into ambrosia. Do the right thing and don't not not de-un-open the box. There are bad things living in there.

You must repost this message on Facebook within 30 seconds. If you don't warn at least 12 people about the dangers of pixel fonts by tomorrow, your great-great-great-great-great-great-great-grandma will rise from the dead and raid your kitchen. She was a master Sandwichologist employed by Sir Francis Bacon himself. Repeat, DO NOT OPEN THE BOX.

A doodle made with Brick Basket.

These glyphs are made to look like trellises, wall screens or stained glass windows. But I think they can pull off many other looks as well.

Looks best at massive sizes! Good for logos, title cards, etc.

A font which looks like sunbursts, fires, explosions, and more depending on its presentation. Seems like a design that would be used when its ability to get noticed is more important than its legibility...

A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.

Original size: 5.25pt (use multiples of this value for pixel perfection)

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Original size: 5.25px (use multiples of this value for pixel perfection)

I started with an omega symbol, then bent and twisted it many times. This is the result. Is Weirdo English my new calling?

Original size: 5.25px (use multiples of this value for pixel perfection)

Letters sorta behind bars. I had to use a serif style so that each letter had something to protrude down from the bars to help identify it.

Something barcode inspired...

A 7x7 design inspired by bows, arrows, targets, and murder slits.

It seems slightly Art Nouveau to me, although pixel art is not really capable of those same kinds of curves and arches at this scale...

Portable Vengeance in negative. A few glyphs (such as "Q") were truncated for the grid.

Rather than spacing this so the blocks form a continuous reel, as I usually do, I decided to let things be a bit spaced out. This makes the font much better at attracting attention. And, since this is made to show system messages in games and consoles, it works out!

A pirate font, spreading misery and ruin over the face of the webbernet.

Experimental 37-segment display. Space pirates met crystalline aliens, their children made a segmented display, and this is it.

Now with lowercase!

See also: Apoplexy, Calculatrix.

Runic alphabet of the Ormumi, a race of orange-skinned cyclopean humanoids in the games ESOS, Seven Candles and Trap Farmer Brer Brah among others.

A design for Perler bead and other fused bead artists.

These letters are designed to use a small(ish) amount of of beads while still being sturdy enough to make into charms, keychains and such. The letters are on a 7x7 grid and require an average of about 44 beads to make.

I recommend filling in the negative spaces with more beads, but if you fuse both sides, these designs should work fine on their own. I'll test some myself and post images eventually...

Original size: 5.25pt

My 200th Fontstruction! :^)

This font, especially the "M", has been kicking around in my mind for years. I wanted a design that looked "kinda like a Metroid". Then, I tried to Fontstruct it. That brings us to the present.

(This font has nothing to do with the "Gods Will Be Watching" video game. I just think the name Xenolifer has the right ring to it.)

See also: Xenolifer Pixel

A design inspired by mineshafts and the wood scaffolds which are built to shore up tunnels in order to prevent them from collapsing.

Original size: 5.25pt (use multiples of this value for pixel perfection)

Lawgivers' font. Vertical members are doubled, horizontal members are not - except when needed to complete vertical members. Overhangs and bends help to make glyphs more distinctive.

Original size: 5.25pt (use multiples of this value for pixel perfection)

Feeling dazzled?

The original logotype font used for Endless Sea of Stars/ESOS, a massive simulation. Designed by me circa 2010.

Since this uses only right angles and has no lone pixels, it's pixel perfect at any size. That's why it's in two collections.

Original size: 5.25pt (use multiples of this value for pixel perfection)

Designed by request.

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13SEP2018: I have given this font a much-needed upgrade. Try viewing it at 2x Pixel size!

16SEP2018: Even more upgrades!

A blade sliced down through every 4th column of pixels. Only a few glyphs were lucky (or narrow!) enough to escape.

"Guillotine Blade" is also an anagram for "Liable Longitude".

From my game Trap Farmer Brer Brah.

The 21 symbols of the written language used by "Eshira" - terrestrial zooid colonies amalgamated from bacterial, viral, fungal, plant, and animal components. Eshira use this language by secreting an enzyme at the top of their rocky, stromatolite-like structures, dissolving the material to reveal white glyphs. These glyphs are extremely shallow engravings, and material is removed much slower than it is added through metabolism. They are formed so that wind, rain, UV exposure, and/or wave action naturally weather them off in a day's time.

Each glyph represents an entire concept, question, plea, or rebuke. The glyph that appears depends on the eshira's environmental conditions and treatment. Intelligent creatures on Planet Fyromr read these glyphs to determine whether the fishing is good, what the weather will be like, whether their aquacultures and aquatic farms are healthy, and so on.

An eshira only etches one glyph at a time, so these symbols are only ever meant to appear one at a time. All the eshira in a particular place tend to produce the same glyph at low tide.