An updated version of RARE CANDY with lowercase letters.

A simple pixel font I created back in 2016, with the intent to use it for a game. I have no clue why it was never published.

Inspired by PixelXat.

[Version 2.1]: Added "More Latin" Character Set.

[Version 2]: Fixed differences between the real font (from the NES or arcades) and the original (by me).

NES/Arcade Font.

extended Bit Out

A monospaced version of Barcade Brawl that has been modified to work well as a roguelike font. Not every glyph is centered yet, but all the Basic Latin and More Latin ones are.

A few glyphs (such as #) are modified to break the matrix so that they link together. This is because these glyphs are used to form continuous walls and other structures.

Note also that this design uses a 7x7px matrix which is monospaced at 8px to create 8x7 tiles. I have placed a stray pixel on an unused glyph to make 1px of extra line spacing occur so that the final tiles are 8x8. The preview here onsite adds another px, so it looks slightly out of square. The sample below does too, because it was made before this fix was implemented. 

I was working on another spinoff of this that was high-resolution rather than pixel, but since this font has the same LC and UC, I might transplant those glyphs to this font as well to make it as multifunctional as possible. That will more than double the work of making an already big font, though, so it will depend on whether this font gets used by others. A few game developers already use the original "Barcade Brawl" so there is a possibility...

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Original size: 5.25pt (use multiples of this size for pixel perfection)

A serif font wherein almost every glyph has serifs and the serifs determine a glyph's shape. All lines that are not serifs or forming a vertex with a serif are isolated. This is a different technique than I used for Lonewolves Guild and Nurvusystem.

This is a borderline IVO design, not because of its appearance, but because it requires the same set of visual considerations to interpret.

Variant of Ninevolt with the extraneous squares blacked out.

By request, "a font that looks like a hybrid of Greek and Latin".

This is designed to be modular. UPPER CASE contains the standard glyphs. Alternates are on the lowercase as well as the More Latin band.

"Novus Graecorum" means "The New Greek".

Supports Dutch, English, and Greek!

Just doodling!

It breaks up clusters of words wherever punctuation appears. This might help with reading it out loud, by showing how long a sentence is at a glance and making it very obvious where to pause.

For anyone who needs a mock Playstation logo font for some reason

All glyphs are drawn in 7x7

Font from the ingame marquee display of Barcade Brawl, a 2015 game by yours truly. This was made to look similar to the system fonts from old arcade boards, PC microsystems, etc. You've probably seen the fonts I'm talking about; they're everywhere and many people refer to them singularly as "the arcade font" or "the NES font".

This is 7x7 with no wasted matrix, but it looks better without monospacing since not every glyph is the same width. It also makes a decent terminal & chat font, at least for those who don't care about the case of the messages they read and write.

Feel free to use this in your games, etc.!

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Original size: 5.25pt (use multiples of this size for pixel perfection)

A trimmed-down version of Byblos Unicase! It has a distinctive "constantly underscored" look.

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Original size: 5.25pt (use multiples of this size for pixel perfection)

A font with a vague "selected text", "telegraphed message" or "hacker terminal" feeling about it. Seems like something that would be in a video game or creepypasta...

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Original size: 5.25pt (use multiples of this size for pixel perfection)

An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.

This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.

This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.

Pixel demake of "Circlets".

Pandora's Blocks is a new kind of box. A better  box. A box that contains things unheard of in the world of humans, a box that dissolves problems and anxieties and casts them unto the wind, a box that turns the words you say and the thoughts you think into ambrosia. Do the right thing and don't not not de-un-open the box. There are bad things living in there.

You must repost this message on Facebook within 30 seconds. If you don't warn at least 12 people about the dangers of pixel fonts by tomorrow, your great-great-great-great-great-great-great-grandma will rise from the dead and raid your kitchen. She was a master Sandwichologist employed by Sir Francis Bacon himself. Repeat, DO NOT OPEN THE BOX.

A doodle made with Brick Basket.

These glyphs are made to look like trellises, wall screens or stained glass windows. But I think they can pull off many other looks as well.

Looks best at massive sizes! Good for logos, title cards, etc.

A font which looks like sunbursts, fires, explosions, and more depending on its presentation. Seems like a design that would be used when its ability to get noticed is more important than its legibility...

A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.

Original size: 5.25pt (use multiples of this value for pixel perfection)

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Original size: 5.25px (use multiples of this value for pixel perfection)

I started with an omega symbol, then bent and twisted it many times. This is the result. Is Weirdo English my new calling?

Original size: 5.25px (use multiples of this value for pixel perfection)

Letters sorta behind bars. I had to use a serif style so that each letter had something to protrude down from the bars to help identify it.

Something barcode inspired...

A 7x7 design inspired by bows, arrows, targets, and arrow slits in castle walls.

It seems slightly Art Nouveau to me, although pixel art is not really capable of those same kinds of curves and arches at this scale...

Portable Vengeance in negative. A few glyphs (such as "Q") were truncated for the grid.

Rather than spacing this so the blocks form a continuous reel, as I usually do, I decided to let things be a bit spaced out. This makes the font much better at attracting attention. And, since this is made to show system messages in games and consoles, it works out!

A pirate font, spreading misery and ruin over the face of the webbernet.

Experimental 37-segment display. Space pirates met crystalline aliens, their children made a segmented display, and this is it.

Now with lowercase!

See also: Apoplexy, Calculatrix.

Runic alphabet of the Ormumi, a race of orange-skinned cyclopean humanoids in the games ESOS, Seven Candles and Trap Farmer Brer Brah among others.

A design for Perler bead and other fused bead artists.

These letters are designed to use a small(ish) amount of of beads while still being sturdy enough to make into charms, keychains and such. The letters are on a 7x7 grid and require an average of about 44 beads to make.

I recommend filling in the negative spaces with more beads, but if you fuse both sides, these designs should work fine on their own. I'll test some myself and post images eventually...

Original size: 5.25pt