HeavyComp Entry number 2

Inspired by the Logo of The band Scorpions first created back in 1975.

All other letters were built based on the letters in the original logo by me.

I found the original font of the logo, called "Lady Starlight" (you can check it out here:https://www.dafont.com/lady-starlight.font?text=SCORPIONS) quite boring and thus made this like a recreation. Hope you find it much more interesting.

HeavyComp entry number 1

Enjoy!

Open to comments and suggestions

This is the second version of my font "Znipped" which also happens to be my first TP.

Building on @erictom333's suggestion of adding lower case letters, lower case is now included!

The height of uppercase and lowercase letters are the same... intentionally

Enjoy!

As always, Open to comments and suggestions!

Font created from the logo of Rock Band AC/DC

Only Basic latin almost all charecters are available

--...work in progress...--

Open to comments and Suggestions!

A font where all charecters are made by bending, expanding, etc. a single neon tube

A smooth font inspired by the shimmer and glare of a water droplet.

A font where every letter is cut out from a square.

Amber 76 is a Various font that uses for Posters, pictures, videos and thumbnails designed by SwedishTypeCorporation. A font was from 80s, Made with other tags Retro, Clean, Sans Serif, and Display.

in Greek Language and Extended Latin B, You can type alternative letters that will use for posters, pictures, videos and thumbnails.

A rigid all-caps font, display/signage style. No curved shapes - I wanted something in the same spirit as "ITC Machine" (Designed by R Bonder and T Carnase in 1970). Thus with a little less compact approach, making it more versatile. Zoomed out, It’s like an edgy, bold and slightly condensed neo-grotesque.
(This fontstruction may be part of a client project, therefore it is fully licenced - at the moment. Hopefully I´ll make it downloadable under the fontstruct licence.)

Came up with this script in just about 15 minutes, it has a really nice flow to it and is inspired by Thai, Arabic, and believe it or not, Tengwar. Great for fictional languages, conlangs, or aliens. Let me know if you decide to use it for anything, would love to see your work!

NOTE: The glyphs are the same for Upper and Lower case for the time being.

My First Serif Font!

Inverted Calligraphy style, at 0° and Vertical to Horizontal stroke ratio is 1:0.33.

Думаете, этот шрифт слишком широкий? Мне, работая на мониторе формата 21:9 так не кажется. Это очень удобный и функциональный формат, но многие сайты с адаптирующимся дизайном выглядят на нём плохо. Давно пора думать о ультра- и бесконечно- широких мониторах, а не только о 16:9 (не говоря о Virtual Reality). 

Think this font is too wide? Working on a 21: 9 monitor does not seem so to me. It is a very convenient and functional format, but many websites with responsive designs look bad on it. It's high time to think about ultra- and infinity-wide monitors, not just 16: 9 (not to mention Virtual Reality). Lowercase have more common, monospaced, less futuristic look.

Se more:

https://www.fontstruct.com/fontstructions/show/1320297/bb-snowzing

https://fontstruct.com/fontstructions/show/391413/harvestman

Mastar Font - Still Work In Progress and Not Finished although I may be reaching the size limit for a fontstruction...

A clean, monospace, sans font which also has a little personality to it. Perfect for coding.

See more:

https://fontstruct.com/fontstructions/show/1704935/custom-96

Trying to achieve maximum readability and symbol differentiation within a reasonable size.

STF_EIN BERLINER - Condensed geometric sans-serif typeface.

Inspired by the lettering seen on a variety of different Dutch and German street signs.

The simple and clean geometric letterforms provide this typeface with a strong legibility in both display & body style text.

(grid size 3,5 × 7 at 2x2 brick size filter)

Enjoy

Support for 34 languages:
Afrikaans, Albanian, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swedish, Turkish, Zulu.

I spent a lot of time making this font, it is based On the premise that too many fonts are way to ambiguous, so this is a fix for that, also I have added a copyright symbol, I replaced the vertical bar with the copyright symbol, because as far as I know the vertical bar symbol is rarely if ever used...( I have not seen it used in allmost anything I have viewed or read in all my life, except that it is there in the font character listing, so why is it there? certainly a copyright symbol would be more useful don't you think?) as for the "blockiness" of the C in the copyright symbol, keep in mind, that it is designed to have a maximum width of 9 pixels,  so for what it is I think it is good, basically you cant get a smaller bitmaped based copyright symbol where it is as crisp and where the c is not pointed like a less than symbol and the c is not "touching" the circle it is in which would make it harder to read... so if you do see fit to use it I hope you are happy with it...

(https://fontstruct.com/fontstructions/show/1572180/funky-pixels)

This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!

Is it Ironic that I spent a lot of time making a minimalistic font? Maybe not...

In any case, this is a font I made with a challenge of keeping every character within a 5x5 block size (4x4 blocks for the lowercase letters)

The only character NOT within a 5x5 square is the @ character. It somehow ended up a little wide.