My font theme is systematic, I aimed to make a font that was precise and but also referenced technology in the patterns of a motherboard and the pixelated style. The dots also help form the illusion of curves.

My font was inspired by the way pixels have been used by other designers in the late 20th century, in particular, Peter Saville’s Original die-cut sleeve album cover for New Order’s Blue Monday single, Wim Crowel’s new alphabet used by Brett Wickens in Joy Division’s compilation album Substance cover. The font was modeled on digitalized letters. To produce it I have used techniques from traditional calligraphy (drawing, use of pencil and ink on paper) to create an effect usually generate instantaneously by computer coding in order to stress the tension between the finished piece and the production behind it. The tension between the two and the uncertainty are represented in the font by the missing and misplaced pixels in each letter.

A skinny, uniform, and asymmetrical typeface.  Could work well with signage and logos for the more technological projects.  Seems condensed in kerning, but the letters hold a large amount of empty space.

The best of mid-1980's technology. All 256 colors. 

Crazy Font with a Digital glitch kind of feel to it. 

PLEASE TELL ME IN THE COMMENTS IF YOU ARE GOING TO USE IT COMMERCIALLY.

A logotype for retro-tech hardware inspired by Roc Mitchell's phototype LogoStyle/LogoText/LimitedView from the 1970's. Free for personal use only. Please contact for commercial use. Alternate characters list: @ - P * - J # - L < - A > - t ^ - e { - F } - R ~ - K © - g ® - D § - S ¤ - E ‹ - A › - A ¹ - A ¼ - 4 ½ - m ¾ - w ² - V ³ - V ª - a « - p » - q † - f