Use ‘V’ and ‘W’ as initial forms of ‘v’ and ‘w’ respectively.

My take on Zephram’s Marengi Mk2. Mostly changes to Greek and Cyrillic glyph sets. 300-something new glyphs.

A — single-story “a”;
B — alternate “a”;
E — alternate “&”;
H, I — double-story “g”;
P — alternate “r”;
C, G, L, O, R, T, X, Y, Z — alternate “c”, “l”, “o”, “r”, “t”, “x”, “y”, “z” respectively;

An experimental and somewhat eclectic work in progress.

There are alternates on some uppercase glyphs and at the beginning of the Private Use Area.

Basically a light version of zephram’s Madufaros Mini. Not really faithful—some glyphs easily stray from their Madufaros’ ancestors.

Support for Latin, Latin-1 Supplement, General Punctuation, Greek, Cyrillic, Runic, Ogham and partially IPA.

I will probably revisit this once in a while, since I’m still not satisfied with some characters.

A little tweaking of Black letter 1 by Dante.

Not sure about the uppercase.

This is quite an experiment for me, aimed at making a futuristic (even alienish) font.

Still working on it.

To get numerals without the bottom bar, type their Shift symbols: !@#$%^&*()

WIP, suggestions are welcome!

dx fünfzig is the 50th font published by me!

'm kinda proud of myself--although some fonts still can be improved or remade, I look at myself at the very beginning--Zephram probably remembers my "Dungeons Rooms (not only)" which was my first publicly available Fontstruction--then I look at what I create now and I see a small yet visible progress. Not only that. During this period there is something much more important: YOU GUYS!

Special thanks to Zeph, JingYo, Sed4, SymbioticDesign and RMeek!

alternate 6 and 9 are on the 0 and 1 subordinal indicators.

Uppercase = vertical glitches, lowercase, numerals, everything else = horizontal glitches.