This font has separate characters for Ð, Đ, and Ɖ!

This is a smol Unicode font designed for printers and calculators. Alternate G at U+A7AC.

Includes characters from Kántandu and Old Kántandu.

Inspired by βsans mono.

https://fontstruct.com/fontstructions/show/1649817/bsans-mono

Ocelot - A monospaced sans-serif font with no curves! 

This is for my conlang.

Robotic Sci-Fi feel

A clean, monospace, sans font which also has a little personality to it. Perfect for coding.

Calc-U-Later is a free monospaced font designed to mimic the display of Casio CG-xx and TI 92/Nspire calculator. This font has lots of characters and glyphs. This font supports many languages. This font is related to Bluskale and Acorn Full Nostalgia. Sincerely made by MetrikEnzyme.

The alternate version of the current font which is prone/ immune to coding.

Much like Unicodes 2.0, 3.0 and 4.5, it all has the same style along to our computer age.

It may seem that this font is developed for coding, but the further improvements for this font have clearly been updated.

Pretty equivalent to Unicodes 2.0, 3.0, and 4.5.

Pretty much the advanced pixel font that developers use for coding.

This font I made in a jiffy. I thought about making a pixely font, mainly for coding, so I quickly prepared this thing.

Should I add more characters? I was thinking about adding Cyrillic, but my main idea was a font for HTML, so I only did Basic Latin and More Latin. (ANSI) If I wanted to do other characters, I could have just typed an HTML entity.

Yet I'm still stuck. Even though it is a monospace font, it could be used for writing, so it may need more characters. I don't know. Put your thoughts in the comments if you so desire.

06-03-2020: Added Cyrillic and fixed diacritical Latin characters.

"ワタシハ　ファミリーコンピューター　デス"

-The Family Computer

My attempt at recreating the Family BASIC font. I tried to make it fit more in line with coding software by including a full character set.

I built this to have the least possible padding at the top of a button.

Another attempt to make a usable narrow monospace programming font.

The 8/6 block thick version

Official MultiWorld² Kurrac's Cryphtography Font

Offical MultiWorld² - Kurrac's Cryptography Code - n2
This font only uses letters (A > G) and (a > g)

This is the 7/6 block version. I've been liking this weight for programming at size 8.

Friendly Geek:
 Good for...
  - Labels
  - Upper case
  - Code
  - Table cells
  - Outlines
  - Display
  - Printing
  - Informality

 Not Good for...
  - Normal Text
  - Sentences
  - Formality
 
 Sometimes Good, Sometimes not...
  - For each display screen size, one or two weights work well

I have changed the 'h' and the '+' to work better for programming. Changed the 'F' to make it more clearly different from the 'f'. Before it was looking a little bit like lower case somehow.

Friendly Geek is the regular version of Friendly Geek Light. Its widths are all 6/6 block rather than 4/6 block. The outlines of the glyphs have generally been left the same, with the insides being filled with 2/6 extra width.

Here is my fourth attempt to make a narrow font that accentuates diagonals. It seems to be a good programming font at size 10. It makes it surprisingly easy to read upper case consonant names.

Design is as follows:

Monospaced of course, because code pretty much requires this. Code fonts are built for both reading and editing, and when some letters are very narrow like the i and l in most fonts, that makes them very hard to select with a mouse and therefore very hard to edit and makes these fonts very hard to use for programming. In addition block cut and paste is important for programming and monospaced is required to do this easily.

Small sizes need to be easily readable. Sometimes you need to be able to see a lot of code on one screen.

Two Dimensional - designed for two dimensional grid-like work such as spread sheets and programming. Lines to draw reader's attention vertically are preferred over lines to draw reader's attention horizontally (as in most fonts). That makes this font more difficult for reading text and less difficult for reading code.

Glyphs are wide in the center of each letter so that diagonals and crossbars are easy to see, and narrow toward the top and bottom so that the characters pull away from each other and are easy to tell apart.

Bodies of the lower case letters are made relatively tall so they are easy to read in code, yet maintaining a clear difference between the height of the lower case and upper case characters - very important.

From top to bottom: 2 blocks upper diacritics, 1/6 block space, 2 blocks stems and upper case, 5.5 blocks lower case body, 1/3 block space, 2 blocks lower diacritics.

Clear distinctions exist among the members of each of the following groups of glyphs: ({[  ])}   Il1  aes   Ss56$   Zz217?   `'   .,   uUvV   coCO0D   pP   ;:   ~-  to help tell exacty what each glyph is. This is critical in programming.

Numbers are really large. It doesn't hurt at all for numbers to stand out in programming. This is ok because numbers never have diacritics. The 7 has a bit of a scoop so it does not look like a 2 when underlined.

Vertical alignment - The pairs {}  ()  and []  line up precisely vertically.

The dots are large and distinct so they show up easily in code.

Large numeric 'operators' +-/\%^~=* are easy to read in code.

At least one block touches the right edge in each glyph so that Visual Studio can figure out what's going on. This also means that many glyphs do not touch the left edge and some narrow puctuation glyphs have a tiny extra block off on the right edge.

Floating a little bit above the zero line helps in dealing with underlines.

Avoids horizontal strokes to reduce problems with pixelation at various sizes in various programming tools.

Sans Serif (mostly) so that you can cram glyphs together more tightly.

Also:

Diacritics have lots of space since the area above and below the capitals is more than 2 blocks, so they can be added later on.

Looks scripty - There is a bit of a scripty thing going on because of the wide bases for the lower case i and l, so this is enhanced a bit in the I, J, S, U, Z, f, t, u, z and s.

Narrow enough to be mistaken for an informal text font although since it is designed for two dimensional work, simple lines of text are not that easy to read.

A little too thin - A little bit too thin to be easy to read on a pixelated screen below size 10, although it does print very nicely, so I am labeling this Friendly Geek Light, and I am building a Regular and a Bold font also.

Recent Changes:

Made the 'h' lean to the right to distinguish from the 'b'. Straightened out the '+'. Made the 'F' drop below the rest of the upper case to make it look less like an 'f'. Heightened the 'v' to make it smoother.

Typeface based on the Love Live! School idol project logo subtitle. This typeface attempts to be more accurate than existing substitutes (OCR, Anvylon, White Rabbit etc.) (even though only like 14 of the characters are restorations).

EDIT 6th May: Added most of Latin-1 Supplement. Some punctuation characters now take as much space as the whitespace character.

Monospaced typeface based on Otonokizaka Std II (https://fontstruct.com/fontstructions/show/1399114/otonokizaka-std-ii), which in turn is based on the Love Live! logo subtitle, with slight changes making some characters more legible at small sizes. Can be used as a high-DPI code editor font.

EDIT 6th May: Added most of Latin-1 Supplement. A boldface version is now also available (https://fontstruct.com/fontstructions/show/1401380/otonokizaka-std-ii-1-3).