A sharpy font for Russian Cyrillic, big amount of latin letters, Greek, and some other Unicode characters

Decorative font without curves. Despite some fancy 'serif' kind of additions to most letters it different from the usual small fonts.

Feel free to replace those non-corner triangles with squares ;) to get a different look :D

I produced this typeface as a part of a UWE project. I started by exporing the word dangerous, where I moved onto the topic of fear. This lead me to a fear of heights and ultimately glass and the way it smashes. This broken glass typeface is shattered as if hit directly and smashed into shape. I wanted it to look more unorganised so the smash seemed more natural. I didn't want the pieces to fit the shape of the letter form but I also didn't want you to be unable to read the letter so I felt like this was a good middle ground between the two. This typeface is to be used as a title font rather than text font. 

Folded is typeface based on the idea of paper folding. The idea of the paper folding technique was inspired by my original theme of the life and mind of an introvert. The word introvert means a person who thinks 'inward', so therefore to start off with i played around with the idea of 'inward thinking' and came across the idea of folding paper as when folding paper things become distorted and changed and can also be seen as a inward action or to look inward when folding things in half for example. This later on led me to this typface.

'Nailed It' is a unique and exclusive display typeface primarily designed to portray a message of something to be wary of and to represent the dangerous. The font is physically made of various size nails and splints of timber, positioned to replicate an original font based loosley on a brush script typeface in capitals. Uses for the font could range from circus signs to hardware shops (the most common, obviously).

I created this font as part of my project for UWE. My font was originally based around the word sharp which lead on to looking at the strcutures of glass when broken. I built my font outwards trying to use the centre of broken glass as the middle, almost like a point of impact. When building it further the font almost had this kaleidoscope effect so I tried to make the sides symmetrical but still having the main focus on the centre. 

A font where I tried to make everything top-heavy and right-heavy when possible.

I started this typeface out with the letter 'a', and from there slowly build up the other glyphs and came to realise it looks like a festive type. It's most likely due to the terminals being very angular and sharp, and that thought strengthens ever more so after I tried using it in Adobe Illustrator.

This Hyperactive Sharp Geometrical Sans is constructed by Super Geometry Fighter Z236X and The Text Force Z145X. Just kidding, the font is designed by myself.

The Gradius logotype, with extended character sets! A slightly modified version of Lampoon found in a Dan X. Solo font catalog, some personal tweaks added for differentiation and very pixel-friendly.

Bold Serif Typeface

The Sega Genesis logotype, with extended character sets! Inspired by Act Select with some personal tweaks and very pixel-friendly.

A truly timeless typeface.

A small, sharp, thick font. I tried to avoid stacking and composites, but were necessary in some places.