First year BA (Hons) Graphic Design at UWE. Typeface inspired by barbed wire on the theme 'dangerous'. Expanding on the idea of both restricting people from dangers and being dangerous itself. After playing with the shape of barbed wire I played with the compact shape of the barbs themselves.
I spent a lot of time making this font, it is based On the premise that too many fonts are way to ambiguous, so this is a fix for that, also I have added a copyright symbol, I replaced the vertical bar with the copyright symbol, because as far as I know the vertical bar symbol is rarely if ever used...( I have not seen it used in allmost anything I have viewed or read in all my life, except that it is there in the font character listing, so why is it there? certainly a copyright symbol would be more useful don't you think?) as for the "blockiness" of the C in the copyright symbol, keep in mind, that it is designed to have a maximum width of 9 pixels, so for what it is I think it is good, basically you cant get a smaller bitmaped based copyright symbol where it is as crisp and where the c is not pointed like a less than symbol and the c is not "touching" the circle it is in which would make it harder to read... so if you do see fit to use it I hope you are happy with it...
A second typeface inspired by the theme 'systematic', developed through finding hidden shapes within geometric architecture and using them as building blocks for the letterforms, this time blacked out to create a bolder more imposing style. Sister font to - STACKEDThis is a clone of STACKED
A typeface inspired by the theme 'systematic', developed through finding hidden shapes within geometric architecture and using them as building blocks for the letterforms. Sister font to - STACKED BLACKOUT
This font relates to the theme "Sharp" and is inspired by Cubist architecture. Cubist architecture is very rare and can be found only in The Czech Republic, especially in Prague. I took a core element of Cubist architecture, the triangle, and implemented it into a font. I divided each letter into sections and used different shades to make it look like decorative elements of a Cubist facade.This is a clone
Pixel demake of Basalt.
I'll add all the original glyphs eventually... this was just an experiment to see how a pixel version would turn out!
This font originally started out as a pixelated design, but changed considerably over its development. The bold strokes combined with the jagged edges and pointed serifs are almost reminiscent of something you'd see on a hard rock album cover.
This typeface was inspired by retro neon style images and 80’s rock music. The pointed edges and sides give a unique style to this typeface. Best used for display.
I enjoy fantasy and such, so I thought i'd do a font inspired by maybe some sort of dark arts. I was thinking of dragons when I created this font
The theme of this font is thunderous. Thunder is the sound that lightning makes; therefore, thunder does not happen without lightning. I combined these two together, focusing on ideas such as sounds waves, sharp/smooth lines, size of my letters (big and small), and fleetingness as thunder comes and goes. I want it to have a lot of variety as you never know what to expect from thunder.
Richter is a font inspired by the idea of instability. I initially looked at the idea of falling; the aftermath of an earthquake. However, the current design looks not at the aftermath of an earthquake, but at the aftermath of falling. The design is heavily inspired by breaking, smashing and the general consequences of an unstable object splitting apart.
This is my first font. It is meant to have few right angles and use few lines per character while not becoming simplistic.
Indyga, a fresh new font from designer Lyle M.
Visit www.lylem.com for more info and font mockups.
https://fontstruct.com/fontstructions/show/477729/xe_callig_betterThis is a clone of Remigius