Is it Ironic that I spent a lot of time making a minimalistic font? Maybe not...

In any case, this is a font I made with a challenge of keeping every character within a 5x5 block size (4x4 blocks for the lowercase letters)

The only character NOT within a 5x5 square is the @ character. It somehow ended up a little wide.

Stemless superminimal 2x2. It's small yet bold, much like Napoleon!

Experimental multiline design.

3*3 font for micro displays. 900 bits. Any usage.

MOS 2018

MOS 2018 /moʊz twɛntɪ eɪtin/ is a minimalistic, designy font aiming to simplify English lowercase letterforms as much as possible while keeping them recognizable to some degree, using a 3x3 grid.

3x3 cipher, based on version 0.3 of "Micromaze". It uses its own form of binary notation for the numerals, wherein the upper-right 4 pixels play the role of the 1, 2, 4, and 8.

This is the smallest font in which I was able to give a unique symbol to every glyph (excluding the lower/upper case, which look the same). It reads sort of like Pigpen Cipher, but is more densely written.

Since MMC is obscure and of constant width/height, it serves many "gibberish" and "placeholder text" purposes in addition to being a modestly strong cipher.

Original size: 2pt (use multiples of this value for pixel perfection)

Experimental 2x4 font. Not the most legible, but maybe useful as a cipher. It requires some contextual knowledge of what you are reading for the best result.

Original size: 6pt (use multiples of this value for pixel perfection)

my first try for making a compressed pixel font. any comment will be usefull to improve it.

My attempt at a font which uses only one grid square per glyph. I guess this is the Fontstruct equivalent of pixel art...?

As an extra challenge I decided to use no curved bricks. (This rule was since broken to add © and ®).

Even better letterforms could be created by compositing the entire thing. However, the goal here was to do what I could with the existing bricks. As such, only #?![]{}¹²³ make use of composites.

Made after my signature
[on FontStruct in 2013]

Not related to my duplicate-free 2x3
{unreleased and incomplete US-ASCII}

While creating this font, I had 2 tasks:
1. The font must be a minimum size
2. The font should be visually understandable

In the end, I came to the conclusion that 3x3 pixels is what I need.
Unlike some other fonts, I have a true size of 3x3, not a pseudo, sacrificing the classical appearance of some letters and numbers.

In some programs ("Notepad" for example) there is no possibility to adjust the line spacing, so you will have to skip the line so that it does not merge with the previous one...

I hope you will enjoy ;)

This blocky and industrial font was inspired by architechtural features on a large multistory car park near where I live. I took pictures of multiple elements from the building and rearranged and rotated the shapes to create letter forms, and used shading to create a 3 dimensional effect to mimic the structures depth when seen in person.

Very tiny letters with the height of 5px.

Latin caps from "fs ad". 

See more: Pufff, Cless,

https://fontstruct.com/fontstructions/show/1431730/heavy-diacritics-2

https://fontstruct.com/fontstructions/show/851949/fairytale-1 

https://fontstruct.com/fontstructions/show/920104/at_hoppy

Blicket

Blackfoot

Peach Squared

A fairly faithful re-creation of the basic Latin set of the Atari ST 6×6 system font, which was used for icon labels on the desktop (where only uppercase was used).

This monospace font was first created in paint using only the smallest possible grid (3x3), with wich every common glyph can (recognisable) be drawn. In this font not every glyph can be deciphered on its own. But on a second glance you shoud easily be able to read a word, phrase or a sentence.

My Reversecomp entry.

fn('hi\n');

Blackletter, as small as possible, as elegant as possible.

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Fun fact: The name Minotur came from the shortening of "minimal textur".

A simple symbol font. Some of the symbols are also their latin letter counterparts, made to look like it belongs (this was on purpose), while others have a false relation (B).

The theme for this typeface is the word 'Filthy'. The letterform's structures are based on dust and the way it separates when a finger is dragged through it. Dust collects on objects that have been untouched for periods of time, often through neglect. The use of negative space and lack of border draws attention to the dot-work dust that forms around the accents of the letters. As a finger cleans dust, larger piles form where there is a change in direction. This helps identify the individual characters whilst keeping a minimalistic approach. This font can be used for headings and posters, or shop designs and logos. I have always felt this font would go well on a burger shack to help give a rustic or edgy look.