Celtic calligraphy font with spiral detailing inspired by the triskelion symbol. The concept behind the symbol and therefore the typeface is of rebirth - and more specifically the cycle of life, death and rebirth - symbolised by the spiral motifs.
Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’
This font was based on the theme “Hope”. It was inspired by spray painted protests and the textures and inconsistency of hand-painted placards. Seeing people standing together, holding their placards high created a sense of hope that change and reforms could be made to create a more just and equal society.This is a clone
For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.
Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.
As a first year Graphic Design student at UWE, I have made my first attempt at a fonstruction, creating a font based around the theme of 'rebirth'. I have researched and explored the Japanese art form: Kintsugi which involves the restoration of broken pottery through connecting the broken parts with liquid gold, creating something new and unique. This art form allows us to embrace the beauty of flaws and imperfection, and through each letter I have attempted to recreate the rough, jagged lines of the broken pottery, and the cracks of 'gold' which bind them together (shown through the white lines). Any comments/advice would be really appreciated.
This is my first typeface as a first-year graphic design student at UWE. It has been created based on the theme ''Rebirth''. Inspired by the Renaissance which means ''rebirth'' in French the typeface is a transition from the old to the new. It is also connected to moon phases as a symbol of rebirth and change. The typeface is a combination of sharp elements and smooth shapes, has some futuristic and traditional motifs. Each letter is unique and can be used by itself or in a text with the others. Any comments are welcomed.
For the font, I made it by the theme “community”. It then reminds me of bees in the natural world as they often work as a group, which needs good communication to connect each other being part of the community. I made the fonts using hexagon shapes based on the look of the honeycomb that the bees storing the honey from.
My first typeface was inspired by the theme “gang community”. A large element of my research was the analysis of the most commonly forged bank notes. This typeface is the development of the contrasting typography that feature on notes. One type of typography is clear and concise, and the opposite typography is increasingly complex and hard to read to the naked eye. This is to make it extremely hard for criminals to counterfeit.
This is a collection of letters that represent the internet after choosing ‘Community’ as one of our three word choices. The bars coming off of the letters are to be seen as WiFi signals to go with the context of being on the internet.
This font began with the theme of rebirth and the idea of sending people to the next life. This lead me to looking into Egyptian Mummies and Mummification. I noticed intricate and careful wrappings of some of the mummies and decided to incorporate some of these patterns into the font.
Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.
This font was created for my Foundtype project at UWE where I chose the theme of Rebirth. It draws inspiration from the traditional Blackletter Olde English style calligraphy fonts of the seventeen hundreds however, I’ve put a retro digital spin on it by making it pixelated which shows my theme choice as it’s the Rebirth of this traditional font.This is a clone
My font is inspired by Navajo rugs and blankets and the main theme I went with was ReBirth. I thought this was fitting as the Navajo people create these rugs to tell a story of there beliefs and religion, which has been implemented in this font but instead, the words can tell the story and the design is inspired by the Navajo rugs and blankets.
I created this typeface based on the theme ‘Hope’. While being or becoming blind is extremely hard, there is always light after the dark, even for the people who cannot see. I tried to include every character from the Braille alphabet (white dots) to the original English alphabet (black dots), so it would be learnt and understood easily.
Revive is the first Iteration of a font inspired and designed to celebrate a rebirth in urban environments. I focussed on using simple geometric shapes and simplifying the feeling I wanted to convey with my font. By moving the x height of the letters really close to the cap height I tried to recreate the illusion of perspective, as if you were looking at a building from an “ants eye view” This helped convey a feeling of growth and structure representing the re-birth of nature and cities together.
The goals for this typeface was to create a quirky design, inspired by the map of the underground. I ensured that my letters abided by the rules that Harry Beck set while designing the map - horizontal, vertical and 45° lines, and incorporating circles into my design. I wanted this typeface to have a friendly feel and to reflect the theme of the community through the idea of connection.
-" Constructivism's central idea is that human learning is constructed, that learners build new knowledge upon the foundation of previous learning" Phillips, 1995.
This is my first Construction based on the theme of "Rebirth". I chose this theme as I wanted to investigate how a country is "reborn" after a war or a revolution. This led me to read an article about graphic design ideas that came from the Russian Revolution. One of them was Constructivist typography-combination of contrasting shapes and sizes. I looked at the work of El Lissitzky and Alexander Rodchenko. From this research I began to cut out shapes of different sizes and began to construct letters- however, this idea didn't translate well in FontStruct. To widen my research, I looked at Constructivist and Soviet Brutalist architecture which my font was inspired by. It reflects buildings like the Polytechnic Institute of Minsk, The Palace of Ceremonies, and the Georgian Ministry of Highways in Tbilisi.
This font was a response to the theme 'community' and focused on the Birmingham based womxn skate group "Brum Girl Skate". I looked at the structure of skateparks and reflected the curves and flowing arches found in these ramps and bowls. I also explored concrete as a skatepark material and incorporated it's association to Brutalism. This contrasting, combination of brutalist, angular geometry and the movement and flow of skatepark structures created Brutal Bab!
After watching a documentary on how the elderly are often lonely and forgotten about, it inspired me to create this font detailing the feeling of isolation and becoming disconnected from a community.
The circles that make up the font represent individuals in a community. I chose to have a number of the circles grouped, then others separated, illustrating how one can be surrounded by people but still feel isolated and alone. As this is a common issue in the world today, I found it appropriate to portray this struggle, especially with current world-wide events.
This san serif font is inspired by the concept of ‘Community’. I explored the idea of unhealthy, anti-communities and real life examples of them, which lead me to Hollywood. Hollywood, beneath all the glamour, proves to often be a toxic community, considering the examples of misogyny, racism and sexual abuse that has taken place within the community. I wanted to recreate the iconic Hollywood sign and modify it to have cracks appearing, representing the real-life cracks appearing in Hollywood’s community. These cracks will represent examples such as Harvey Weinstein and the #MeToo movement.
This is my first typeface made in Fontstruct and it is a part of my degree. The theme of the project is “Rebirth”. With this Fontstruction I am trying to revamp some of the typefaces being used for headlines and drop caps in books or newspaper. I am aiming for a more boxy and modern look, by some separations in the structure of the letters. My main inspiration came from sci-fi books and encyclopedias.
My font was made as a response to technological rebirth. The designers I have referenced and researched to create this font operated in the early days of technology and the internet. My font mirrors the exciting momentum behind design in these times. Something that is still moving and taking shape.
I am currently studying Graphic Design at The University of the West of England and this is my first typeface on Fonstruct.
The theme I chose was Community, specifically gaming communities and how important they have been for people during lockdown.
This is my first FontStruction while currently studying graphic design at Bristol UWE. This font was born from the theme of ‘hope’ and that we are hopefull for the future. I looked at lots of different material for insperation, inculding film posters, furteristic clothing and computer games.
This is my first FontStruction while currently studying graphic design at Bristol UWE. This font was born from the theme of ‘hope’ and that we are hopefull for the future. I looked at lots of different material for insperation, inculding film posters, furteristic clothing and computer games. I developed the high contrast version after the standard weight, after being inspired by a font called ‘Noe Display’.
Here is my first fontstruction coming to you from a graphic design student at UWE Bristol.
This font is based around the theme 'rebirth' and to me rebirth means growth, open-minded, seeing the world in new ways- an awakening.
So I went down the path of spiritual journeys. Throughout lockdown I have been listening to the one and only, Joe Rogan and his podcasts. Many of which discuss the topic of psychedelics and how they have changed peoples perspectives on life - positively. I then took these topics and found my 'Rebirth'
This font represents; psychedelics, trance and being in the state of stupor...
Currently studying graphic design at UWE Bristol this is my first FonstStruct attempt, creating a typeface based on the theme ‘Rebirth’. After mind mapping all the ideas that sprang to mind when hearing this theme, the idea of our spiritual centre and specifically the seed of life, sacred geometry and recurring patterns in our universe stood out to me as subjects I wanted to explore.
After overlaying various sacred geometry over each other, to find similarities and differenced, specifically focusing on trying to unite the masculine and feminine attributes of the shapes, I started to draw and create my own recurring patterns.
Through research into existing religious script and spiritual fonts I found inspiration from the harsh angles uniting with soft curves. I started to create my own font building blocks and by creating my own bricks on FontStruct to create both my letters and recurring pattern which I placed within my letters to symbolise the sacred geometry and roots at the centre of all our lives.
PRESS THE “PIXEL” BUTTON ABOVE FOR THE BEST RESULTS.
WELL, IF I WASN’T CRAZY BEFORE, I DEFINITELY AM NOW.
I WOULDN’T RECOMMEND DOWNLOADING THIS FONT. IT WOULD PROBABLY CRASH YOUR COMPUTER OR SOMETHING.
• “A”:AMBASSADOR CLASS
• “B”: OBERTH CLASS
• “C”: CONSTELLATION CLASS
• “D”: DEFIANT CLASS — U.S.S. DEFIANT (STAR TREK: DEEP SPACE NINE)
• “E”: EXCELSIOR CLASS
• “F”: FREEDOM CLASS
• “G”: GALAXY CLASS — U.S.S. ENTERPRISE D (STAR TREK: THE NEXT GENERATION)
• “H”: GALOR CLASS CARDASSIAN WARSHIP
• “I”: INTREPID CLASS — U.S.S. VOYAGER (STAR TREK: VOYAGER)
• “J”: TYPE VI SHUTTLECRAFT
• “K”: TYPE VII SHUTTLECRAFT
• “L”: LUNA CLASS
• “M”: MIRANDA CLASS
• “N”: NEBULA CLASS
• “O”: OLYMPIC CLASS
• “P”: PROMETHEUS CLASS
• “Q”: K'VORT CLASS KLINGON BIRD OF PREY
• “R”: SOVEREIGN CLASS
• “S”: SOYUZ CLASS
• “T”: TYPE XV SHUTTLECRAFT
• “U”: DANUBE CLASS
• “V”: VOYAGER’S AEROSHUTTLE
• “W”: D'DERIDEX CLASS ROMULAN WARBIRD
• “X”: NOVA CLASS
• “Y”: BORG CUBE
• “Z”: NEW ORLEANS CLASS
• SPACE: ACTUAL SPACE
I based this tyepface on the theme of 'Systematic'. Each letter was constructed based on a certain set of rules and was later altered. It is named after my previous attempt to create this font that was too big to save on fontstruct.