Revamped version / spiritual successor of Penumbra. Regular, semibold, bold, small caps, and monospace variants currently available. Questionably complete, I guess?
A font made in the proto-calligraphic style I invented and used when I was a teenager circa 2001-2002. I haven't owned a nibbed pen since those days, so this font is as far as the style was ever allowed to evolve. It's somewhat lacking the handwritten character my writing had, but this regularity is the result I was trying to achieve. I had no particular use in mind for the style other than titling documents. For that reason I consider this to be a Headliner.
- This is Pixel Optimized at 2x size and greater, and can be optimized at 1x size by doubling the letterspacing. (May no longer be true since I've added so many new letters...)
- "I" is kerned to itself so that it can be used to make nicer-looking Roman numerals.
I built this to have the least possible padding at the top of a button.This is a clone of Friendly Geek
An experiment in subtle asymmetry (it's most evident in the upper case).
Version 1.7 (14Sep2018) - ExtL-A added, GFB completed, Greek started
Version 1.6 (18Aug2018) - Changed name from "RC Badwolf" to "Badwolf"
Version 1.5 (15Aug2018) - altered 2357,ð
Version 1.4 (14Aug2018) - altered space width and mw
See also:Navajo Deco
A rounded square design made for headlines as an alternative/companion font to Empty Magazine.
Another attempt to make a usable narrow monospace programming font.
My attempt at a headliner font. This is made to look very regular, even "generic", but also very clearly readable - the sort of font you might expect to see in advertising agencies, publishing houses, hospitals, and government buildings.
Use with kerning turned ON!
Friendly Geek is the regular version of Friendly Geek Light. Its widths are all 6/6 block rather than 4/6 block. The outlines of the glyphs have generally been left the same, with the insides being filled with 2/6 extra width.This is a clone of Friendly Geek Light
Inspired by military and the need for all participant parts to be regiment. My typeface incorporates the distinct 'V' shape of a collar, responding to the idea of uniform.
1. Adjective: Remaining the same in all cases and at all times.
2. Noun: The distinctive clothing worn by members of the same organisation or body of people.
I initially responded to the level of regularity in military demonstrations, particularly from nations such as North Korea or Russia. Each character in my typeface is formed from the same starting shape to reflect this level of standardisation.
This typeface was inspired by Indonesian food "satay" (sate).