This is a multilingual font, and will likely be a perennial work in progress. Feel free to suggest the addition of new scripts and glyphs, as well as changes to existing glyphs (esp. non-Latin).

Largest font tagged with 'segment'. ≥191 languages supported from 30 scripts (Arabic*, Latin, Cyrillic, Hebrew, Greek, Braille, Emoji*, Bopomofo, Hangul Jamo, Armenian, Katakana, NKo*, Lisu, Lydian, Ol Chiki*, Mro*, Toto*, Tengwar CSUR*, Cirth CSUR*, Shavian, Klingon CSUR, Nag Mundari*, Multani, Pau Cin Hau*, Hanifi Rohingya*, Bassa Vah*, Phagspa, uppercase Cherokee). Partial support for 6 languages (Korean, Japanese, Mandarin, Hokkien, Cia-Cia, Tibetan). 5 game sets supported (Mahjong, Chess, Draughts, Dice, Playing Cards). 14160 B of ROM for a full hardware implementation.

Turkish users, the lowercase i is dotted without serifs and dotless with serifs.

(____ is next to be added to this font)

A FUTURISTIC LETTER “A”!!

MY FUNNY LETTER “K”!!

AN OVER-EXTENDED EM DASH!!

WEIRD UPSIDE-DOWN CYRILLIC LETTERS THAT NOBODY’S HEARD OF!!

IT’S ALL HERE IN MY NEW FONT — ALDRON.

I THOUGHT THAT THIS FONT NEEDED MORE ATTENTION THAN THE ONE THAT I CLONED IT FROM, WHICH WAS MADE IN A COUPLE OF HOURS. AS WELL AS ADDING THE LATIN AND GREEK ALPHABETS, I MADE A FEW ADDITIONS AND ADJUSTMENTS TO THE CYRILLIC LETTERS AS WELL AS SPACING. AND UNLIKE ITS PREDECESSOR, THIS ONE IS KERNED.

IT WAS QUITE A DIFFERENT EXPERIENCE, ACTUALLY, ADAPTING A CYRILLIC FONT FOR LATIN INSTEAD OF VICE VERSA.

INTENDED LANGUAGE SUPPORT

• БЕЛАРУСКАЯ МОВА — BELARUSIAN
• БЪЛГАРСКИ — BULGARIAN
• HRVATSKI — CROATIAN
• ČEŠTINA — CZECH
• ENGLISH
• ESPERANTO
• DEUTSCH — GERMAN
• ΕΛΛΗΝΙΚΆ — GREEK
• ITALIANO — ITALIAN
• ҚАЗАҚША — CYRILLIC KAZAKH
• МАКЕДОНСКИ — MACEDONIAN
• TE REO MĀORI
• ROMÂNĂ — ROMANIAN
• РУССКИЙ — RUSSIAN
• SRPSKI, СРПСКИ — LATIN AND CYRILLIC SERBIAN
• SLOVENČINA — SLOVAK
• SLOVENŠČINA — SLOVENIAN
• УКРАЇНСЬКА — UKRAINIAN

AVAILABLE CHARACTERS (★✰*ALL KERNED YAY!!!!!✰*✪)

LATIN: ABCDEFGHIJKLMNOPQRSTUVWXYZ ĀÁÂÄĂĆČĈĎĐDŽĒÉÈǴĜĤĪÍÎĴĹĽLJŃŇNJŌÓÒÔÖŔŘŚŠŜȘẞŤȚŪÚÜŬŮÝŹŽ
GREEK: ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ ΆΈΉΊΪΌΎΫΏ
CYRILLIC: АБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ ӘЀЃҐҒЂЄЅЍІЇЈЌҚЉҢЊӨЋЎҮҰҺЏ
THE NUMBERBET: 0123456789
PUNCTUATION: ()[]!?.…:;,„“”‘’-—«»*• AND OF COURSE, SPACE

THIS IS MY THIRD AND FINAL ENTRY TO THE COMPETITION. MY LAST ENTRY WAS GOING TO BE SOMETHING ELSE, BUT THAT GOT TAKEN DOWN FOR RICKROLL-RELATED REASONS.

MY MOST LEGIBLE FONT YET: E.

MY GOAL FOR THIS WAS TO MAKE A COMPLETE GROTESQUE FONT IN ONE DAY, AND I THINK THAT I ACCOMPLISHED THAT. WHEN IN DOUBT: PIXEL FONT!

Ko tenei momotuhi i mahia mō Te Reo.

Feel free to clone it and add letters for other languages. Even an upper case.

INTENDED LANGUAGE SUPPORT

• BELARUSIAN

• BULGARIAN

• ENGLISH

• HAWAIIAN

• NORWEGIAN

• RUSSIAN

• SERBIAN (CYRILLIC AND LATIN)

• SLOVENIAN

• TE REO MĀORI

• UKRAINIAN

THIS IS BASED ON MY HANDWRITING. NOT MY REGULAR HANDWRITING — THAT DOESN’T ALLOW FOR LOWER-CASE LETTERS; SO WHENEVER I NEED TO WRITE SOMETHING WITH LOWER-CASE LETTERS (SUCH AS IN EXAMS.), I USE THIS STYLE.

I KNOW THAT IN PLACES IT LOOKS A BIT BROKEN. BUT AT THE SMALL SIZES OF BULK TEXT, IT SHOULDN’T BE TOO NOTICEABLE; IT’S NOT REALLY DESIGNED AS A DISPLAY FONT.

AND I ALSO KNOW THAT SOME SERIFS AND STROKES AREN’T EXACTLY COMMONPLACE (SEE THE UPPER SERIFS ON THE LETTER: “u”). IT’S JUST HOW MY HANDWRITING TURNED OUT.

INTENDED LANGAUGE SUPPORT

• ENGLISH

• RUSSIAN

• TE REO MĀORI

“WHAKAITI” IS A MĀORI WORD MEANING “TO MAKE SMALL”. IT’S ROUGHLY PRONOUNCED: “ɸɑkɑiti”.

CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.

INTENDED LANGUAGE SUPPORT

• ENGLISH

• MĀORI

• SLOVENIAN

• RUSSIAN

THINGS THAT FONTSTRUCT NEEDS

• A DITHERING TOOL

• AN ELLIPSE TOOL

• RECTANGULAR-  AND ELLIPTICAL-OUTLINE TOOLS.

• A BUCKET FILL TOOL

• RULERS

• A SKEWABLE GRID

• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)

• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE

• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND

DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!

Inspired by trying to thread heddles on a 4-shafter ......... 

The design uses a lot of nudging, a little stacking and composites, using some of the exciting extended capabilities of the FontStructor.

The font's name is Maori and means "weaving".

This font is as finished as I need to have it at the moment. I'll add a few more glyphs later.

Clone of Werner and vastly improved although some more glyphs might be of interest to my friends.Rounded corners give it the charm so often lacking in 'print' fonts. It provides a pleasant text experience. Takapuna is legible at smaller sizes. I named it after the home town of my penfriend.