Typeface used for the credits in "Indiana Jones And The Fate Of Atlantis", (C) 1992/1993 LucasArts - Solid Version.

This font design appears to have been inspired by/taken from Lithos Pro, the 1989 Adobe font by Carol Twombly.

Update 2026 02-12: Corrected a pixel missing from the right stem of the capital N.

Update 2026 02-13: Corrected 2 pixels missing from the inside bottom left stem of the capital A.

An origami-like font. My second font shared by far.

Proportional version of this font

A monospaced font using only bricks from the connect category. It includes Basic Latin, along with variations of each letter. 

Glyphs are with large stroke. Black and Bold ones are Filled. White and Double-Struck ones are with small stroke. Gray and Blackletter ones are with a combination of large and small stroke

Includes a large subset of Latin-1 as well along with a small subset of certain other unicode blocks

Supports Latin, Greek (Including the Seven Coptic Letters) and Lisu Scripts

See here for the proportional version

LSans

666 characters

 torra: Minecraftian for: hard, sturdy, solid

A font that will not fall down for the forseeable future. Not particularly readable. Made for the HeavyComp. For Minecraftian letters i e a o p t k f s h m n l r ts ks, use: " | - = [ n ] < ^ > r 7 l j v u.

A more 'normal' type of university font, familiar, safe, with only few quirks, and as complete as I want it until summer. All letters are on Lower Case. Alternative "s" is on "S". No kerning.

Clone of Dot24Pin Sans Outline.

Still dreaming of 24-pin printers...

This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s.  Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.

(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)

ZMRDE!

Na plešce ti vidím vešku,

zaklapni svou sprostou držku,

nebo spadneš na koleje.

Zpozdím tebou české dráhy,

spousta lidí se pobleje,

až zvážím tvé smrti váhy.

Na plešce ti vidím vešku,

koukám na ní pěkně zvršku.

Koukám tak i na tebe,

na všechny kolem sebe.

Each letter has a width inverse to its frequency in English.

Strange, the S and Z look better as the opposite of the shapes I expected them to be. 15 letters are basic shapes, 3 letters are 1x2 constructs, 6 letters are 2x2 constructs, and 2 letters are 3x3 constructs.

Letters based on the brand logo of CalpamSMD Olie B.V. a Dutch oil company.

Enjoy!

Simple constructivism inspired typeface.

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

This is a display styled font.

Apocalypse inspired. The design gives off the feeling of sheets of metal almost being bolted together with a twist of having negative space keeping them seperated. 
 

Raysan in custom wrapping  ;)

A stout, slab serif, large countered, heavy sided, pixel font.

A proportional solid pixel font inspired by the comic lettering of Mary Kelleher. Based on the lettering she used in Eastman & Laird's Teenage Mutant Ninja Turtles, specifically the "City at War" arc and Volume 2 that followed. As a pixel font, this font is mainly for fun, and is not all that appropriate for actual comic lettering. Since this is a solid version of the font, it does not support many characters with diacritics, as they rise too far above or below the letters.