HeavyComp entry

a project to unwind from the more complex projects i am currently working on

update 0.2: fontlanger2005 inspired me to make a few more alts that he suggested in a clone of this font

Punk One is Heavy Modern sans serif with a strongest slant curve touch. An older brother of the original Plusminus font made by V. Sarela.

Sharp, sci-fi inspired font

WIP

See more:

https://www.fontstruct.com/fontstructions/show/675113/equalize-1

My first font based on old style cyrillic letters transformed to modern gothic and hard rock letters! Latin and Cyrillic glyphs with basic symbols.

This is a bold typeface. Its name is "warrior" because it has a strong and dangerous personality. 

Custom bold, beveled and fixed width font for the homemade handheld console MAD×DOG by INSANUS
https://twitter.com/LupusInsanus/status/1145113251027542017

Confidento is a typeface based and styled on the word Confident, aiming to produce a type which uses features that are strong and bold. One of the main characteristics I have aimed to encorporate throughout this process is the use of a balanced type design, enabling the design to not become too heavy. I achieved this through the means of having large variation in width across different aspects of the text. 

Just a variation of an existing design. Spacing values were changed to break the chains, and "space" & "no-break space" were made blank.

And old font that I hadn't published before. Similar to Da Capo.

Some kind of great big ol' chain.

In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!

When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)

*

12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.

*

Design Rules:

1. Negative spaces will be areas of 0.5 bricks' effective length or width.

2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.

3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.

Grotesque vintage sans in all caps.

A strong and bold sans serif typeface. This font is not completed yet, since it was published to be discussed in my class. Please leave your comment of what you think about this font :)

Ps. I'm still new on fontstruct, so please understand if this isn't perfect. Thank you!

Extremely blocky typeface, meant for large text of 36 point and up. Feel free to improve upon it!

Iron Line  is for cats... with steel

Check out the details for a more accurate preview. Bold and blocky fonts are my fav. However, a lot of the blocky fonts I find are typically limited and offer a single style. Therefore, I made two options for this font: the lowercase is a solid version of the slotted uppercase with slight variation on key letters.