Spartan Block is a simple blocky font.  Design goals in creation were to build most glyphs by subtracting the least amount of black to reveal the intended symbol while also retaining asymetry in each form. 

This started out as a joke, but it just kept getting more interesting to me as it was developed. 
Completed countertops can contain at least two pieces: an uppercase and lowercase letter. The left side of the counter starts with a capital letter, which has a corresponding right side piece in the same lower case letter. Numbers and Shifted Numbers contain center pieces that can be typed in multiples. 
The <>, [], and {} make special faux perspective counter pairs. Use sparingly. 

G1 Recoil. It's like a vibrating pixel font. It's got like one strand most of the time. 

G1 Counterfade. Its got faded halftoned counters. Who would've thought.

My third counter comp entry.

A clone updated from a byegone era.

A last minute countercomp entry, taking a deco design and surrounding the glyphs with greater and lesser facsimiles

Another example of glyphs acting as the counter in a space, and this space filling the usual "glyph's white space" in the way the counters were described for the competition.

A classical option with a new point of view (the scrape). The LC is different to make more legible the pairs of equals glyphs like FF, TT, CC, OO, EE... IBYP because I'm kerning a lot of them.  

Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.

Half ink cost here, but I like this big contrast.

A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)

There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!

my entry into countercomp

a font for when you want to be brutally serious and to the point

The counters in breach overlap the outlines of their glyphs and extend beyond them. x-height: 3 bricks

This font was inspired by crockery decorated with a name which I saw offered in a car boot sale. My font's UC has delicately decorated glyps, visible before food is placed on the plates; LC shows plates after the meal, with food remnants covering/filling parts of glyphs  ;)

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.

This might be called a "negative counter" design. Alternative 'Y' is on 'y'. Countercomp entry 2.

Countercomp entry

Los gatos means the cats in Spanish. Cuz i'm learning Spanish and got no ideas for the name.

my 2nd entry for countercomp :3 'ω'

LOREM IPSUM EXITANTUM EST

serifia la printe the name is just trying to pretend like French. It's not French i guess?

So this font is basically serif + filled counter.

it is also for the counter competition.

Fonts for "Counter competition"

Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation: 

1) Every letter is filled with thinner version of itself (self-pattern fill).

2) Outline vs Inline, emphasizing the "opposite" meaning of counter.

MY "COUNTER" COMPETITION ENTRY.

The idea was to make a minimalism type without any counters at all, hence the name: "DON'T COUNT ON ME".

It's size is tiny (only 2x4 units) but that didn't cut the fun!