a project to unwind from the more complex projects i am currently working on

update 0.2: fontlanger2005 inspired me to make a few more alts that he suggested in a clone of this font

ELEVATED (PRINT) - A large 3D outline display typeface design with shadow effect.

It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".

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This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)

This rework has one major difference compared to all previous versions, once more it was constructed with a different size to grid ratio, one that corrects the size distribution, enabling the recreation of the original sketch with high accuracy.

The stroke weight in this "PRINT" version more accuratly mimics the original sketch and therefor is not optimized for digital display use.

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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.

Enjoy!

Pixel Slab Condensed

Pixel Slab

See more:

https://fontstruct.com/fontstructions/show/232626/fuzz_5

https://fontstruct.com/fontstructions/show/648499/video_font_system

I made a font inspired by art-deco, which I really love. To more universal capital letters, more decorative lowercase have been made, which can be varied by additional alternative characters (o e i).

See more:

https://fontstruct.com/fontstructions/show/1189697/macoffice_2004

https://fontstruct.com/fontstructors/1380715/kai-beckman

This is the third font in the db Artmix series.

ELEVATED (REWORK) - A large 3D outline display typeface design with shadow effect.

It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".

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This re-work differs from Jurriaan's original sketch and my previous versions.

I changed the size to grid ratio, drastically reducing overall glyph size and increase stroke weight. The changes are optimizing the design, making it more suitable for digital display use. (more accurate 'print' version forthcoming).

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Due to the inexperience I had in my early days of FontStructing, and the lack of proper knowledge about raster scaling, I faced some serious issues regarding the correct size distribution. This made it impossible to include the diagonal lines correctly into that old version of the font, with the diagonals also having equal seporation and white space througout the entire design.

So instead of making a clone of my previously published version "STF_ELEVATED" in order to include the shadow style variation into that existing family as a seporate FontStruction (like I did with most other style variations in my "LETTERS OP MAAT" series), for this one I decided to rebuild the entire typeface from scratch.

Putting all the style variations together into this single re-worked design.
Some extra characters were added to the set, making it a slightly more functional basic font.

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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.

Enjoy!

Shadow Nose Wide font Copyright Doug Peters 2020, and released as freeware under the Creative Commons CC0 (Public Domain Dedication) license. Version 1.003 with 102 proper glyphs. Have fun.Vote!

Shadow Nose Compressed font Copyright Doug Peters 2020, and released as freeware under the Creative Commons CC0 (Public Domain Dedication) license. Version 1.003 with 102 proper glyphs. Have fun.Vote!

Shadow Nose font Copyright Doug Peters 2020, and released as freeware under the Creative Commons CC0 (Public Domain Dedication) license. Version 1.003 with 102 proper glyphs. Have fun.Vote!

Modified clone that provides a style variation to the previously published Jurriaan Schrofer font revival I did, called "STF_SATER (Isometric)".

The earlier version I did was in fact amongst my very first font designs ever, and at this stage I still had about zero real typographic background knowledge.

Due to this I simply went out copying the exact lettering 1:1 as was seen in the source that I used. Not realizing that the angle of projection applied to the lettering in the original would render my font next to useless.
So I ended up with cool looking isometric letterforms that were heavily handicapped in a full font.

This time I overhauled the original and got rid of its isometric nature and simply just making it a regular, fully upright style.

Now with this addition it finally becomes a truly functional font at last.

I hope you like it !

A semi connected script style font design. It is losely based in the lettering seen on a poster design by German designer/painter Ottomar Carl Joseph Anton. (image shown in comments)

I completed the full alphabet, I tried to incorporate the features from the provided letters the best I could while creating the remaining missing characters.

It is a semi connected script style lettering, so certain characters are deliboratly disconnect and some aren't. For example the Uppercase string is almost completelty disconnected, whereas most of the lowercase characters connect. This can also be seen in the original Ottomar poster.

For the lowercase characters that connect there has been made a alternative glyph that is disconnected and adjusted to make a more pleasing flow and better looking breaks. These are located in the Unicode Block “Halfwidth and Fullwidth Forms”.

It contains both proportional oldstyle (default) & lining numerals, which are located in the Unicode Block “Halfwidth and Fullwidth Forms” as well.

I hope you like it!

cheers

Futuristic maze like logotype.

It was designed as part of the renewed visual identity for one of my music labels.

A font that walks a thin line, even when it walks on its hands.

This font tries to use the half-arc brick to its greatest potential. Since this brick isn't the same width as the others, it causes the thin outboard lines to be cut a bit short. This in turn causes the eye to interpret the corners they form as rounded, even though the curved parts of the glyphs themselves are very small. In this way the half-arc brick helps create curves and harmonize them with angles.

Old style typeface, rounded end, can be used for commercial catalogs.

A font made for a friend who 3D prints custom NERF mods. This will be used in several product designs.

This font is also referred to internally as "Jackhammer", because it was first used in the field on a NERF mod inspired by the Pancor Jackhammer.

Version 1.2

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This font has everything Zeph-y. Decolike shapes, half-arcs, procedural asymmetry, slight gaudiness, and an ampersand that looks like a priest with a cross walking on the ocean waves.

Superwide Bulwarx/Embassy L hybrid.

This is the shadowed version for STF_UNI

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UNI - is a all caps semi-serif 3-D outline display typeface that was aimed at college sports teams.
The font features 2 styles, regular & shadowed (cloned to a seporate fontstruction).

It makes use of 3 different striped patterns, one for each plane (except the front). These enhance the depth and orientation of the Three-dimensional effect on the letterforms and making them pop out more.

Great for making headline text or to highlight specific parts.

regular version is found here: 

https://fontstruct.com/fontstructions/show/1558997/stf-uni-regular

Enjoy

The regular version for STF_UNI

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UNI - is a all caps semi-serif 3-D outline display typeface that was aimed at college sports teams.
The font features 2 styles, regular & shadowed (cloned to a seporate fontstruction).

Shadowed version is found here: 

https://fontstruct.com/fontstructions/show/1605019/stf-uni-shadow

Enjoy!

I saw a old poster on the internet and this is a remake of the font it used.

Version 1.3: Added Polish and started on Cyrillic.

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Experimental polygonal superthick decolike.

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

This is a remake of a font on a poster. I don't know what's the font so i call it with what the poster says. 

https://www.designboom.com/readers/gourdin-muller-totalitarian-architecture-exhibit/

It's a bit thicker than the original one

Uppercase is kerned but lowercase is not, because i'm lazy fite meh

A groovy geometric display typeface.

Squared fat retro sci-fi display typeface

Extrapolation of the lettering found on a Dutch renovation brochure. I have no clue if it is a existing font or not. I only used the letters from the brochure as guide and did zero research on it's origin.

Enjoy nonetheless!

Something is lurking in the shadows..

Modular grid system inspired design.