Almost released this as an NFNW, but after a couple hours in the editor, I realized I did want to finish this. Works best at larger sizes for short text.

Any suggestions to make the “N” less bulky would be greatly appreciated.

Also, kerning is in the works. I’ll see if I can finish it eventually.

Suggestions / feedback about the kerning pairs AV, VA, AW, WA, MV, VM, MW, & WM would be helpful—I can't quite figure out the spacing I like.

KERNING PAIRS COMPLETED (so far):

 • (A-B)(A-z)

 • (A-z)(A-B)

 • f(a-z)

 • (a-z)f

 • a(A-U)

 • (A-U)a

 • 7(1-9)

 • (1-9)7

Pixelled Jine.

P U B L I S H E D   O N   N O V E M B E R   1 8 ,   2 0 2 5
╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾

PW-Blacker Grotesk — a heavy geometric sans-serif font with robust language support. Capital-only.

This font also contains full 3-square-root characters: √, ∛, ∜.

Fractions can also be typed in this font
Syntax fraction typing: [superscript][fraction slash][subscript]
Example: "¹²⁄₃₄₅", while "¹²" is a superscript, " ⁄ " is a fraction slash, and "₃₄₅" is a subscript.

Over 100 language support: Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Greek, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Please share your thoughts on this font in the comments.

A weird, sort of grotesque font I’ve made. (This is an old font I never got to publish before)

JaiAnime font but no curves?!

(some characters are altered)

UPDATE:

The bottom of the letter T uppercase and lowercase has been fixed

Note: 

that "misplaced" brick in the space bar is intended.

this can be considered a very heavy font ig.

This font is weighted.

My first color font attempt and more of an excersise. I apologize if I got influenced by something I may have seen on here, it was not intentional.

Despite plans, due lack of shine, I could not relate it to gold.

FCZL font is a modular geometric typeface inspired by the aesthetics of football fan culture and graffiti.

This is a remake of the FCZL font I created back in 2012. It was my very first font, and I dedicated it to the football club Zorya — more specifically, to the fan community of FC Zorya Lugansk (UA). I was an active part of that scene: we painted graffiti and traveled all over Ukraine to support the team. Those were good times.

Now, in 2025, it has been more than ten years since the war began in my country, and my city, Lugansk, is occupied by Russia. The football club no longer plays there, and my ultras friends and I had to leave. Some of them have died as combatants. I want to dedicate this font to those guys.

I’ve redesigned many of the letters, making them more readable and consistent. The font is no longer monospaced, which allowed for a more appealing Cyrillic set. Still, the font is far from perfect, and I welcome any feedback and critique from the FontStruct community.

It’s amazing that this site still exist, big respect!

Thought I'd share this random font early cause why not.

[original placeholder title: ꀓपਲઅઇન[??]ᠲᠣ[②]め] (transliterates to explain-to-me in url)

Modeled after a Lego Magazine I have.

Current status:

Basic Latin: DONE
More Latin: NOT DONE
Greek: NOT STARTED
Cyrillic: NOT STARTED

This bold, heavy font combines strength and modernity with a distinctly futuristic edge. Each letter features asymmetrical bolding—where one side of the letter is heavier, such as the right side of 'A' and the left side of 'B'—creating a dynamic sense of movement. The design is further enhanced by sharp cuts and slices across the letters, giving them a fragmented and technological feel. Perfect for futuristic or fantastical scenarios, this font evokes a sense of advanced technology, cyberpunk aesthetics, and a world beyond reality. It's ideal for science fiction projects, video game designs, or any creative endeavor that pushes the boundaries of imagination.

a font based on the nine network logo

See tm ADHD 01

See tm ADHD 01

See tm ADHD 01

See tm ADHD 01

This turned into a whole series when all I was trying to do was simple 3×3 oversized pixel font. One tiny modification to try and fit some glyph into the established structure led other glyphs to conform to the modification. As a general practice, every time I make a modification to a completed glyph, I make a copy of it first. When enough glyphs were conformed to a/the modification, I moved them off to a clone.*

While working on the clone, some new tiny modification would generate glyphs that were similar but enough different that it warranted it's own clone. And so on...so much that the naming scheme had to be changed a few times as well.

And the series is not even all that good. But once an idea hits...and the FontStruction is easy to do... it might as well be "completed".  There are 9 versions of tmADHDs at varying states of completion at the time of first sharing.

*​​This is an over-simplification of the process. What actually happened was that the first iteration ended up with what looked like three similar-yet-distinct styles so I made two clones of the first and deleted glyphs of the first style from the second and moved glyphs to uppercase of the ones that seemed to belong to the second style and added new glyphs to flesh out the style. Did the same for the third. Lots of back and forth between the three iterations to ensure none were left behind or inadvertently deleted. Still there were enough individual glyphs left that I didn't know what to do with. Then I created a fourth clone and moved the left-overs to it. Which later turned to fifth and sixth clone. At some point the thought occurred that tmADHD2 doesn't need to be as wide so it became tmADHD2a and the narrower iteration became tmADHD2b. And so on.

Inspired some to ZmokePhantom!

funny serif font

looks like ikea

@Zackie I don't have the motivation to do like 80 glyphs fsr but i'm doing it.

based off a font called "HYFangMoJ".

Glyphs

Self proclaimed keeper of truth and wisdom, this oracle doesn't beat about the bush.

All knowing or convinced of it's own importance and brilliance, it is bound to make bold statements without hesitation, leaving all non-believers in it's shadow.

Orakol is made to be seen, felt and heard from a great distance. Shouting out all sorts of preposterous prophecies.

A vertically-weighted geometric font I've somehow been making and updating for well over a year! (partly because I was locked out for a while...)

Funnily enough I'm not really focusing on doing it in any particular order - honestly, it's just a side project.

For random uses

Based off of Chequered Ink's Rocket Rinder

font sketch, will finish later 

a bit late but since this is an extended version of my entry for numbercomp i added the tag :)

EDIT: OMG THANK YOU FOR THE STAFF PICK :D

numbercomp entry ig

I wanted to make a font that would make lower and upper case I's and L's look good and doubled I's and L's look good. So all the other glyphs are designed to not overpower the I's and L's.