An italic & pixel font, the obvious fusion give us Pixtalic made by Alex Shirlaw. Go on my behance to see it used. 

Tell me if you like it

First font by the way

Thanks bye

Recreation of the pixel font from Konami's "Punk Shot" (1990). Only the characters present in the game's tile set have been included.

shock! he naps! is an italic sans-serif pixel font.

It supports (Extended) Latin, Greek, Cyrillic, Hebrew and Armenian.

WORK IN PROGRESS! SUGGESTIONS AND TOP PICK ARE WELCOME

See more:

https://fontstruct.com/fontstructions/show/1739315/baldiozh

https://fontstruct.com/fontstructions/show/1725534/ermak-1

https://olohgram.gumroad.com/

https://fontstruct.com/fontstructions/show/1745326/beast-under-the-bed

https://fontstruct.com/fontstructions/show/1631323/robots-in-space

https://fontstruct.com/fontstructions/show/1243391/speed-shop

https://fontstruct.com/fontstructions/show/1292787/brambled-metric

1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:sch ^:'
q:ch w:y e:e r:r t:t y:j u:u i:i o:o p:p @:ʺ [:yu
a:a s:s d:d f:f g:g h:h j:zh k:k l:l ;:ye ::yo ]:ya
z:z x:sh c:c v:v b:b n:n m:m ,:, .:. _:-


!:! ":" ':' (:( ):) =:SCH ~:'
Q:CH W:Y E:E R:R T:T Y:J U:U I:I O:O P:P `:ʺ {:YU
A:A S:S D:D F:F G:G H:H J:ZH K:K L:L +:YE *:YO }:YA
Z:Z X:SH C:C V:V B:B N:N M:M ?:?

Zabo is a font.

Quicksand Condensed is a display, tiny slanted, and a slow font free for non-commercial use. It's just cute enough!

The FontStruct family, Quicksand is a racing, fast, italic font for wordmarks.

Arial Noir is an old-styled version of Gill Sans.

Qoniqt is a pixel script ainjoo typeface designed by Zach Streemke in 2021. It is an italic design as a "distinguishing" text. In 2021, it was designed by Igino Marini to make "New Coptic" letters. In 2021, it was properly FontStructed by Avalro Iltaolic to make "New ligatures and Cyrillic" latin letters. e had a curved bar with no straight segment, a was at the wrong position, It kept small sizes as well. In 2021 by Arvilo Marvona, It added "Cyrillic Ghe With Upturn".

Fancy!

Idea was to create italic capitals with swashes

Xpanding (really!) zpains. The font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the sample show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.

Alternative "z"  in "`" (Grave accent)

The font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the samples show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.

Based in the astonishing calligraphic work of Farruk Aziz.

Recreation of one of the pixel fonts from Home Data's "Battlecry" (1991). Only the characters present in the game's tile set have been included.

WIP

See more:

https://www.fontstruct.com/fontstructions/show/675113/equalize-1

A script designed for the conlang of 'Ȑiþȑa̷în'.

The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.

‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.

WIP