I made a blocky, industrial sort of style, then added art deco-style line width variation. Then, a couple of tech lines here, a couple of details there, and SHAZAM! We get these 1950's-era raygun-toting space race zippity zap letters. It's a font Marvin the Martian might use...
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Original size: 7px (use multiples of this value for pixel perfection)
24-segment display. This one belongs to a small family called Calculatrix.
Like Calculatrix 12, this one is spaced so that every segment appears in its proper place, as if the text were being rendered on one giant display. (If using this in your own software, you will want to check the line spacing as it can vary depending on the software.)
I suppose this font could be used for weaving or embroidery work, as well... it has that look about it...
TIP: Try zooming out while already at Pixel size!
Trying this style out. The name comes from a monster in the game NetHack.
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See also:Gridlarva
Finally, a pixel font that supports English,Turkish, Portuguese, Italian,French, and Spanish glyphs, and even some Hungarian ones! Inspired by modern sans-serif typefaces (mainly Helvetica), with highly readable and consistent lettering.
Pairs up nicely with Pompy Sans Condensed &Pompy Mini.
Let me know if there are any other glyphs you'd like to have with it, and I'll update it! Planning on implementing Cyrillic next.
Part of a series of fonts called Italian Farm. The name comes from the fact all the fonts' names are Italian words for farm animal species names.
This is inspired by Rotis, a 1988 typeface designed by German designer Otl Aicher, who also designed pictograms for the 1974 Munich Olympics.
Capitals only. Working on numbers, lowercase, and punctuation.
Condensed version of Pompy Sans, great for when you need it to read nice and clearly! Like its parent, also supports a lot of glyphs that are hard to come by :))
Pairs up nicely with Pompy Sans and Pompy Mini.
This is a clone of Pompy SansSee more:
https://fontstruct.com/fontstructions/show/2340585/unnamed-0005
https://fontstruct.com/fontstructions/show/2339402/spaghettini-1
https://fontstruct.com/fontstructions/show/1165560/grateful
https://fontstruct.com/fontstructions/show/2349375/wanted-11
https://fontstruct.com/fontstructions/show/2275606/wanted-9
https://fontstruct.com/fontstructions/show/1310213/stampede-c
This is a clone of BottomsVersion 1.5 of a much bigger project to come. This is a reworked version of Mostly Pixel, an old font of mine from 2023. This works in 6x10 (mostly) instead of 5x10. This will be worked on by me and a couple friends, but so far, all this work is by me.
PREVIOUS VERSIONS:
1.0 = Basic Latin, Latin Supplement, Emoji (Smileys and Hand Gestures)
CURRENT VERSION:
1.5 = Latin Extended A
TBA:
2.0 = Latin Extended B
3.0 = IPA Additions
4.0 = Cyrillic & Cyrillic Supplement
5.0 = Greek & Coptic
6.0 = Japanese and Chinese
7.0 = Arabic and Syriac (w. supplement)
8.0 = Arabic Extended A & B + Various African Languages
9.0 = Cyrillic Extended B & C
10.0 = Georgian and Dingbats
11.0 = Armenian & Hebrew
12.0 = More Misc. Scripts
Please keep in mind that more emoji will be added every update!
THIS FONT CAN BE USED FOR A COMMERCIAL PURPOSE AND AS A DUPLICATE, AS LONG AS YOU CREDIT ME.
A better version of BM MINI with much more characters. Compatible with English, French, Spanish, Italian, Dutch, Norwegian, German, Portuguese, Hungarian, Danish, Swedish, Icelandic, Finnish, Vietnamese, Russian, Belarusian, Serbian, Ukrainian and Macedonian.
Version 1.1: Several glyphs (BKMRWXkmwx38&{}µÆæß³Œœ™) were edited for readability and þ was edited to distinguish it from Þ.
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A font made for a friend's board game!
This gives me a strong "film credits" feeling with its high impact and simple geometry.
A slightly chimeric sci-fi design with no relation to Space Blam, Space Clam, Space Cram, Space Dam, Space Fam, Space Flam, Space Gram, Space Ham, Space Jam, Space Kazaam, Space Ma'am, Space Pram, Space Ram, Space Sam, Space Slam, Space Spam, Space Tram, or Space Yam.
In making this I attempted to achieve a harmony between angles and curves. You can see it especially well on "B", "3", "8", and "&".
High-res version of Marengi.
This is made to be ultramodern and ultraregular, just as high-tech futuristic corporations are wont to make their fonts.
MIV: 7.94
Recommended: Use with kerning and antialiasing turned ON!
это короче как vcr osd mono но лучше.
this font is like vcr osd mono but better.
This is a clone of 12x16 iskraAlternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.
This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!
This is a clone of NirvaniteThis is a font containing every Latin, Greek, and Cyrillic letter I could find.
I did this font of my Windows laptop, so some letters may look similar to the default WIndows font.
A 7x7 outline design which is made to form solid-looking masses from the glyphs while still allowing the outer perimeters of words to take on some unique shapes.
Original size: 5.25pt (use multiples of this value for pixel perfection)
A 117-segment display made to have a more "mosaic" look. Try using this one at odd sizes, especially with antialiasing off! The resulting distortions occur in a consistent way which leads to many new uses for the font.
Original size: 38pt
Font made for the logo of a particular project/video game of mine.
Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...
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Current Version: 1.9
See also:Dynablaze
Version 14
My attempt at a small-form polygonal sans-serif. This is based partly on the 16-segment circle I used to make "Circlets" and "Misplaced Baubles".
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This has proven to be my most popular font around the web, at least in terms of favorites. If you'd like to see support for your language added, post a comment and let me know which letters are missing.
Trying a Courier style. The lowercase has a slightly bottom-heavy design, while the uppercase keeps it consistent. Serifs everywhere!
It fits into typewriter/detective type aesthetics as well as rustic and western ones.
This one is made for a friend. We'll see if they ever end up using it. :v
EDIT: It seems as if said friend is never going to make their webzine... so, feel free to do with this one as you wish.
Version 1.1
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A fusion of art deco- and Navajo-style design. Well, many civilizations used a square zigzag pattern such as this, but "Navajo" always comes first to mind when I look at this design.
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See also: Badwolf
An uncircled version of Misplaced Baubles.
Most characters have the same height so that they can be used alongside Misplaced Baubles and other fonts of mine.
This is a clone of Misplaced BaublesVersion 1.5
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A font made in the proto-calligraphic style I invented and used when I was a teenager. I haven't owned a nibbed pen since those days, so this font is as far as the style was ever allowed to evolve. It's somewhat lacking the handwritten character my writing had, but this regularity is the result I was trying to achieve. I had no particular use in mind for the style other than titling documents. For that reason I consider this to be a Headliner.
"I" is kerned to itself so that it can be used to make nicer-looking Roman numerals.
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See also:Basalt Pixel
An extension of ideas present in "Gehenna".
The last entry in the Pseudostencil series... this is built at 2x2!
It seems like the sort of font I'd see carved in relief on the sign of an old pub.
A "Connect bricks" font.
It's called linestrider because the outline strides across the inline on both sides. It also reminds me of the courses that are drawn for line-following robots.
The person I made this for requested lowercase. I'll add it as I can.