Does it needs to someone? @Dmitriy Sychiov (Sychoff)

Many thanks to @Echo Heo (bluemon) for the opportunity to use the crack.

Exercise

The alternative of Stf nobuntu

Groutaskk - a humanist/geometric sans serif typeface

Version 1.0.0

 - Making more custom smooth rounds, Improving the inktraps & the tapered spurs of some glyphs(M,N,a,b,d,g,m...)

 - Making more custom bricks and composites

- completed all the chars in the Unicode block "Basic Latin"

Version 1.0.1

- added  more accents and finish the Unicode block “Latin 1 supp.” & some chars in  “Latin extended a”

LORD KRUMBLE —A transitional sans that mixed Art-Deco with neo-classical humanist minuscules

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Inspired to celebrate the homecoming of him who strikes fear in all badly baked treats, the one which nightmares are made of, that kind of person that makes every cookie crumble and wanna skip school for a day or two. Of course I'm talking about the one and only "Cookielord".
— "What couldn't be better suiting than to have a freshly crafted and new font that is celebrating his return."

Him recently dropping a new FontStruction somewhat came as a pretty unexpected but nice surprise. It just so happened to be that I was already looking for new ideas that could lead to the next project. In fact, until recently I was actually still struggling with this, and hadn't really been able to provide a catchy and motivating design theme to bring to the table that would once again help me on my way with starting a new FontStruct project. So I took this occasion to see if I was able to find a little inspiration in his Verminfont. Not particularly aimed at doing a derivative work, nor anything closely resembling his cool font. Instead rather trying to draw some inspiration from that peculiar and playful but friendly characteristic, that to me personally distinguishes his Vermin font the most anyway.

╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍

And so I appoligize for the fact that this doens't truly relates or do justice stylistically in any way to the aesthetic present in Cookielord's original Vermin font. That being said, this is what became the end product of that.

But, it does have one striking resemblance that pays a homage to him, and that is the included cookie. Sorry I took a bite out of it my friend, hope you can still appreciate it.

— Just to let you know that regardless wether you decide to stay or not, your recent return isn't going to be for nothing!!

╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍╍

No 'Brick Size' filters were used, which of course presented me with a lot of challenges that limited the amount of complexity I was able to put in, something that wouldn't been the case with (2:2) 'Brick Size' filter settings. The other noteworthy aspect to this particular fontstruct is its grid size, which is tiny. Never before have I made a Fontstruction that required kerning values to fluctuate only as little as 0,01. This also made it impossible to implement optical corrections on the vertical axis in the form of overshoots, but luckily this didn't became a very clear issue in the end.

I'm not sure if I can complete the additional Latin accents for all characters due to the limited grid space available surrounding some of glyphs. I might try doing those later.

Let me know what u think of it so far fella's, stay tuned!

Cheers

Frutiger Aero brings back memories

An unofficial demake of Calibri Bold at 14 point.
Get the original: https://www.myfonts.com/collections/calibri-ms-font-microsoft-corporation
This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.

An unofficial demake of Calibri Regular at 14 point.
Get the original: https://www.myfonts.com/collections/calibri-ms-font-microsoft-corporation
This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.

Work in Progress.

Object Grotesque is a medium Sans-serif typeface. With its low contrast and modern look, making it perfectly for our branding and headlines. These typeface works well both in larger and smaller sizes and handles tight spacing nicely. This font includes 235 characters.

Part of a series of fonts called Italian Farm. The name comes from the  fact all the fonts' names are Italian words for farm animal species names.

This is inspired by Rotis, a 1988 typeface designed by German designer Otl Aicher, who also designed pictograms for the 1974 Munich Olympics.

Capitals only. Working on numbers, lowercase, and punctuation.

NOBUNTU (Pro) -Contemporary humanist sans style typeface.

Updated version of my previously published NOBUNTU font. This version includes much more characters, symbols, many ligatures, as well as language support for most Latin languages.

It is a medium weight, contemporary geometric gothic humanist sans-serif style design with rounded corners and smooth curves. All curves have a slight top & bottom overshoot. The basic Latin string, numerals and punctuation are fully kerned as well as the majority of important characters in the extended Latin string. But some still need a slight adjustment.

The basic idea was inspired by the gentle round corners seen in the Ubuntu and other similar fonts. (But don't make any mistakes, it is most definetly a different font)  ;)

So far I am very pleased with the clean and legible result.

Enjoy!

Geometric Art Nouveau lettering inspired by as well as trying to mimic Uncial & medieval Insular script letters!

Futuristic, Sci-Fi, but also Humanist and Homely.

This font is an adaptation of Officina Sans by Erik Spiekermann. It is meant to save ink and therefore the planet and your wallet. It can be used up to 12pt, above that the dots become visible and it loses legibility.

Developed by Marcos Ribeiro & Paulo Teixeira

Font made for typography class based upon the New Johnston Type

Here's what happens after I temporarily lose the ability to Fontstruct... ;) This started as an experiment to get around overshoots, but took of in a slightly different direction, with a touch of Uptake. Suggestions are appreciated. Thanks!

(2017: Isn't it wonderful when you don't touch a fontstruction for 3 years and still don't see anything to improve? I don't remember why I lost the ability to use FontStruct—probably because of either a power outage or being in a moving vehicle—but I would guess I sketched this out in my graph notebook before getting back on the site.)

Idea I had for a humanist font as bitmap.

Humanist sans serif with classic proportions. The S is still on an acid trip.