This Fontstruction is a joint venture between Dmitriy Sychiov and myself, Sed4tives.

A while ago I had the concept basic forms for this design pre-published in an effort to try and reach out to y'all, asking if any of you was interested in joining me in this attempt to create a multi member community collaboration.

The original idea had I invisioned at that time was; presumptuous that most writing systems have two parallel sets of letters that can be used to distinguish between upper- and lowercase. That hypothetically could than be divided in two separate "Half-A-Bets"(oopz, lol). One one for upper- and a second for lowercase. Allowing two Fontstructors to each choose their own designated section within that specific language. But enthusiasm quickly reached critical mass, making a mild gesture go ballistic and somehow sketched this crazy wild idea of having multiple participating parties that each reserved one-half of a language within one of the several designated ranges for the Basic Multilingual Planes (preferably within their native writing system if possible), and in turns to each have them supply the glyph set for their section.

Oh, and  "Sweet mother of a blind gekko", boy what was I wrong, as eventually only one Die-Hard going by the name Dmitriy hooked up with the project in the end.

So hereby I proudly present the results of this combined forces:

"Gesamtkunstwerk" — A Futuristic sci-fi stencil sans

The philosophy behind the FontStruction was to publish the completed font with open font license (so that it is clonable). Feel free to redistribute/share, clone, learn or even refurbish mash-up and re-publish your version.

— [The original collaborative project is now closed for any new participating parties, sorry!]

Some small things still need additional work, such as kerning (which is incomplete and remains a WIP for now), Cyriillic script still missing uppercase set. All of this is scheduled to be included soon, so stay tuned..

hope y'all simply enjoy it so far nonetheless!

Cheers

STF ELEGANZA (Tall) ― Contemporary geometric humanist sans
══════════════════════════════════
A font style, that while simplified by old tradition, saw new light by modern sophistication.

It comes in a solid medium weight that is very suitable for body style text with good readability, but it does perfect clean headlines or ads as well.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
The goal was to make a clean but somewhat more contemporary and playful take on a 'Grotesque' sans-style.

In an attempt to break away from the traditional trend of Grotesque type designs which evolved more around pure geometric shapes and aim for perfect circular, triangular or square shaped letterforms, that in return give many of them a somewhat harsch and featureless mechanical appearance, I choose to try and achieve the opposite, aiming for a softer, friendlier and more humanized feeling instead.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Dimensions: (in grid units)
X-Height:                   2 .625
Cap-Height:               3 .125
Em:                             3 .5

Brick Size filter:           2 : 2
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
This is the 'Tall'-style in the 'ELEGANZA'typeface family. This version somewhat strays away from the other two variation instances. Whereas the other versions had a simplified look, this version aims for the oposite and has a much more rich and diverse typographic design. Countless subtle extra little details have been incorporated into the design. The tall and condensed style provides a luxurity look. The main purpose for this version was to provide another level of visual depth and flair into your layout.

Some of the main differences made in this 'Tall'-style are the more complex geometry, other X-Height to Cap-Height ratio, extra characters and the introduction of optical compensations.
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The other style variations can be found here:

ELEGANZA (Tight)
ELEGANZA (Therapy)

I hope you like it...

DIDUDE (Regular) ― Contemporary Neo-classical "Didone" style serif
══════════════════════════════════
The idea revolved around the basic concept for 'Didone'-style typefaces.
A genre characterized by modern unornamented standard letterforms, which was very popular for general-purpose printing during the 19th century. DIDUDE is by no means an attempt to embarge on a quest trying to deliver a conceptual overhaul of this genre. Its main goal was to achieve greater simplicity, without sacrificing that traditional neo-classical personality. Instead of leaning towards the typically more 'Humanist'-influenced style with distinct stroke modulations and proportional forms, geometry and symmetry were introduced to design this more simplified take on the traditional historical style. It has been crafted with a structural logic of its own.

"Less human, more geometry.."A fusion of geometry and neo-classical elements that blends the past with the present.
━━━━━━━━━━━━━━━━━━━━━━━━━━
Main distinctive features for DIDUDE (Regular) are:
Unbracketed serifs, vertical orientation of weight axes with a strong contrast between thick and thin strokes, slightly squarish-shaped round characters and its emphasized business-like nature. So the majority of important characteristics that distinguish the neo-classical style have been incorporated.
Certain features that were implemented into DIDUDE's design are somewhat setting it apart from most other, more traditional typefaces in this genre, and most notable is the more relaxed contrast ratio that was choosen for this particular project.
Further personalizing touches were made to stroke endings and curve geometry, providing slight 'calligraphy'-inspired decorative variation with occasional spurs, breaks, curved finials and plain monolinear terminals.
Topping it all off with an ever so gentle height deviation that sparks a subtle rhythm to any line of text. Last but not least, most of the optical clunkiness was addressed and either corrected or compensated.

There is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and glyph alternatives, punctuation marks, lining and non-lining text figures, roman numerals, (Partial) Greek and Cyrillic, also numerous non-lingual technical, mathematical and decorative stuff was included.

Only partially kerning for now and this remains a WIP.

Nonetheless, I hope y'all like it so far..
━━━━━━━━━━━━━━━━━━━━━━━━━━
Here is a link to the other font style in this typeface family:
STF DIDUDE (Condensed)

Cheers

STF_ELEGANZA (Therapy) ―Contemporary geometric humanist sans
══════════════════════════════════
A font style, that while simplified by old tradition, saw new light by modern sophistication.

It comes in a solid medium weight that is very suitable for body style text with good readability, but it does perfect clean headlines or ads as well.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
The goal was to make a clean but somewhat more contemporary and playful take on a 'Grotesque' sans-style.

In an attempt to break away from the traditional trend of Grotesque type designs which evolved more around pure geometric shapes and aim for perfect circular, triangular or square shaped letterforms, that in return give many of them a somewhat harsch and featureless mechanical appearance, I choose to try and achieve the opposite, aiming for a softer, friendlier and more humanized feeling instead.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Dimensions: (in grid units)

X-Height:              1 .625
Cap-Height:          1 .875
Em:                        3 .5

Brick Size filter:     2 : 2
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
This is the 'Therapy'-style in the 'ELEGANZA' typeface family. This version basically aims for the exact opposite effect than what the Tight' version did. The name 'Therapy' relates to its 'opened-up' appearence and the overall de-stressed propperties of this version. The more relaxed and spacious distribution remotely resembles the characteristic feel of a typewriter face. But the main purpose for this version is to create visual hierarchy in your layout.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
The other style variations can be found here:

ELEGANZA (Tight)
ELEGANZA (Tall)

I hope you like it...

LENA (Text) - Geometric retro display type family
============================
This is a part of the typeface family called 'LENA'.

A font family that comes in 3 different style varriations: Inline Solid, & Text
============================
Here you can find the rest of this family:
LENA (Solid)
LENA (Inline)

Cheers

LENA (Solid) - Geometric retro display type family
============================
This is a part of the typeface family called 'LENA'.

A font family that comes in 3 different style varriations: Inline Solid, & Text
============================
Here you can find the rest of this family:
LENA (Text)
LENA (Inline)

Cheers

STF_ELEGANZA (Tight) ― Contemporary geometric humanist sans
══════════════════════════════════
A font style, that while simplified by old tradition, saw new light by modern sophistication.

It comes in a solid medium weight that is very suitable for body style text with good readability, but it does perfect clean headlines or ads as well.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
The goal was to make a clean but somewhat more contemporary and playful take on a 'Grotesque' sans-style.

In an attempt to break away from the traditional trend of Grotesque type designs which evolved more around pure geometric shapes and aim for perfect circular, triangular or square shaped letterforms, and in return give many of them a somewhat harsch and featureless mechanical appearance. I choose to achieve the opposite, aiming for a softer, friendlier and more humanized feeling instead.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Dimensions: (in grid units)
X-Height:              1 .625
Cap-Height:          1 .875
Em:                        3 .5

Brick Size filter:     2 : 2
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
This version is the 'Tight'-style in the 'ELEGANZA' typeface family. It has a slight compressed effect on its vertical axis that sets this apart from typical proportioned faces. Tightening the Leading and allowing greater quantities of lines per inch.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
The other style variations can be found here:

ELEGANZA (Therapy)
ELEGANZA (Tall)

I hope you like it...

NEXT SKYCITY - A decorative future-retro art deco style display typeface.

=======================================================

This is a remastered and extended sequel to an pre-existing older design I did.

Now, the reason for this was due to the fact that there was a lot going on in the older version I simply just wasn't satisfied with.

=======================================================

This new and extended version includes an overall more streamlined and consistent design. Much improved and more balanced looking numerals.

Also have I corrected and added numerous punctuation marks, and, last but not least.. What truly changed this previously more of a lettering idea type design into a relative usable full font is, the introdiction of a simple and legible geometric lowercase string. Make the font far more suitable for body text.

The uppercase and numeral strings are a random mix of both normal open stroke-based geometric letterforms and stylistic filled letter-contours, that, when arranged like this making the uppercase character set look playful and slightly future-ish retro at first, yet a somewhat strangely ellegant sophistication that is ever so gently present. This could be used in isolation for a strong and convincing decorative headline text, or in conbination with the lowercase for a surprisingly readable an clean looking body text that has the occasional occurance of a decorative capital letter.

I hope you like it so far...

STF_SKYR SLAB - A modern slab serif design.

First of all, Hi everyone,

I hope you all doing great...

Seems that for now I have found my way back here, after being away from Fontstruct for nearly 2 years.

I got to admit that I experienced some ring rust at first. lol

Anyway, here is my latest fontstruction, the first one in 2 years.

So far the main design concept and the basic minimum glyph set is about completed, and I am pretty pleased with the result up untill this point.

More technical details on the design and concept as well as demo gfx can be found down in the comment section.

I hope you like it too so far

Cheers

DIDUDE (Condensed) ― Contemporary Neo-classical "Didone" style serif
════════════════════════════════════
The idea revolved around the basic concept for 'Didone'-style typefaces.
A genre characterized by modern unornamented standard letterforms, which was very popular for general-purpose printing during the 19th century. DIDUDE is by no means an attempt to embarge on a quest trying to deliver a conceptual overhaul of this genre. Its main goal was to achieve greater simplicity, without sacrificing that traditional neo-classical personality. Instead of leaning towards the typically more 'Humanist'-influenced style with distinct stroke modulations and proportional forms, geometry and symmetry were introduced to design this more simplified take on the traditional historical style. It has been crafted with a structural logic of its own.

"Less human, more geometry.."A fusion of geometry and neo-classical elements that blends the past with the present.
━━━━━━━━━━━━━━━━━━━━━━━━━━
Main distinctive features for DIDUDE (Condensed) are:
Tall and narrow letterforms with short unbracketed serifs, vertical orientation of weight axes with a strong contrast between thick and thin strokes, slightly squarish-shaped round characters and its emphasized business-like nature. So the majority of important characteristics that distinguish the neo-classical style have been incorporated.
Certain features that were implemented into DIDUDE's design are somewhat setting it apart from most other, more traditional typefaces in this genre, and most notable is the more relaxed contrast ratio that was choosen for this particular project.
Further personalizing touches were made to stroke endings and curve geometry, providing slight 'calligraphy'-inspired decorative variation with occasional spurs, breaks, curved finials and plain monolinear terminals.
Topping it all off with an ever so gentle height deviation that sparks a subtle rhythm to any line of text. Last but not least, most of the optical clunkiness was addressed and either corrected or compensated.

There is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and glyph alternatives, punctuation marks, lining and non-lining text figures, roman numerals, (Partial) Greek and Cyrillic, also numerous non-lingual technical, mathematical and decorative stuff was included.

Only partially kerning for now and this remains a WIP.

Nonetheless, I hope y'all like it so far..
━━━━━━━━━━━━━━━━━━━━━━━━━━
Here is a link to the other font style in this typeface family:
STF DIDUDE (Regular)

Cheers

STF_MIZOLLEN - Futuristic maze style typeface.

It was designed as part of the renewed visual identity for one of my music labels.

Don't worry it is probably copied again..

FLUXING - Modern simplified geometric Blackletter

Outline version for STF_SUPER MA(RE-)O BROS. family.

Drop shadow version for the STF_SUPER MA(RE-)O BROS. family.

 A large folded multiline display typeface design. I stopped working on it for now since it really started to become heavier on the resources, probably because of its dimensions. 

A modernist monoline typeface

Corded modernist minimalism script typeface design.

It is trying to mimmic letters written with a bend metal wire or a chord.

It is only in lowercase letters at the moment no numerals and only very limited punctuations. But It is still very fun to play around with.

And my apologies for putting a sting of glyphs with only a line showing in the numeral block but I did this to make the pangram for the font show up in when viewed from the gallery

Incised version for the LOOP typeface family with rounded corners.

Style variation in the LOOP typeface family, this one features rounded corners.

A geometric folded outline typeface family.

A constructivist typeface that does the job at nearly all sizes.

A futuristic monoline typeface design.

Army stencil font based on funk_king's - Dog Tag.  

https://fontstruct.com/fontstructions/show/337615/dog_tag_1

https://fontstruct.com/fontstructors/66267/funk_king

A modern geometric display type!

SUPER MA(RE-)O BROS.

A bitmap typeface family that recaps the classic fonts that were used for 1985 Nintendo Entertainment System game "Super Mario Bros."

-- It's a large piece that covers a bit of everything. And two seporate typefaces will be published the following days to accompany this one seemlessly.

both more less finished as well, but changes were made in this one that requires the other two to be fixed again in order to seemlessly work together before getting published, So stay tuned!

About this fist part:

It combines not just the two (title screen and ingame regular text)fonts used for this game, but also includes dingbats related to the game, and combines it all into one single typeface!

The sample will only display correctly at exact pixel size or double the value of this due to dither gradients that otherwise not show as a solid surfaces.

Basic and Extended Latin - letters seen at title screen

Superscripts and Subscripts -  regular text font (only partial alphabet, as according to the unicode standard for this block)

 Miscellaneous Symbols - miscellaneous dingbats related to the game such as emoji's and blocks to make seemless ornamental features like seen ingame

Halfwidth and Fullwidth Forms - regular text font but with full suport for both uppercase & lowercase, as well as numerals and basic punctuation.

Enjoy!

A fat groovy type design with filled counters.

Letters based on the brand logo of CalpamSMD Olie B.V. a Dutch oil company.

Enjoy!

Letters based on the brand logo of CalpamSMD Olie B.V. a Dutch oil company. Original logo type was designed by Benno Wissing.

Enjoy!

Another mazed typeface.

Enjoy!

A fat outlined display typeface, ideal for poster design and such.

MILITIA - A bold geometric typeface inspired by the military.

It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!

Enjoy!