Bulky (Tag) | FontStruct

1 0802 Published: 14th January, 2025
Last edited: 22nd January, 2025
Created: 13th January, 2025

This typeface is based off of blocky letters, whích is why i call it FS Blocca.

Supports: uppercase and lowercase, numbers, ".", ",", "-", and '

I've just added ! ? ` (word end), * ^ = (...)

/ (slash) too!

FontStruct License

0 4682 Published: 5th March, 2024
Last edited: 6th March, 2024
Created: 22nd February, 2024

A funky, 70s-inspired typeface with both sharp and curved attributes.

Very compact and thick, not ideal for large bodies of text. However, catches the eye when used as a title or header.

Creative Commons

13 11570 Published: 20th October, 2022
Last edited: 26th October, 2022
Created: 20th October, 2022

A bold display font.

Let me know if I should make caps

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3 0980 Published: 11th March, 2021
Last edited: 11th March, 2021
Created: 8th March, 2021

GRD 405 DMACC

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2 3663 Published: 25th April, 2020
Last edited: 25th April, 2020
Created: 25th April, 2020

Display

9 0800 Published: 7th September, 2017
Last edited: 7th September, 2017
Created: 6th September, 2017

Indyga, a fresh new font from designer Lyle M.

Visit www.lylem.com for more info and font mockups.

FontStruct License

31 32062 Published: 9th August, 2017
Last edited: 9th August, 2017
Created: 10th January, 2017

Creative Commons

11 0341 Published: 4th March, 2016
Last edited: 7th March, 2016
Created: 23rd February, 2016

Creative Commons

5908 34268875 Published: 27th February, 2014
Last edited: 13th February, 2015
Created: 23rd February, 2014
Something as simple and boring as a monospaced, octagonal, sans serif font. But it has great unicode support!

Creative Commons

10 0771 Published: 8th May, 2013
Last edited: 8th May, 2013
Created: 4th May, 2013
I created this font after some exploration on the square shape and negative shape during my MA studies. This font is under the Creative Commons Attribution. You can distribute, remix, tweak and build up the font, even commercially, as long as you credit me for the original creation

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18 0561 Published: 13th February, 2013
Last edited: 13th February, 2013
Created: 11th February, 2013
Named after two songs off of Devo's debut album, Jocko Mongo straddles a shaky middle ground of the 80's, russian kitsch and a tiny bit of that 20's classiness that wasn't ever quite replicated in early digital font sets. This is a clone

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2 0700 Published: 11th February, 2013
Last edited: 11th February, 2013
Created: 6th February, 2013
Diamonds are Forever is fully built of diamonds and nothing else. Thus, it should be more than just a quick glance over and a pass. It is quite the informal font and looks like something that may be used in old school gaming.

Creative Commons

10 2400 Published: 18th April, 2012
Last edited: 18th April, 2012
Created: 17th April, 2012
All-caps Display Type. A nice bulky typeface with some futuristic serifs.

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34 9776 Published: 31st March, 2012
Last edited: 2nd April, 2012
Created: 1st March, 2012
Instead of strokes through letters (such as in f, t) there's an inward tick. The name is a combination of the words "block" and "tick" or maybe "flick".

Creative Commons

11 0820 Published: 12th August, 2009
Last edited: 14th September, 2009
Created: 23rd June, 2009
a display typeface, all caps all the time

Display

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32 0971 Published: 11th April, 2009
Last edited: 25th April, 2009
Created: 11th April, 2009
Blocky

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14 0260 Published: 14th October, 2008
Last edited: 17th October, 2008
Created: 23rd September, 2008
Odin (один) is the Russian world for ‘singular’ or ‘one’ and translates to mean ‘the originality of an element that has no predecessor’ or ‘is alone in it’s kind.’ The typeface Odin represents this idea in a two-fold manner. First, the typeface has a single serif per letter. Instead of ornamenting each character with multiple serifs, a single serif is used to highlight a dominate feature in the form. Secondly, the idea of only one serif on a character is unique to the serif style of lettering. The name ‘Odin’ represents the strong Russian influence in the letter styles. With the thick, chunky aesthetics reminiscent of woodcuts, and the strong planar shifts, the aggressive nature that the Russian style is known for is depicted here. This typeface is best used for headline type because it draws attention and authority to whatever it is saying. The weight of each form also allows for an intensive use of color if so desired. The typeface can also be versatile in it’s nature. If used more sparingly, it can create a quieter, humbler tone.

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