Experimental font doodle made with the pizza slice brick. It reminds me of the keeled scales of a viper.

This creates many distinct visual effects depending on size and coloring!

Each letter has a width inverse to its frequency in English.

Version 1.1

*

An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.

This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.

This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.

A font which looks like sunbursts, fires, explosions, and more depending on its presentation. Seems like a design that would be used when its ability to get noticed is more important than its legibility...

Just an experiment. Build your own pixel castle with this.

A "placeholder text", "gibberish" or "cipher" font, inspired by the fictional newspaper "Capcom Times" which makes an appearance at the end of some Mega Man video games. Each time the paper appears, it has different symbols and fonts on it. This rendition is based on the newspaper from Mega Man 7 on SNES!

A remake of the original Betamaze script by Terrana Cliff

All credit to Buro Destruct for their original bitmap design. Except for the &, that one’s mine.

I originally released this in 2008 as an exploration of the optical effect possible using different modules in a simple, gridded bitmap design. Buro Destruct iconic design was an inviting point of departure.

I have recreated/republished this at the request of four who took the inspiration and ran with it.This is a clone of Med Splode

>> thalamic’s description (with edit)

Permutation: The act of changing the arrangement of a given number of elements.

One font, two different brick combinations.

Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.

In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.

So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks. This whole permuatation thing is so fun and easy to play around with. The original fs Permutation series worked with just the bricks that were available by default. Since then, the FontStructor has evolved, allowing for, in part, custom bricks. This new permutation was not possible before. This one is created just to show that custom bricks can be dragged and dropped on top of the existing ones replacing the standard bricks. The bricks used here are [edit:1/4 brick staggered identical custom composites] .

Clone it and play around.

Instructions
1. Select a brick from the standard bricks or create your own custom brick.

2. Click and drag it to the brick in the first position in My Bricks until that brick turns gray.

3. Release.

4. Repeat steps 1-3 for the brick in the second position in My Bricks.

Learn. Enjoy. Share your permutation.

This is a clone of fs Permutation VIII

>> thalamic’s description (with edit)

Permutation: The act of changing the arrangement of a given number of elements.

One font, two different brick combinations.

Picking any two bricks from the 169 available gives a total possible combinations of 14196 (169C2) different fonts. Counting a certain kinds of bricks as one--all four 45degree, for instance--gives 36 unique bricks, resulting in 630 (36C2) unique combinations or fonts.

In this font, if the bricks are swapped with each other, the result will be a different font. Hence order of the bricks matter. In which case, nCr (combinations) is not the right choice. What's needed is nPr (permutations). 169P2 gives 28392 permutations and a 36P2 gives 1260 permutations.

So, at a minimum, 1260 fonts are possible with the current implementation of FontStruct, with just this particular layout of bricks. This whole permuatation thing is so fun and easy to play around with. The original fs Permutation series worked with just the bricks that were available by default. Since then, the FontStructor has evolved, allowing for, in part, custom bricks. This new permutation was not possible before. This one is created just to show that custom bricks can be dragged and dropped on top of the existing ones replacing the standard bricks. The bricks used here are [edit: custom composites] .

Clone it and play around.

Instructions
1. Select a brick from the standard bricks or create your own custom brick.

2. Click and drag it to the brick in the first position in My Bricks until that brick turns gray.

3. Release.

4. Repeat steps 1-3 for the brick in the second position in My Bricks.

Learn. Enjoy. Share your permutation.

This is a clone

An experimental 3-D/geometric font, inspired by Mynameiscapo's "Metal Hammer [beta]". My first attempt was "InTrude"; I tried to make it look like it's coming right out of the screen or off of the page, but it wasn't what I was looking for. After retooling it, here is the result: it works! See all fonts: "Backtrude", "OneQuarterTrude", "OneQuarterTrude Inverse", "MidTrude", "ThreeQuarterTrude", "ThreeQuarterTrude Inverse", "ExTrude", "InTrude", and "FrontTrude"

Constructed using the full range of bricks available, Font Duplex is a typographic experiment in legibility--as we restricted each character to only two bricks, with no stacking.

If you do decide to download Font Duplex, we'd be chuffed if you emailed us images of it in use, thanks.