This is the rune set used by the Xenonite aliens in the History of a Galaxy book series. This font allows a user to create text in the language Xenonite Standard. Letters not in the Xenonite alphabet are duplicated from similar sounding letters. The letter is keyed by its initial - for example "X" creates the "Xa" rune - with the exception of "H" which will create "Tho" (to differentiate from "T" which creates "To").
Note that the rune "Pe" ("P") is only found in the Thoronite dialect.
Logical evolution of zolid02, less experimental and more readable, complete and compact.
This is a clone of zolid02 eYe/FSThe main language seen in the videogame Stray, used by the robots as communication. However it's more of a cipher than a proper language. Therefore it can be transformed into a font/typeface for people to use.
Glyphs:
98
Version History:
9/5/2022 - First Release, only basic latin.
Original typeface credit given to developers of the game Stray, I only take credit for the portions added onto the already existing typeface.
Inspired by the inner inktraps of Rocky Road by Baharak Pourmirzajan. An extra "g" is at the "±" glyph. The name of the font refers to the science-fiction korean series "The Silent Sea".
This is a clone of Rocky RoadClone of AV07 Ration MGS2, minus some of the larger bonus codec characters which impacted the intended character height of the font.
This is a clone of AV07 Ration MGS2By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
Based on the Ferengi character chart for the LCARS 47 Project. Tried to keep it phonetic where possible (compare with original chart on www.lcars47.com to see where the more counterintuitive mapping comes in, such as l- sounds mapped to z- dakuon, etc.). Clones encouraged!
Sci-Spike is a sleek and simple font with an edge.
The simple block forms are amplified by the consistent use of spike details. Sci-Spike is best used as a display typeface and will bring a bold and edgy look to any project.
Nebular is a space-age, all-caps sans serif typeface. It is bold; rounded yet angular. Great for headlines, quotes, and posters. It brings a fun bit of futuristic sci-fi to any design!
Clone of Alex Murphy Solid. Inspired by the RoboCop movie logos, this version is specially spaced to line up in combination with the "Alex Murphy Outline" font for graphic design purposes (Inset + Outline). As always, for dingbats of OCP logos, see the "Alex Murphy Dings" font.
August 10, 2021 update: Font at version 2.0. Diagonals and lowercase crossbars were thickened, and diagonals now cross into the vertical strokes. Now more movie accurate than ever!
This is a clone of Alex Murphy SolidSbB Directorate is my typographic ode to science fiction bureaucracy. Directorate is named for the government in the TV “classic” Buck Rogers in the 25th Century. From the Alliance in Firefly to the Federation in Star Trek, the bureaucratic government is a theme through science fiction, and I always imagined they’d have a typeface like this…
What would futuristic type design be without ridiculously wide letters?
Also looks great at narrower widths down to 50%.
(2nd entry to #FutureComp)
This is a cloneA blocky, somewhat futuristic, mostly sans-serif font. All latin characters are in square dimensions. Lower case letters are a third of the size of upper case letters. It was developed with my 2019 spelling reform proposal for European languages in mind, and therefore may posess and/or lack some features unexpectedly.
This is a clone