A style built on a tall ellipse. Bold line on the left, narrow line on the right. (The glyphs )]}¿¡ break this rule for the sake of aesthetics.)
I'll do lowercase if people want it.
Gloria is inspired by 1930's architecture. The theme for this idea is ‘destructive'. I looked at the exterior of buildings and the disappearance and destruction of 1930's architecture and the art deco era and style. The font is a combinination of curves and straight edges which expresses the style of architecture from that time. The detail on the letters will look better at a larger scale so it would be best for display. Anyone wanting to convey a period time or the art deco movement this is the font for you.
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.This is a clone of Raysan
it's a dotty deco. the name is a play on zoot suit. i did the uc and was satisfied that it worked as a display font. i had a bunch of lc dot fonts in the trunk and decided to pair up a few to see how they looked together. all share the same uc. that's the zoot suite.
A stout, slab serif, large countered, heavy sided, pixel font.
Multiline art deco. Can't decide which Y/7 is the best...
Edit: updated the Y/7 and left alternatives.