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This font draft was created with the theme of massive, I wanted to create something that looked physically imposing and noticeable. To create the structure, I looked at buildings and cityscapes around the busiest parts of Bristol City and wanted to play with perspective as if the viewer was standing beneath a building and looking up at it, I ended up making a font that reflected the uniformity and scale of buildings.This is a clone
In this typeface, I have explored the idea of order and systematic design in an urban surrounding. Following the natural lines from the cement of a regular brick wall I have used the repetitive pattern and method to mark the outline to my type face. This font is primarily created for using in titles and headings rather than in a body of text as it is more impacting as well as visually striking and eye catching.
This font relates to my original theme, ‘Messy’, which was developed based on the Brazilian slums, Favelas. In Western culture, these are viewed as ‘messy’, however in Brazilian culture they take great pride in their homes. This reflects the idea that people respond to the same theme in different ways depending on their cultural context. This font is designed to be used at large display sizes of 100pt or more as this means that the detail in each character can be clearly seen.
Based on the Lamina typeface by Em42. Made a rough 'A' glyph first as a test for the Reverse Competition but I had no time to get back to it before the deadline. I finished it anyway to see how the final outcome would be.
Start and finish typing words with a bracket... Lots of alternates in lower case.
( short starter panel
) short end panel
[ long starter panel
] long end panel
% connecting blank panel
A portmanteau of the term 'Pleat' and 'Uno', mx Pleato was inspired by the wavy pleats of the skirt and the tails of the 'Reverse' symbol arrows found in Uno cards. I was first interpreting the "Reverse" aspect of the glyph designs through a simple sketch of a pleated skirt/ribbon by using the opposites of the arches (AKA valleys) and then furthering the project using quarter arches of a ribbon (like the arrow tails in Uno), opposite-facing rods and other additional elements.
My first typeface as part of my Graphic Design Project, my theme was Destruction, where I then considered digital glitch artThis is a clone
This typeface was designed with the adjective 'Massive' in mind. I then chose to focus on trees, particulary the tree bark, to see how it is structured. I collected bits of bark from trees to see how bark can vary in its texture, such as, the 3D features and the visible cracks. This typeface could be used as a large title in posters, banners or headings for leaflets, possibly for environmental awareness campaigns.This is a clone
This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~This is a clone of Like a Tofu
This modular typeface was designed for my Typography calss. Our assignment was to design a retro, video-game styled typeface. I alwasy loved my GameBoy, games like Zelda, Mario, & Pokemon.
This a typeface inspiried by minecraft stair and slab letting, edited for legibility and personal prefrance for the most interesting letterforms possible in this style.
Circus (Decorative font)This is a clone of Bevan's Decorative
Atticus is a sophisticated, linear typeface that is versatile in its use. The lack of curves gives it a sleek, angular feel, yet its 3-dimensional look makes it bold and fun. Atticus is a headliner type and is guaranteed to grab your reader's attention.