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A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.
Easier to read and use than the origional
This is a clone of Oblivion3081Why you can read this? Этот шрифт исследует как орнаментальную состовляющую шрифта, так и рукописную, составляющую из отдельных штрихов целую букву. Эти структуры могут лечь в основу других, более сложных или простых шрифтов.
https://fontstruct.com/fontstructions/show/1339192/zykowarfare-eye-fs
https://www.fontstruct.com/fontstructions/show/65983/minima_4
https://www.fontstruct.com/fontstructions/show/1562147/stf-hyster
https://fontstruct.com/fontstructions/show/930129/patchwork_4
https://fontstruct.com/fontstructions/show/1282518/floriitutaak48
A playful stencil-type font that's best used for a headline or small amount of type. I'm not happy with some of the letters like the K and the R and they will need to be tweaked. This is a work in progress.
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/2146007/sweat-4
https://fontstruct.com/fontstructions/show/1830864/ooio
https://www.fontstruct.com/fontstructions/show/1718422/cheburashka-1
https://fontstruct.com/fontstructions/show/1704334/bodypositive
https://fontstruct.com/fontstructions/show/1577348/matryoshka-1
https://fontstruct.com/fontstructions/show/2031457/buildup-2
Recreation of the pixel font from Square/Acclaim's "The 3-D Battles of WorldRunner" (aka "3-D WorldRunner", "Tobidase Daisakusen", 1987) on the NES.
Only the characters present in the game's tile set have been included.
ALTERNATIVES CAN BE FOUND IN THE LOWER CASE TO CHANGE THE NOISE DISTRIBUTION.
I WASN’T REALLY THINKING ABOUT THE CYRILLIC ALPHABET WHEN I DESIGNED IT, SO THE LETTERS: “А” AND “Л” AND “Н” AND “П” ARE THE SAME.
See more:
https://www.fontstruct.com/fontstructions/show/1690797/subtract-2
https://www.fontstruct.com/fontstructions/show/1501515/dx-minima
https://www.fontstruct.com/fontstructions/show/539435/mnml_round_1
https://www.fontstruct.com/fontstructions/show/1420509/flexunda
https://fontstruct.com/fontstructions/show/458391/xe_cirpint
https://fontstruct.com/fontstructions/show/458383/xe_future_minimalist_bold
https://fontstruct.com/fontstructions/show/490446/xe_inktrap
https://www.fontstruct.com/fontstructions/show/425351/gibberish_12
https://www.fontstruct.com/fontstructions/show/495721/fs_plus_h
https://www.fontstruct.com/fontstructions/show/769007/teka_1
https://www.fontstruct.com/fontstructions/show/680450/discolyde
https://www.fontstruct.com/fontstructions/show/1165292/teka_exact
https://www.fontstruct.com/fontstructions/show/1554713/adobo
https://www.fontstruct.com/fontstructions/show/521305/orbis_1
https://www.fontstruct.com/fontstructions/show/1577865/stf-sigma
https://www.fontstruct.com/fontstructions/show/1463535/high-6
https://www.fontstruct.com/fontstructions/show/1592227/spacerock-classic-ii-caps-numbers
https://fontstruct.com/fontstructions/show/717136/hypetron
https://fontstruct.com/fontstructions/show/2209405/funky-socks
See more:
https://fontstruct.com/fontstructions/show/361689/tangs
https://www.fontstruct.com/fontstructions/show/1634096/prickly-pear-2-1
https://www.fontstruct.com/fontstructions/show/134355/arko
https://www.fontstruct.com/fontstructions/show/68838/offcuts
Recreation of the primary pixel font from Sin-Nihon Laser Soft/Telenet Japan/NEC's "Last Alert" (aka "Red Alert", 1989) on the PC Engine/TurboGrafx-16.
Only the characters present in the game's tile set have been included.
Experimenting with a new letter concept. This is not the final concept of course, but I developed this along the way, so I kept it.
For best results, use upper and lower case on seperate layers, then merge them together.
Asymmetrical alien techno stencil.
This uses some experimental techniques, of course, but I'm not sure how to concisely explain those. Let's just say that each type of line bend and line connection has a rule associated with it. These get naturally modified by the structural asymmetry the font has so that simple rules appear in many forms and variations.