Just another 70s Bauhaus font, kerned to insanity for your pleasure and 100% free.

i hate filters

EXPANDED VERSION AVAILABLE ABOVE.

Very loosely based off of the seemingly unknown typeface used on a lot of Ben Bova novels (E.G. Privateers). By the way, this was SUPER hard to make, but still, it's 100% free.

See Plutonium Regular.

See Plutonium.

See Plutonium.

A heavy, wide display font with high stroke contrast, high x-height rectangular proportions, large counters, low-medium legibility, and minimal curves. Suitable for sci-fi-styled titling. May also be suitable for retro styles. 

Part of the Plutonium font family.

My first Readable and Ultra heavy font.

Mostly inteded to be used for bigger sizes.

Lowercase charecters are a variation of the Uppercase charecters.

Enjoy!

Open to comments and suggestions!

yet another reverse contrast typeface

wip for now

This is the second version of my font "Znipped" which also happens to be my first TP.

Building on @erictom333's suggestion of adding lower case letters, lower case is now included!

The height of uppercase and lowercase letters are the same... intentionally

Enjoy!

As always, Open to comments and suggestions!

Fontstruct sucks at curves so I decided to make a pixel sans.

A modular sans for bold headlines that stand out

A font where every letter is cut out from a square.

I designed this font based on the word 'Thunderous'. My thinking in how the word relates is due to the Norse God Thor. I then started to look in to old Norse culture, this got me interested in runes. So with deeper research in to the Futharks spawned this type.

Cloned from Vertalics originally, but not one single block remains.
This is a free font version from my commercial font family, Lephnia, which includes Lephnia Drop Caps.

Outlined novelty sans font in a black weight with a repeating pattern, or texture, which is a mesh grid. This font demands to be seen in large (poster/billboard/titling/header/headline) sizes.

This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as demo freeware under the SIL Open Font License.  You are entitled to use this font however you want.  Credit for my original work IS greatly appreciated.  There is a version with lowercase and more glyphs I'll offer to donators.

Categories:
Black, All Caps, Textured, Patterned, Novelty, Poster, Titling, Header, Headline
Type: Sans Serif
Weight: Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font family name).
Redistribution: Encouraged (this demo font, only).

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...

Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.

72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )This is a clone

Brush script, art deco, classic engraving, three genera of gothic (sans serif, blackletter, and ancient alphabet!), runic, hieroglyphic, and yet still some futuristic tendencies all informed me. But do they blend?

The handwritten quality of a broad-nibbed pen or skillfully wielded marker provides the binding agent. An emulsion of all these influences, it is at once all and none. Even the strict modularity begins to melt into the background. Yet so distinctly fontstruct...This is a clone