Fontstructions tagged with “Rough”

6 2301 Published: 24th November, 2020
Last edited: 23rd November, 2020
Created: 23rd November, 2020

This font was based on the theme “Hope”. It was inspired by spray painted protests and the textures and inconsistency of hand-painted placards. Seeing people standing together, holding their placards high created a sense of hope that change and reforms could be made to create a more just and equal society.

This is a clone

FontStruct License

19 3315 Published: 3rd November, 2019
Last edited: 19th November, 2019
Created: 22nd October, 2019

This font explores the theme of anger. I took inspiration from heavy metal/rock album covers and tried to recreate the same irregular/jarring lettering they do. To do this I painted letters quickly on varying sizes of paper and translated this onto fontstruct to get a rough/rushed look.

FontStruct License

9 02750 Published: 22nd July, 2019
Last edited: 17th July, 2019
Created: 17th July, 2019
This is a clone of WolveSemi

Creative Commons

3 02750 Published: 20th July, 2019
Last edited: 17th July, 2019
Created: 17th July, 2019
This is a clone of WolveSerif

Creative Commons

5 12752 Published: 15th July, 2019
Last edited: 17th July, 2019
Created: 13th July, 2019

Creative Commons

28 32423 Published: 21st July, 2018
Last edited: 21st June, 2019
Created: 21st July, 2018

What both Latin and Cyrillic have in common?

This is a clone

Open Font License

38 231048 Published: 28th April, 2018
Last edited: 2nd August, 2018
Created: 21st April, 2018

A pixel font made to look like fire! Now you can answer (and ask!) your burning questions...

Drawing and editing these takes more time and effort than most other forms of pixel art. Don't expect them to look perfect without some time and effort from YOU, as well. An effect like this requires hand adjustment of every part at every stage.

The coloring, infill color, and effects you use with this font make a drastic difference as to what looks are evoked by its shapes! Scroll down for lots of examples. :^)

Alternates on lowercase!

*

TODO: Alternates for .,?!@_*#$%&()+/:;<=>[\]^`[|]~†123456890

Original size: 18pt (use multiples of this value for pixel perfection)

Pixel Optimized

Creative Commons

60 0524 Published: 25th October, 2016
Last edited: 25th October, 2016
Created: 11th October, 2016

FontStruct License

5 0260 Published: 24th October, 2016
Last edited: 24th October, 2016
Created: 24th October, 2016

I have created this font using the word "destructive" as a theme. After experimenting with a number of ideas I created this font by cutting it out of card in a distressed way, then projecting light through it on the wall, photographing the results and recreating the result in fontstruct. I feel as if my font could be used for a number of different things such posters or advertisement for art or music event.

FontStruct License

8 6352 Published: 24th October, 2016
Last edited: 25th October, 2016
Created: 16th October, 2016

This font is based on the word messy. Inspiration comes from paper being torn into small pieces, and the moment of chaos when work goes wrong and paper is ripped out of a sketchbook. The gradients are also not accurate in order to vaguely represent how shadows form on crumpled paper. The font was drawn freehand to begin and is designed to be used decoratively for headers. This font could be used for an art club poster.

This is a clone

Monospaced

26 Glyph Wonder

FontStruct License

Madina Script

Some fonts you just can’t FontStruct.
Buy & download premium fonts on MyFonts.com

13 31315 Published: 12th September, 2016
Last edited: 12th September, 2016
Created: 12th September, 2016

Creative Commons

9 0680 Published: 26th October, 2015
Last edited: 23rd October, 2015
Created: 21st October, 2015
Unstable is based on the effect made when paper is burned to reveal layers and uneven edges. My original idea was to look at what happens to materials as they endure the process of burning. This evolved to looking at what remains of the material when it looks to be on the precipice of collapse. This resulted in letterforms that are quite dramatic with aspects of deterioration and roughness overshadowing the structure. Shading also adds texture and makes it more visually engaging. It could have a variety of applications including use in the horror genre, video games and grunge apparel. This is a clone

FontStruct License

13 0660 Published: 20th October, 2015
Last edited: 20th October, 2015
Created: 20th October, 2015

FontStruct License

40 1345 Published: 8th December, 2014
Last edited: 26th November, 2014
Created: 26th November, 2014
"Blimey!" is a typeface inspired by the 1970s Punk movement- paying notice to the political, economical and social issues of the time and how they affected what we commonly refer to as the “Punk Aesthetic”. Ransom note lettering, stencils, silkscreen printing and the appropriation of current cultural imagery aided the movement to deliver its important message of rebellion. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Starting off with the theme "Dangerous", my focus for this project drifted to the definitions of both “rebellion” and “anarchy”. This naturally led me to the Punk movement and how it’s graphic style has been adopted into contemporary design practice. These graphics were often rough, raw, weathered and distressed- all of which I’ve tried to incorporate into my own type’s design. Ironically, the fact that this “style” is being used for commercial gain goes against the very foundations of Punk itself. This realisation spurred on the font’s name Blimey!, an ironic expression that is perhaps the furthest away from punk itself. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This typeface would be best utilised in consideration to posters, flyers and possibly book covers (providing the content matches the attitude of the font). Thank you very much, all comments are welcome! Blimey! Regular - http://fontstruct.com/fontstructions/show/blimey_regular Blimet! Rough - http://fontstruct.com/fontstructions/show/blimey_roughThis is a clone

FontStruct License

11 0872 Published: 12th November, 2014
Last edited: 12th November, 2014
Created: 11th November, 2014

Creative Commons

34 2841 Published: 27th October, 2014
Last edited: 28th October, 2014
Created: 23rd October, 2014
After choosing the theme asymmetric my thoughts went straight to the face of odin,because of the eyepatch, and since odin was the one that gave the germanic tribes their characters (according to the mythology) the idea of basing this font on ancient norse runes was born. I really wanted that feel of rough, stone carved feel, straight lines were a priority, plus I really wanted to give it the sensation of eroded and old. The name futhark comes from the first six letter of the runic alphabet.

Creative Commons

40 15327 Published: 18th October, 2014
Last edited: 2nd November, 2014
Created: 14th October, 2014
"Blimey!" is a typeface inspired by the 1970s Punk movement- paying notice to the political, economical and social issues of the time and how they affected what we commonly refer to as the “Punk Aesthetic”. Ransom note lettering, stencils, silkscreen printing and the appropriation of current cultural imagery aided the movement to deliver its important message of rebellion. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Starting off with the theme "Dangerous", my focus for this project drifted to the definitions of both “rebellion” and “anarchy”. This naturally led me to the Punk movement and how it’s graphic style has been adopted into contemporary design practice. These graphics were often rough, raw, weathered and distressed- all of which I’ve tried to incorporate into my own type’s design. Ironically, the fact that this “style” is being used for commercial gain goes against the very foundations of Punk itself. This realisation spurred on the font’s name Blimey!, an ironic expression that is perhaps the furthest away from punk itself. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This typeface would be best utilised in consideration to posters, flyers and possibly book covers (providing the content matches the attitude of the font). Thank you very much, all comments are welcome!

26 Glyph Wonder

FontStruct License

6 2552 Published: 17th August, 2014
Last edited: 18th August, 2014
Created: 17th August, 2014
It was time to see a font lying down ;) The steps are there on purpose: to get up and down ;)

Creative Commons

3 0990 Published: 1st April, 2014
Last edited: 4th April, 2014
Created: 1st April, 2014
A little bit digital, a little bit zipper-likeThis is a clone

Creative Commons

19 2832 Published: 27th February, 2014
Last edited: 4th March, 2014
Created: 13th February, 2014
These characters could easily have been scribed in the mud by a child. It hails to the carefree days of playing outside on a rainy day. But of course it's important not to play too long.

Creative Commons

21 0362 Published: 10th November, 2013
Last edited: 20th November, 2013
Created: 9th November, 2013
This font was created as part of my university work, I have created the work by picking a random theme (dangerous) I then researched and brainstormed words which relate to dangerous and then created ideas on things I had seen I liked in other fonts. I linked my theme to the grunge style of work as I think this was appropriate to do so. I wanted my font to look quite messy but at the same time readable. I wanted the font to look quite 'squared' in style as to round as I feel it looks better structurally.

FontStruct License

9 4142 Published: 16th October, 2013
Last edited: 16th October, 2013
Created: 16th October, 2013
All glyphs are made of simple bricks: squares and basic triangles. Clone freely and add new symbols!

Creative Commons

62 10547 Published: 6th October, 2013
Last edited: 6th October, 2013
Created: 5th October, 2013
Another variant.

Stencil

FontStruct License

43 2316421 Published: 15th August, 2013
Last edited: 15th December, 2015
Created: 15th August, 2013
My second script attempt, Bliss, is the result of mixing the classic elegance of humanistic italics and the roughness of the pixelization, that gives a "pencil like" feeling.

Display

Creative Commons

14 09322 Published: 6th May, 2013
Last edited: 6th May, 2013
Created: 6th May, 2013
This is a clone of Räftio Mono

Creative Commons

17 09333 Published: 6th May, 2013
Last edited: 6th May, 2013
Created: 4th May, 2013
This is a clone of Räftio Mono

Creative Commons

13 09322 Published: 4th May, 2013
Last edited: 7th May, 2013
Created: 3rd May, 2013

Monospaced

Creative Commons

7 2671 Published: 28th December, 2012
Last edited: 28th December, 2012
Created: 28th December, 2012
A simple heavy partially rounded all-caps sans-serif, my first font created with 2 by 2 filters. I wasn't knowing that's so handy! :D
Fixton Gothic is great for headlines and logotype. I hope you will like using it! It hasn't many characters now but i will fix that in a following update.

Creative Commons

5 0980 Published: 13th December, 2012
Last edited: 13th December, 2012
Created: 3rd December, 2012
A font with funky styles in a unique way.

Creative Commons

7 0301 Published: 29th October, 2012
Last edited: 30th October, 2012
Created: 8th October, 2012
This is a font based on the concept of how little of a character must be shown in order to recognize that character,in the idea of wooden letters carved including the frame. Largely inspired by Wim Crouwels New Alphabet. Not complete, reworking dimensions of the characters within the frame.

Creative Commons

6 01113 Published: 9th October, 2012
Last edited: 6th October, 2012
Created: 17th October, 2011
According to typography, the specification of (DOT) newly conspired by Joel D. Valdez, is the abbreviated meaning of Design Open Type. (D) The characters have a: graphic design, picture, embellishment, and or impression in/&/or around each typeface structure. (OT) The typeface contains the usual meaning of Open Type.This is a clone

Creative Commons

141 1415144 Published: 18th September, 2012
Last edited: 5th February, 2013
Created: 30th August, 2012
This font combines the aestethics of Fraktur and Roman typefaces. It is also (now fully) stencil. But you would need a strong material for the schabelons, as most counters only have one opening. // The name "Düpbøl" is the combination of the German and Danish names of the same town in Southern Jutland ("Düppel" and "Dybbøl" respectively).

Creative Commons

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