My font is based on the scratch texture you see on a vinyl record. I used real vinyl scratches to create the letters from an album called "Running All The Red Lights," hence the name of the font.

‘Ripped paper’ is a graffiti inspired font focusing specifically on texture and imperfection. The influence taken from punk and grunge styles, as well as artist Chris Ashworth's idea of 'Swiss Grit'. The use of many different fontstruct bricks allows the font to achieve the messy pixelated texture. The font style was created originally from experimentation with ripping paper, hence the name.

 This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats.

Cloned from Vertalics originally, but not one single block remains.
This is a free font version from my commercial font family, Lephnia, which includes Lephnia Drop Caps.

Outlined novelty sans font in a black weight with a repeating pattern, or texture, which is a mesh grid. This font demands to be seen in large (poster/billboard/titling/header/headline) sizes.

This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as demo freeware under the SIL Open Font License.  You are entitled to use this font however you want.  Credit for my original work IS greatly appreciated.  There is a version with lowercase and more glyphs I'll offer to donators.

Categories:
Black, All Caps, Textured, Patterned, Novelty, Poster, Titling, Header, Headline
Type: Sans Serif
Weight: Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font family name).
Redistribution: Encouraged (this demo font, only).

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

This typeface was designed from using the word 'Squishy' as a starting point. Which i then went on to pinpointing it down to fat in particular looking at animal fat. I feel this font can be used in a large poster or sign, advertising or for promoting against animal cruelty. 

This typeface was designed with the adjective 'Massive' in mind. I then chose to focus on trees, particulary the tree bark, to see how it is structured. I collected bits of bark from trees to see how bark can vary in its texture, such as, the 3D features and the visible cracks. This typeface could be used as a large title in posters, banners or headings for leaflets, possibly for environmental awareness campaigns.

P.S. There’s a starting character on Í (option+shift+s for Mac). Spaces can be used to pad the wave effect and create shapes and background textures. Enjoy!This is a clone of xe O Marks the Font