Another handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.

I've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.

An FMS swash art font that used in drawings. I'm sure it won't be deleted!

So What's New?:

Fixed percent sign

Added FontStructed alternates

Added new ligatures

Added Cyrillic small letters

The Trajan letter in Russia and America:

http://typejournal.ru/en/articles/The-Trajan-Letter-in-Russia-and-America

Paris, Berlin, Moscow in the 1920s... Art Deco, Bauhaus, Konstruktivizm... Effervescent people! This font is for Sandrine, the woman with white hat in the picture, and for all the people who together built the world. See also ztefan and zergei.

Pixel-rounded version of zhowfrakt. Another point of view, more "organic".

I wanted my own pixel fraktur. It was very funny to create the "old style aspect" on each glyph.

Schlanke Schöne is a tall condensed geometric sans serif typeface.

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The idea behind this font was to experiment with making interresting letterforms, with fewest possible resources. In other words, fewest possible default core bricks, no filters and mostly without expert mode. The only expert mode funtion I did use was "stack" bricks to make a small number of resized compositions and composite sloped angles. The total amount of different bricks used in the font is 20.

The font design is a simple, fairly straight forward looking sans, but due to this the end result also is pretty legible and clean. I was able to get most of the features done within the design parameters, such include optical correction, diacritics, stylistic alternates and swash capitals.

Very simple, but playful fun...

The stylistic alternates and swash capitals have been stored in the "Halfwidth and Fullwifth Forms" unicode block.

Hope you like it,

cheers

See more:

https://fontstruct.com/fontstructions/show/1310494/pannonica-c

https://fontstruct.com/fontstructions/show/1754699/gogo-14-1

https://www.myfonts.com/fonts/spareartist/crassified/

https://www.fontstruct.com/fontstructions/show/286174/adlex

https://fontstruct.com/fontstructions/show/1719850/gruz-1

This was featured inside my font: Pelagic Octopus.

Some alternative (less intrusive) forms are found in the capital section.

Use a size of thirteen point in order for the pixels to match up.

Synthetic font

See more:

https://www.fontstruct.com/fontstructions/show/112834/brusselmans_1

https://www.behance.net/gallery/34402715/Custom-Typefaces-for-Sentralen-Oslo

https://www.instagram.com/p/B3yvfnMiqOP/

https://www.behance.net/gallery/86527427/Coanda-Font?tracking_source=for_you_feed_featured_category

https://www.fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr

https://www.fontstruct.com/fontstructions/show/1656445/tunrelia

https://www.instagram.com/p/B2UAmplhqPW/

https://www.fontstruct.com/fontstructions/show/1563198/yakut-brilliant

https://www.fontstruct.com/fontstructions/show/1647546/stf-type-o-neg4tive

https://www.fontstruct.com/fontstructions/show/219548/bravado_slant

https://www.fontstruct.com/fontstructions/show/1573318/stf-gravitational-lensing

https://www.fontstruct.com/fontstructions/show/1570835/stf-randstruct-data-2

https://fontstruct.com/fontstructions/show/1399486/new-azbuka-easy-to-read

https://www.instagram.com/p/BqS3jOThJWO/

https://www.behance.net/gallery/83447021/BROZAS-Free-font

https://www.fontstruct.com/fontstructions/show/399237/pas_de_grille_pli_isom_trique_plomb

Arturito Semi-Slab Font

https://fontstruct.com/fontstructions/show/175111/irksome

https://fontstruct.com/fontstructions/show/1544279/digitalis-6-4

https://fontstruct.com/fontstructions/show/1587122/enisey-1

https://www.fontstruct.com/fontstructions/show/392321/paxel_2

WIP

See more:

https://fontstruct.com/fontstructions/show/430684/cared_scow

WIP

WORK IN PROGRESS!

See more:

https://type.today/en/firstprize/bold-upright

https://type.today/en/amalta/amalta

See more:

https://www.fontstruct.com/fontstructions/show/694135/fs_nice_and_tall

https://fontstruct.com/fontstructions/show/760511/boot_liquor

https://fontstruct.com/fontstructions/show/648361/sirkweetary_ii

https://fontstruct.com/fontstructions/show/1170237/verdisquo

For the goddess Circe ... Elegant, feminine, joyful, rounded, with a positive swing to it. Working with shapes and 'frames' I made this for the "mix-and-match" set of decorative fonts called CIRCE. The caps can be used as a "majuscle" but might overload visually if used exclusively in a text? The LC are quite legible in smaller sizes. This font is part of a 5-font style set