A beveled display typeface.

Just a chip off the ol' block.... or the ol' shoulder :^)

See also: Solidity

Font from the arcade game Afterburner.

It's a faux-drop-shadow font because the original characters had shadows.  Kind of weird but it's better than no shadow.  Limited character set as that's all that was in the game.

Still mulling this one over.

The ultimate conclusion.

Originally, this font was cloned from Shadow by 12Me21, then from Bevelry. This derivative was named Bevelry Tall and the smaller caps increased in height to accommodate the larger height of the small case charaters used.

Bevelry Tall derivative font is by Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.

https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.PremiumBrand.Name/

My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts

Cloned and modified. The original font is Shadow by 12Me21.

Bevelry Tall Small Caps is a derivative font edited, appended & further modified by Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.

https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.PremiumBrand.Name/

My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts

Modified clone of Shadow by 12Me21.

I added a lowercase character set, but tried to keep the characters as small as possible to match the compact size of the original capitals.

Bevelry, is a derivative font by me, Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.

https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
https://WindowsNotebook.com/

My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts

2050 La humanidad está al borde de la extincion. Unos exploradores encuentran unos antiquísimos manuscritos.

Social Shadow has been constructed using the shadows of household cutlery from spoons to scissors, knives to bottle openers. The font is based around the theme 'gregarious', (of a person) fond of company, (of an animal) living in flocks/organised communities. The use of cutlery represents the daily ritual we perfom in our 'organised communities', a great social activity. The use of the shadow reminds us that all is only temporary.

we are the illest

A pixelart inspired font with drop shadow effect, free to use as you please!

Wider lines on this version of Raysan. As it is a display font it only needs upper case and some essential punctuation. It would be useful for shop signs, headers and (part of) logos. It belongs to the Raysan family but I changed some spacings.

Yes,I didn't follow my design rule for J,T,Z,1,2,3,7 nor for .,+-+ and the different types of  >< I found the left lines with the a in @ and e in & unpleasant and unnecessary.

Inspired by the multitude of Ray's designs, and by our shared professional experiences. Hope you'll return soon, P2P:)

j'espère que tu as bon santé

Aloe is a font based on shadows and geometry. The idea is to create the illusion of depth within the font. The concept all stems from diligence, at first I thought about the characteristics a diligent person has and wanted to represent this in a font.
 

finish it if you want...

Based on a font called "Hard Shadow"

This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~

It should be chubbeeble but I can't change the title anymore so...here you go I hope you'll like it!

For this Fontstruct project, I decided to look at the word malnourished. Looking at all aspects that surround the meaning of the word , the lack of proper nutrition caused by not having enough to eat or not consuming the right things for whatever reasons. I decided to look at the fashion industry, looking into what people put themselves through to become the “perfect” size and that the expectation for this image is growing. My font represents this by showing the main spotlight on the front letter which is tall and skinny followed by the reality displayed in the shadow which is a bigger more “healthy” letter , showing the two extremes in a whole typeface.