My typeface is inspired by the lettering that people vandalise park benches with by scratching intials or short phrases onto them. It is a jagged font replicating the inability to scratch curves effectively when using a knife on metal or wood. The characters vary slightly in size in order to achieve a hand made effect. 

The grotesque font Inspector has been ruined by Aldi236, creating the horrible-looking font we know today. Use for boasting about the ruining of the Inspector font whose original design was an ordinary grotesque font with serif bases.

The 3D version of a design based off the idea of mosaics - each letter has its own mosaic pattern. OPENING DAY OF TREES 3

What is a mosaic?

A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface.[1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.

Mosaic Etch 5-Style Typeface

>>Mosaic Etch Regular

>>Mosaic Etch Cubic

>>Mosaic Etch Bubble

>>Mosaic Etch Shadow

>>Mosaic Etch Dark

The bubble version of Mosaic Etch - incl. font's skeleton

What is a mosaic?

A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface.[1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.

Mosaic Etch 5-Style Typeface

>>Mosaic Etch Regular

>>Mosaic Etch Cubic

>>Mosaic Etch Bubble

>>Mosaic Etch Shadow

>>Mosaic Etch Dark

The cube version of a design based off the idea of mosaics - each letter has its own mosaic pattern. OPENING DAY OF TREES 3

What is a mosaic?

A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface.[1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.

Mosaic Etch 5-Style Typeface

>>Mosaic Etch Regular

>>Mosaic Etch Cubic

>>Mosaic Etch Bubble

>>Mosaic Etch Shadow

>>Mosaic Etch Dark

EAA simple design based off the idea of mosaics - each letter has its own mosaic pattern. OPENING DAY OF TREES 3

What is a mosaic?

A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface.[1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.

Did you know?

Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms.

Early history

Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practice the old technique. Roman and Byzantine influence led Jewish artists to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Later History

Figurative mosaic, but mostly without human figures, was widely used on religious buildings and palaces in early Islamic art, including Islam's first great religious building, the Dome of the Rock in Jerusalem, and the Umayyad Mosque in Damascus. Such mosaics went out of fashion in the Islamic world after the 8th century, except for geometrical patterns in techniques such as zellij, which remain popular in many areas.

GUESS WHAT? Mosaics still exist!!!

Modern mosaics are made by artists and craftspeople around the world. Many materials other than traditional stone, ceramic tesserae, enameled and stained glass may be employed, including shells, beads, charms, chains, gears, coins, and pieces of costume jewelry.

The main language seen in the videogame Stray, used by the robots as communication. However it's more of a cipher than a proper language. Therefore it can be transformed into a font/typeface for people to use.

Glyphs:
98

Version History:
9/5/2022 - First Release, only basic latin.

Original typeface credit given to developers of the game Stray, I only take credit for the portions added onto the already existing typeface.

Bloac Typeface is an experimental typography study project. The objective of the work was to develop typography that expressed its own identity and was consistent with the formal archetypes of the Latin alphabet. The design guideline chosen was to create the set in uppercase, in the regular style. The display custom font, inspired by building forms, carries the anatomical construction based on geometry, also brings the repetition of the rectangular stem as an identity element. I hope you enjoy that!

My first serious typeface design trial with fontstruct.com

As a first year graphic design student at UWE this is my first attempt at creating a typeface on Fontstruct based around the theme of ‘hope’. Looking at this theme I explored the words; dream, desires and wishing leading me to the classic phrase, ‘when you wish upon a star’ and have therefore, based my typeface on stars. Through research, I looked at the patterns and layouts of star constellations to find that they are only made up of straight lines and circles, which is why I have formed a simple lettering using only these two basic forms, incorporating the concept of star constellations.

Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’

For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.

Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.

As a first year Graphic Design student at UWE, I have made my first attempt at a fonstruction, creating a font based around the theme of 'rebirth'. I have researched and explored the Japanese art form: Kintsugi which involves the restoration of broken pottery through connecting the broken parts with liquid gold, creating something new and unique. This art form allows us to embrace the beauty of flaws and imperfection, and through each letter I have attempted to recreate the rough, jagged lines of the broken pottery, and the cracks of 'gold' which bind them together (shown through the white lines). Any comments/advice would be really appreciated.

Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings. 

I created this typeface based on the theme ‘Hope’. While being or becoming blind is extremely hard, there is always light after the dark, even for the people who cannot see. I tried to include every character from the Braille alphabet (white dots) to the original English alphabet (black dots), so it would be learnt and understood easily.

Inspired by the open air experienced by wingmen, more commonly known as pilots.  This futuristic typeface was designed to break open at the stems of each character, allowing each letter to feel wide and open.

Albatros is the result of a research on the correlation between genius and mental instability in great artists, philosophers and poets. As in Baudelaire's poetry, it symbolises those who are misunderstood and thus isolated and derided. The albatross is a clumsy bird, but once in the sky and raised over the mass it shows everyone its great wingspan. We are all albatrosses until we are given the opportunity to discover the wings power.

Graphic is a simple font that is best used for big text.

A decorative typeface with emphasis on curvature detail. Useful for all things bubbly and colorful! 

Old style typeface, rounded end, can be used for commercial catalogs.

Font inspired by the font of the visual identity of 'College Football' on ESPN.

Download Available Now:

https://www.fontspace.com/jk-typeface/college-football-sans

For more information send an email to jjkbrasfoot@gmail.com

I designed this font based on the word 'Thunderous'. My thinking in how the word relates is due to the Norse God Thor. I then started to look in to old Norse culture, this got me interested in runes. So with deeper research in to the Futharks spawned this type.

Inspired by my likings of big cities and neon lights, such locations as Tokyo, Japan and New York City, New York. An easy to read type with flare.

ETERNAL CORE

bowl and counter is a typeface created with variety of geometric shapes,

which has a squishy and playful side of personality.

It was inspired by the well-known design Sinaloa Rosemarie Tissi in the 1970s.

I was really captivated by the beauty of adding elements of geometric shapes into basis letters, and I really wanted to recreate in the letter's bowls and counters by presenting them a technical, modern, and a futuristic flair look.

This font was created around the theme of unstable. It was developed from shapes and structures of scaffolding. I began looking at how each part of scaffolding is pivotal in creating a solid structure and if a part was to be removed it would become unstable and collapse. Each letter form is molded from different parts of a scaffolding frame, such as c-clips etc.  The outcome was very engineered/mechanical and is probably best used as a display font for businesses.

This typeface form is adapted from a typical Indonesian street food meatballs, a round shape on typeface describes the shape of meatballs, which are round and always served in a bowl of beef broth. The distinctive taste of the meatballs is so enjoyable that it has always been a favorite food of Indonesian society.