XATURATE - Heavy weight Egyptian slab
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Here is another throwback of my original older works, now refurbished and expanded into a complete font that includes multilingual support.

As part of the recent endeavours into my older FontStruct works, digging for the forgotten and lost potential gems, I stumbled upon this Egyptian style Slab-Serif, called 'XATURATE'.

This classic looking heavy weight Slab-Serif design was left rather  inconsistent and pretty incomplete. I don't remember why I abandoned
this back then, since this letterforms had great potential. They just needed a healthy fresh perspective and a little bit of extra love to make them shine after all.
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• polished shape and form
• Rebalenced full character set
• Added multilingual support
• Included many symbols & punctuations
• Overhauled entire metrics
• Partial kerning (WIP)
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I couldn't be more happy with the final result,

Let me know what you think...

Cheers

U+E000 is the .notdef glyph.

VEROORDEELD - A geometric slab serif

This is a small type family with two style variations, see links bellow!
 • Display    Bold contrasted display version    ◄- U are here!
 • Text        Light weight monostroke version

Accidental Fontstruct remake of Senator by Emigre. Initially reconstructing the lettering seen on this book cover, later found out about it being an existing comericial font. I decided to completed it anyway. But for this reason it will not be available for downloading. Sorry...

Credit optional, but recommended. I collected all the glyphs I could find.

I'm missing lowercase Cyrillic.

By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).

Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.

References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35

Sarvente Display is here! Also based on a font Schlagwerk!
Sarvente is my favorite religion lady from Church!    
Next is Sarvente Round, and now Sarvente Sans!

Making The African Font. Also which category is the font?
Can somebody do the extended and narrow font to clone Banapple Sans?

Rickiestereo is a Sans-Serif font carefully designed for computer & mobile screens. 
Our insistence black font Is now used a expertly hinted for screen use. So It was similar to Artmix. a pretty completive set of diacritics, as well as a stylistic alternative inspired by more sans-serif and claim typefaces than its nonsense Hardcore inspired default character set. the forms for the Rickiestereo typeface letter Q were being drawn.

Looking for the cities.

This is my first typeface made in Fontstruct and it is a part of my degree. The theme of the project is “Rebirth”. With this Fontstruction I am trying to revamp some of the typefaces being used for headlines and drop caps in books or newspaper. I am aiming for a more boxy and modern look, by some separations in the structure of the letters. My main inspiration came from sci-fi books and encyclopedias.  

This Sans Serif is in progress.

A font reminiscent of the bees we all know and love (or fear), complete with stingers and stripes

Unbroke 2 is an update on my earlier Unbroke. It is a san-serif headline display typeface inspired by the prensent and the absent; the broken and whole. It is minimalist heavily derivative of stencil typography.

OpenSpace is based on the openness of autaspace. Each letter is open and welcoming to the eye. 

modern semi bold slab serif font

Extrapolation of the lettering found on a 1976 calender by Wim Crouwel.

I know this has already been done before, here is one that was done by Wilson Thomas. Who did a far more extensivey version that also includes extended Latin. Check his version out here: https://fontstruct.com/fontstructions/show/795855/kalendar_1976

Apart from a couple of glyphs  that were done notably different and some other tiny differences in detais the two are pretty similar, but most certainly not copied.

Extrapolation of the lettering found on a Dutch renovation brochure. I have no clue if it is a existing font or not. I only used the letters from the brochure as guide and did zero research on it's origin.

Enjoy nonetheless!

My attempt at a headliner font. This is made to look very regular, even "generic", but also very clearly readable - the sort of font you might expect to see in advertising agencies, publishing houses, hospitals, and government buildings.

Uppercase only.

Use with kerning turned ON!

Work-in-Progress …

"Big Friendly Giant"

Inspired by the bold black letter style of old aswell as midevil styles. The font was constructed with harsh edges and sharp corners in mind. A font worthy of a noble knight.

I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.

Mixed-case, low-legibility headline font inspired by '80s-era arcade games and the hard-to-read graffiti bubble letter alphabets of the same time period. Free to use, with attribution, even commercially.

Extremely blocky typeface, meant for large text of 36 point and up. Feel free to improve upon it!