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For pixel-lovers. 4x4(5) for best legibility in smallest size.
See more:
https://fontstruct.com/fontstructions/show/360418/nt3_00
https://fontstruct.com/fontstructions/show/1215601/fs_3x3_0
https://fontstruct.com/fontstructions/show/1406220/pixel-3x5
https://fontstruct.com/fontstructions/show/1340150/pixel4x4
https://fontstruct.com/fontstructions/show/589994/yet_another_small_font
http://ru.fontzzz.com/font/category/38_pixel__bitmap.htm
https://www.myfonts.com/fonts/vic-fieger/sixpak/
https://www.behance.net/gallery/33669138/Arapix
https://fontstruct.com/fontstructions/show/15399/thepix
My font was inspired by the way pixels have been used by other designers in the late 20th century, in particular, Peter Saville’s Original die-cut sleeve album cover for New Order’s Blue Monday single, Wim Crowel’s new alphabet used by Brett Wickens in Joy Division’s compilation album Substance cover. The font was modeled on digitalized letters. To produce it I have used techniques from traditional calligraphy (drawing, use of pencil and ink on paper) to create an effect usually generate instantaneously by computer coding in order to stress the tension between the finished piece and the production behind it. The tension between the two and the uncertainty are represented in the font by the missing and misplaced pixels in each letter.
This is a cloneMy font theme is systematic, I aimed to make a font that was precise and but also referenced technology in the patterns of a motherboard and the pixelated style. The dots also help form the illusion of curves.
The font used in Super Mario 64 when speaking to people or reading signs. These characters are mostly derived from the game and used to recreate the font. Glyphs such as the asterisk and curly bracket are made with modified or existing characters used in-game (star instead of asterisk, curly bracket made from parenthesis, etc.)
"minecraft" (©MOJANG)
This is the default font for TI-nspire Ndless. I used nTxt to type out the letters and copy them onto here. The unsupported characters (that might be supported but I can't type them) I just left blank.
(https://fontstruct.com/fontstructions/show/1572180/funky-pixels)
This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!
I spent a lot of time making this font, it is based On the premise that too many fonts are way to ambiguous, so this is a fix for that, also I have added a copyright symbol, I replaced the vertical bar with the copyright symbol, because as far as I know the vertical bar symbol is rarely if ever used...( I have not seen it used in allmost anything I have viewed or read in all my life, except that it is there in the font character listing, so why is it there? certainly a copyright symbol would be more useful don't you think?) as for the "blockiness" of the C in the copyright symbol, keep in mind, that it is designed to have a maximum width of 9 pixels, so for what it is I think it is good, basically you cant get a smaller bitmaped based copyright symbol where it is as crisp and where the c is not pointed like a less than symbol and the c is not "touching" the circle it is in which would make it harder to read... so if you do see fit to use it I hope you are happy with it...
FORWARD- I wanted to create a font in which felt like it had movement. I also wanted it to relate to codeing and glitching, so it had a technical feel. This font connects together, even when re-arranged. This was put in place to lead the viewer through the text so that they felt they were being lead into a digital world. I wanted This Font to be Energetic and hectic, and i feel like ive done this with the use of smaller pixels breaking up the thicker and more readable lettering.
This is a cloneThis font is based of the theme 'gregarious'. For this I looked into coral reefs and sea anemone, then developed ideas through print making with acrylic paint and sponges. The type face is inspired by the flowing nature of the sea anemone and how some sea creatures/ plants grow upwards towards the sun. Eventually the type began to look more like flames/ smoke than a plant, which I decided to focus on instead. This shows how a project can completely change from the initial idea and just how it is important to always develop further taking into account others opinions and thoughts.
A font in which Japanese or half-width alphanumeric characters are written in 15 × 15 pixels.
15×15のピクセルで文字を書いたフォントです。
Postscript: The version made with fontforge has been released.
You can use more kanji here, and you can also write vertically.
追記:fontforgeで製作したバージョンを公開しました。
こちらでは漢字をより多く使えますし、縦書きもできます。
https://mikannnoki-font.booth.pm/items/1488587