Another "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FS escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.

Undertow from the TwentiesComp.

Paris, Berlin, Moscow in the 1920s... Art Deco, Bauhaus, Konstruktivizm... Effervescent people! This font is for Sandrine, the woman with white hat in the picture, and for all the people who together built the world. See also ztefan and zergei.

Black space tipping "\".

Twin of zlowler with some piercings added.

Xploring thin sides.

When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.

A non standard stencil/piano-like font, using an experimental "guides + nudging" kerning process and a lot of smooth curvy shapes. Some soft alternates (for A, W, w, X, x, Y and y) are in the ligatures area at the More Latin section.

Obviously dedicated to the great Sergio Leone and his Spaghetti Western "Dollars Trilogy" filmed in Almería. The uppercase was shot. Contains some extra western dingbats, keep your head down.

my inspiration for this was the font on a packaging of bricelets ...

if there's interest, i will add more letters ...

Delving into the world of curves and composite bricks a bit more to make a box top and bottom font with whimsical curves in between.

light version of "folletto grasso"...

a simple bold unicase font...

A cloned and semi connected variation to  to SCHOLTEMEIJER (CONTIUOUS)

Fleurella is simple modern yet elegant sans-serif typeface design.

The asymmetrical roundings on the stems and terminals pop out that friendly appearance and slightly giving it a caligraphic human touch.

It's a lowercase design only, but it does feature some slight variations between upper and lowercase for some of the glyphs.

Work in Progress...

Bow Tie

A dapper little typeface.

  Who says you need to be bulky to throw your weight around? Built with a boyish frame, this slender typeface can be handy when you need to "think skinny". A few dashing details dress up the average serif and is only for those who politely dare to be different.