Published: 9th July, 2014
Last edited: 6th July, 2014
Created: 4th July, 2014
Dedicated to the middleweight boxer Gennady GGG Golovkin (Good Boy).
Wanted to create smth with a sport feel. This might have some variations and hopefully will be published through dafont.
Published: 8th May, 2014
Last edited: 8th May, 2014
Created: 17th April, 2014
It's good to be back.
Check out also:
Published: 3rd August, 2012
Last edited: 6th August, 2012
Created: 16th July, 2012
A typeface that evolved from my entry for FontOut 4. Tech, italic, awesome.
First experiment with my beloved katakana, it means that I may have caused some technical mistakes here and there, but overall I'm happy with the result. Katakana matches futuristic style a lot and provides many ways to play with letters.
I'm really proud of this one, it was a pretty huge challenge, because I started building on a very small grid. Making a oblique, techno font (using 4x1 composites), with decent spacing and rich character set could be painful even in high resolution. Although sometimes I, or FontStructor did not keep pace (see the Yen symbol). Gosh, why there are no
There's a tiny "K Graveyard" in Extended Latin A, somewhere around K-like characters, there's also a different version of nine. Please take a look there and tell me if one of these K's is better than K that I decided to use. Any other suggestions are very, very welcome.
Published: 27th July, 2012
Last edited: 29th July, 2012
Created: 26th July, 2012
I was editing my font audio, but changes were so many that it was decided to make a new font. It's now monospaced, with no descenders or ascenders, and the dot is centered in every glyph. Added icons to make it more interesting. It's still in progress, so suggestions for buttons/icons are welcomed! Enjoy!
Published: 30th November, 2011
Last edited: 3rd December, 2011
Created: 29th November, 2011
Liked www.audiojelly.com's logo. Thought it'd be fun to create a font out of it, so pushed it a little further by adding caps, numbers & cyrillic glyphs. Thanks.
Published: 4th September, 2011
Last edited: 4th September, 2011
Created: 8th April, 2010
Releasing two more fonts within a day, well, after a huge break I couldn't come back empty-handed.
This is a remix of my most popular font, Sector 017, but this time it's clean and simple, only leaving random cuts and angles here and there. Still, it's a super-duper-techno-futuristic font.
A loooong time ago someone asked me to do a version without the famous eroded pattern. So I created this FontStruction and I've been working on it for... more than a year. Why so long? LOL I DUNNO.
Similar version is visible in many designs of TAMRECORDS (a Russian neurofunk record label) and the credit goes to Pixel Junglist, an Ukrainian artist who is responsible for their artworks (I guess he is...). He remixed the original Sector 017 as well, I think I've just made his job much easier :).
There are "Basic Latin" and "More Latin" character sets available +Polish and Cyrillic characters.
Take a look here: http://www.behance.net/gallery/TAMRECORDS/568101
It doesn't mean that I'm not going to rig up a nice sample pic. It's gonna be at least about 20% cooler than the one I made for Sector 017. This is a clone of Sector 017
Published: 18th April, 2010
Last edited: 25th April, 2010
Created: 18th April, 2010
This is and experimental work to create a strong stencil face with a distinct character. It is a work in progress. Some glyphs may change. If you know prior art(s) very similar to this, please let me know. This is a clone
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
Published: 24th October, 2009
Last edited: 24th June, 2015
Created: 22nd October, 2009
Destroyed techno typeface. I've spent on it about two days.
Use it everywhere you want, but I would be delighted seen my nick somewhere ;].
Published: 22nd July, 2009
Last edited: 13th July, 2009
Created: 11th July, 2009
This is a clone/remix of Micromoog. This font should ONLY be used to set the titles for a bad Michael Bay movie where the plot features an alien breed of energy drink swillin' robots that fight against extreme sport celebrities in an attempt to rid the earth of BMX bikes, skateboards, all neon colors & fun.
Lowercase carries a full set of X-TREME alternates. This is a clone of Micromoog
Published: 25th June, 2009
Last edited: 29th June, 2009
Created: 23rd June, 2009
Because I didn't get out my Star Trek or Wolverine fonts out in time for their opening days.
If Transformers 2: Revenge of the Fallen were a typeface, it would be the flashiest headline display font, with very little readability, but it would contain the most explosions and roboticity you've ever seen, with a hint of Megan Fox running in slow motion. With respect to the Terrible for already doing this before.
Published: 6th June, 2009
Last edited: 25th June, 2009
Created: 30th May, 2009
Something with a 1-2-3 rythm.
Suitable for outer space missions, robotronics and digital nostalgia.
This is a clone