A Font inspired from Metal Gear Rising's Ingame HUD/Shop.

References: https://www.gameuidatabase.com/gameData.php?id=341

Cyrillic (Russo, Serb & Ukrainian) - Finished.

More/Extended Latin - More Latin (Completed) Extended Latin A (Completed) Extended Latin B (Completed)

Greek - (Completed)

Vietnamese - (Completed?)

CJK - (Experimental but too hard.)

I was developing ideas and thought this one was worth finishing as it's experimental and a bit unusual. Sorry I can't find anywhere to give it a category.

A place to post your FS-related ideas.

The more I use FS, the more I generate ideas. Some of them don't get published, and some of them are useful enough to pass on. This page is a home for those kinds of ideas. I'll probably be posting FS art and alternative glyph designs here... you may post whatever you like, as long as it's FS-related.

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Related Forum:FontStruct Tutorials

The font used for these forums is Tangereen 2.

Ever since I saw jonrgrover's "Heavy Chain", I wondered what forms of Celtic knotwork and chainmail weave could be created on a small grid. This design contains all the ones I have found so far. Feel free to clone this or make suggestions!

All these designs are 1x1 or 2x2; I made larger swatches to show how they tessellate and can form even larger shapes.

If you clone this, I recommend opening another new FontStruction at the same time, then copy-pasting the knots you want from the cloned project over to the new one. This will help reduce the chance that your creation gets corrupted.

149 custom bricks for your perusal! Only custom bricks are in the palette, so you can clone this and easily start drawing right away.

I'll definitely be adding more with time. I love this sort of experimentation!

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Designed for those members who want inspiration, it could guide them when they need ideas on which to base a font. 

Use this like a font: close your eyes and type a 'word' with at least 7 letters.

If you can touch-type: forget it; you'll need to be quite unstructured in order to get a good variation of letters every time you want inspiration ;) If you want some uncertainty -bad spelling will be very helpful here;)- you could write the 'name' of the minute when you decided to get inspiration for a new font , inUpperCase  ... then follow this with one of your names in LowerCase. But for fun and better chance at not getting the same word every time you need inspiration I suggest you just hit different keys and then look at the line of glyphs ;)

Just remember: use UpperCase to write the first part of this word, the LowerCase to write the other part of the word. Look at the [second or] fourth and the [penultimate or] third before last letter of your 'word'.

The UC will give you an 'image'. Your font will transmit the meaning illustrated by this letter (in the widest sense).

The LC gives the type of look your font should have. You now have 2 guides/ideas/starting points which influence the kind of font you make. 

Remember that the UC should make you look at concepts, invisible messages and your own experience or lack of 'ken', as well as the visible things in the images I drew.

To express that differently:

Your font design is guided by a main theme (based on the UC) and a way to present it/a style of expression (based on the LC).The font will be influenced a little or a lot by each UC 'image';  you adjust the look of your font according to the "feeling"/a memory/a dream or wish/an experience/lack of familiarity that you have about what that which my playful  pixel illustration represents.

The presentation of the font, the style, how the eye slides across  to absorb information or spends time to investigate the beauty or quality of every glyph, is determined by the LC.                               Combine these two aspects from UC and LC, that"s what your font will convey through the shapes  of th glyphs.

In my 'comment' below I give you a few ideas of what could be linked to each of the  UC letters; it's up to your areas of study, experience, interest, and the time you want to use for designing and building your fonts,  which -if any- of the proposed words and concepts I mention will be the one(s) you want to combine with the type of presentation you found in the LC letter.  

Choose a good name for your font, it's probably a good idea to have a name that isn't the keyword I gave in the UC list -- I can imagine that those key words have long been taken by font designers for their fonts.

Note: the "INSPIRED FONT" is still in development; when I have more illustrations for objects, situations, feelings etc or styles of presentation (I am open to suggestions!) I will try to find a suitable design to add to the glyphs as there are still a few empty slots in the Basic Latin set ;)

..:*:.. Have fun ..:*:..

Fun inspiration. I might add some alternates if I feel the need;) but as it has taken me this long to add occasional glyphs adapted from my own unpublished collection I suggest you sit back and find your own muse to invade your mind, encouraging you to add more glyphs and share with us your own versions of this style, based on your own unpublished and experimental fonts.