Some alternates in lower case and filled counter glyphs also included.

a lil conscript.

"-" is a diacritic thingy

Opening Day of Doctor Strange in the Multiverse of Madness! Love the cinematic multiverses, including Everything, Everywhere, All At Once! This is a Multidimensional color font that expands through every reality. Enjoy!

WIP for indefinte time :) But at least I found a suitable name for this experiment, Sushi is sushi but Sushilka means dryer in Russian.

Intertwined (impossible) letter O as a starting point for a yet another experiment. Emes is a word used to express negation in my language.

Venturing a little into Art Nouveau. A bit of unfamiliar territory, but it sure is an elegant style. This font builds on the ideas of "peach" and "just peachy," making this amalgamation, a potion of sorts. Please enjoy!

Imah Soenda (meaning Sundanese House) is a Non-Unicode font for the Sundanese Script, the Rarangkén -ng and -r might collide with the Rarangkén vowels, so i suggest using N and Q if theres a Rarangkén vowel before it and < and > for without vowel
Wikipedia page about the Sundanese Script for more info

Imah Soenda adalah font Non-Unicode untuk Aksara Sunda Baku, Rarangkén -ng dan -r mungkin akan bertabrakan/bergabung dengan Rarangkén vokal, jadi saya sarankan tuk pakai N dan Q kalau ada Rarangkén vokal sebelumnya dan < dan > kalau tidak ada

Halaman Wikipedia untuk info lebih lanjut

Imah Soenda nyaéta font Non-Unicode pikeun Aksara Sunda Baku, Rarangkén -ng jeung -r meureun tabrakan / ngagabung sareng Rarangkén vokal, janten, aing nyarankeun nganggo N jeung Q lamun aya Rarangkén vokal jeung < jeung > lamun teu aya
Kaca Wikipedia pikeun langkung seueur inpo

Came up with this script in just about 15 minutes, it has a really nice flow to it and is inspired by Thai, Arabic, and believe it or not, Tengwar. Great for fictional languages, conlangs, or aliens. Let me know if you decide to use it for anything, would love to see your work!

NOTE: The glyphs are the same for Upper and Lower case for the time being.

Inspired by digital audio meters.

Lowercase "o" started it all.

An experiment based on: "What if an 8 color wheel was a letter O?" A work in progress just to bring up the potential of the new update. These colors are just rainbow colors and were not inspired from LGBT flag.

When Bauhaus met Art Deco

Simple reproduction of Unown alphabet, including ? and ! characters.

architect - @ for full house, _ for empty house.

Clone of Fraline, just added 4 and 7.

Version 1 of the Lucarian script font is out!
View the original script here: https://www.omniglot.com/conscripts/lucarian.htm

HERE'S HOW TO USE THE FONT:
d, h, j, l, m, n, r, s, t and z will give you the corresponding letters in full form.
b, f, g, k, p and q give you the truncated form of those letters. Uppercase versions send out their full forms.
Type c, S and Z for ch, sh and zh respectively.
a, o, e, i, y and u give you the corresponding vowels, while A, O and U give you ae, oe and uu respectively.
Type ' for the glottal stop letter with both sides truncated, use < and > for that letter with just the left side and the right side respectively, and = gives you the full letter.
The comma, period, question mark and exclamation mark gives you the corresponding punctuation.

Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. It is incomplete however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.

I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.

Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.

I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I wish that Simon Halfdan Hvilshøj Andersen's alphabet will be spread around the world and used by many.

The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change

The alphabets' classifications are as follows:

Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Cyrillic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Georgian: Semi-Pseudo
Armenian: Semi-Pseudo
Katakana: Modified
Hebrew: Modified (reversed letters) ***Incomplete***
Hangul: Pseudo ***Incomplete***
Bopomofo: Modified (dots above letters, ligatures)
Thai: Pseudo ***Incomplete***

Here is my version of the Davé alphabet featured on Omniglot. I did my best to make the proportions as accurate to the handwriting seen on the original source of the alphabet, however some circular patterns (such as  the punctuation) were somewhat difficult and sadly might not exactly match the proportions. I hope you enjoy nonetheless.

A serif-comp entry reminiscent of molecular models with simple angles and subtle serifs. Please enjoy

Orkash is a conlang of simple lines with elegant ornaments. It was designed with a softened gothic style to give a clean but ornamental script.

My take on the Mongolian 'Phags-pa script designed by the Tibetan monk Phagspa in 1269, based on the Tibetan script, to write Mongolian, Tibetan, Sanskrit and Chinese. This font is based on the Tibetan style which consists almost entirely of straight lines and right angles. It seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.

The script is written in vertical columns top-to-bottom and left-to-right and thus needs to be rotated 90° clockwise and the columns then reversed.

'Phags-pa was added to the Unicode standard in version 5.0 in 2006. This font however uses an ad-hoc mapping to Ascii characters which admittedly doesn't always make sense. I kind of gave up in the end and started assigning a bunch of letters to digits. Letters are connected into syllable block by a thin line (mapped to '-'), usually on the right-hand side. A straight line clashed wth the serifs so I made it into a small arch.

The script is an abugida: the vowel ‹a› is inherent in each syllable and thus not written.

My take on the Tai Le/Tai Nüa/Dehong Dai script which is used mainly in the Dehong region in southwest China. The relative blockiness of the letters made it a prime candidate for a FontStruct treatment.

Tai Le was added to the Unicode standard in version 4.0 in 2003. This font however uses an ad-hoc mapping to Ascii characters. Thanks to the limited number of letters (for a Brahmic script) the mapping mostly makes sense. Aspirated plosives are mapped to upper case and tone markers to shift+digit. The latter have been mapped so that they work on both US and Swedish Mac keyboards (and hopefully many others). Luckily there were no conflict between the two.

The script is an abugida: a syllable-initial consonant letter has an inherent vowel ‹a›. Whether a consonant is initial or final has to be inferred from context, however only ‹p›, ‹t›, ‹k›, ‹m›, ‹n› and ‹ng› can appear in final position.

(The letter pair ‹tone 2› + ‹ka› could really use some kerning.)

My take on the Mongolian Horizontal Square script designed by Mongolian spiritual leader Zanabazar to write Mongolian, Tibetan and Sanskrit. It's based on the Tibetan script. The script consists mostly of straight lines and right angles and seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.

The script has been accepted by the Unicode Technical Committee for inclusion in a future version of the Unicode standard*. This font uses an ad-hoc mapping to Ascii characters: upper case for aspirated plosives, 'f' and 'q' for retroflex plosives and a lot of mappings that make even less sense as I started to run out of Latin letters. The mapping is based on Sanskrit and Tibetan; Mongolian uses some characters differently. However, the font does not do stacked consonants required by the two former.

The script is an abugida: the letter ‹a› is inherent in each consonant letter and the vowel is then modified using diacritics. Initial vowels are written with a special letter, mapped to 'A', that's wider than the rest and has its own set of diacritics, mapped to digits 0–9.

* http://www.unicode.org/L2/L2014/14024-zanabazar-square.pdf