1:-ng 2:-ă 3:-e 4:tr 5:-t 6:-n 7:-u/o 8:th 9:-ô 0:-c -:-ươ ^:-iê
q:ng/ngh- w:-â e:-ê r:r t:t- y:-ư u:u/o- i:i/y- o:-o p:-p @:-ơ [:-ô(-c/ng)
a:-a s:x d:đ f:ph g:g/gh h:h- j:-i/y k:k- l:l- ;:-o(-c/ng) ::kh ]:nh-
z:d x:s c:ch- v:v b:b n:n- m:m- ,:, .:. /:? _:-m

!:ă ":--ă #:--e $:e &:) ':' (:( ):ô =:ưa ~:--iê |:ia/ya
Q:a W:--â E:--ê R:ê T:ê(-ch/nh) Y:ư U:u I:--i/y O:o P:p- `:--ơ {:ô(-c/ng)
A:--a S:â D:a(-ch/nh) F:-a(-ch/nh) G:-ê(-ch/nh) H:--ê(-ch/nh) J:i/y K:ua L:-uô +:o(-c/ng) *:ơ }:-nh
Z:gi- C:-ch V:--a(-ch/nh) B:◌̀ N:◌̉ M:◌̃ <:◌́ >:़ ?:!

1:! 2:" 4:? 6:kh 7:' 8:( 9:) 0:ny -:- ^:a
q:ng w:w/(V)-u e:e r:r t:t y:y/(V)-i u:-u i:-i o:-o p:p @:a- [:e-
a:-a s:s d:d f:f g:g h:h j:j k:k l:l ;:i ::i- ]:e
z:z x:sy c:c v: b:b n:n m:m ,:, .:. /:u _:u-

=:o- |:o
`:é {:-é
+:; *:: }:é-

1:! 2:" 7:' -:o ^:u
q:ng' w:w e:-e r:r t:t y:y u:-u i:-i o:-o p:p @:a [:(
a:-a s:s d:d f:f g:g h:h j:j k:k l:l ;:e ::i ]:)
z:z x:sh c:ch v:v b:b n:n m:m ,:, .:. /:? _:ny

=:-

+:; *::

1:(CV)-e 2:(V)-e 3:(V)-u 4:(CV)-i 5:(V)-i 6:(CV)-o 7:(V)-o 8:o 9:ō 0:-ō -:- ^:!
q:a w:w e:-e r:e t:ū y:-ī u:-u i:-i o:-o p:p @:' [:(
a:-a s:ē d:-ē f:-ū g:ī h:h j:i k:k l:l ;:; ::: ]:)
z:-ā x:ā c:’ v:u b:(CV)-u n:n m:m ,:, .:. /:? _:"

1:ṣ 2:dh 3:ḍ 4:ẓ 5:ṭ 6:th 7:kh 8:u 9:i 0:a -:ū ^:ī

q:q w:w e:-ī r:r t:t y:y u-u i:-i o:-ū p:ʾ @:-ā

a:-a s:s d:d f:f g:gh h:h j:j k:k l:l ;:-ā ::voiced⇄voinceless

z:z x:sh c:ḥ v:ʿ b:b n:n m:m ,:, .:. /:? _:doubled

!:- ":" ':' (:( ):)

Q:--ē W:-ē E:--ī R:ē U:--u I:--i O:--ū P:ō `:--ā

A:--a S:--e D:-e F:e K:--ō L:-ō +:; *::

M:o <:--o >:-o ?:!

1:--k 2:--y 3:--w 4:--t 5:--tsw 6:--chy 7:t 8:--h 9:--n 0:n -:m ^:r

q:-yu w:w- e:-e r:r- t:t- y:y- u:-u i:-i o:-o p:p- @:-ya [:--kw

a:-a s:s- d:d- f:e g:g- h:h- j:i k:k l:o ;:h ::k ]:--ky

z:z- x:a c:-yo v:u b:-b n:n- m:m- ,:, .:. /:? _:t

!:-k ":-y #:-w $:-t %:-tsw &:-chy ':' (:-h ):-n =:accent (Chinese loanword V) ~:accent (CV) |:accent (V)

W:w E:-we Y:y U:-wu I:-wi O:-wo P:p {:-kw `:accent (Chinese loanword CV/VC)

A:-wa D:d F:-ye G:g J:-yi L:& +:accent (CVC) *:: }:-ky

Z:z B:b <:( >:) ?:!

1:zh 2:ch 3:sh 4:(zh, ch, sh, r, z, c, s)-i 5:-ai 6:-i-(V) 7:-u-(V) 8:---ng 9:---n 0:-o -:-ei ^:--ê

q:q w:w e:-e r:r t:t y:y u:u i:i o:-o p:p @:-a [:-ou

a:-a s:s d:d f:f g:g h:h j:j k:k l:l ;:-ng ::-n ]:-ao

z:z x:x c:c v:ü b:b n:n m:m ,:, .:. /:? _:yu-

!:tone1 ":tone2 #:tone3 $:tone4 %:-ai &:-i ':-u (:-ng ):-n =:-ei ~:-ê |:'

Q:ai W:wu E:e R:-r T:--r Y:yi U:-ü-(V) O:o `:、 {:-ou

A:a D:ei F:-e G:---r H:ê L:ao +:; *:: }:-ao

Z:ao V:yu B:----r <:( >:) ?:!

1:ae 2:ie 3:zh 4:ee 5:th 6:ch 7:oy 8:ooe 9:oo -:- ^:ah

q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:oe [:ue

a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:ow ::: ]:aw

z:z x:dh c:sh v:v b:b n:n m:m ,:, .:. /:?

!:AE ":IE #:ZH $: EE %:TH &:CH ':OY (:OOE ):OO =:( ~:AH |:)

Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:OE {:UE

A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OW *:; }:AW

Z:Z X:DH C:SH V:V B:B N:N M:M <:' >:" ?:!

1:ae 2:ie 3:zh 4:ee 5:th 6:ch 7:oy 8:ooe 9:oo -:- ^:ah

q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:oe [:ue

a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:ow ::: ]:aw

z:z x:dh c:sh v:v b:b n:n m:m ,:, .:. /:?

!:AE ":IE #:ZH $: EE %:TH &:CH ':OY (:OOE ):OO =:( ~:AH |:)

Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:OE {:UE

A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OW *:; }:AW

Z:Z X:DH C:SH V:V B:B N:N M:M <:' >:" ?:!

This is a conscript font made for the ʔn conlang.

Hello

Here is the modified version of the Atemayar Qelisayér alphabet I have created for specific use in English and Kynaatt. Much like how the Russian cyrillic alphabet differs from the Serbian cyrillic alphabet, this is the Atemayar alphabet with modifications to best suit the language it is intended to transcribe. I do not claim intellectual rights over Atemayar, only this font. I modified O, U,  X (a letter of my own creation in the other Atemayar scripts), and I added Â, Ã, Å, Ě, Ĵ, Ô, Õ, Û, Ŷ, Č, Ğ, Ň, Ř, Š, Ŵ, and Ž specifically and solely for transcribing Kynaatt. I left I and C in order for an individual to use this version of Atemayar for writing English, however it is specifically designed for Kynaatt.

For all other uses of Atemayar, please do use my Atemayar (Rigid Script) or other originally based Atemayar scripts and do check out the Omniglot page on Atemayar Qelisayér for more information and to give credit to the alphabet's creator.

Key on keyboard => Resulting letter:

Ss => Ââ   Ee => Ŵŵ   Uu => Ŷŷ   Kk => Ẃẃ,Ýý   Ll => Ẅẅ,Ÿÿ

\ => thousands place marker   | => affix separator

` => 00   ~ => 000

Left/right => Lowercase/uppercase variant:

,/< => end of sentence   ./> => end of section   ;/: => sentence pause

[/{ => left parenthesis   ]/} => right parenthesis

-/_ => left quotation mark   =/+ => right quotation mark

//? => question mark   '/" => exclamation mark

https://www.omniglot.com/conscripts/demano.htm

Key on keyboard=>Resulting letter:

Cc=>Țț   Gg=>Ņņ   Qq=>Ꞌꞌ   Xx=>Ķķ

Zz=>Áá   Rr=>Éé   Yy=>Íí   Jj=>Óó   Ww=>Úú

.=>:   ,=>.   “ =>‹   ”=>›   ‘ =>«   ’=>»   "=>¿   '=>·   ?=>?   !=>!

‽=>‽  $=>   &=>ḋ   (=>⟨   )=>⟩   +=>+   -=>-   /=>/    :=>,   ;=>;

<=>|   ==>=   >=>‖   [=>⟨⟨   ]=>⟩⟩   \=>¦   ^=>⸮   `=>¡

https://www.omniglot.com/conscripts/choyuck.htm

A fake alphabet made for a video game. Feel free to use it for whatever. If you do, it would be nice if you credit TryThisAtHome.

 Thanks to arronamar for making the Malibata Neue font that inspired this: fontstruct.com/fontstructions/show/635926/malibata_neue

Ehada is a constructed script containing the basic letters and punctuation. It came out of some practice designs for another script which is still in progress using serifs and stubbed serrifs with vowel accents.

http://66.media.tumblr.com/2b8428dcde5be0994bb662bf73b89481/tumblr_nuwgv5DhoK1s0g2deo1_1280.png For use.

This font was created for my roleplaying game. It is intended to be written in vertical columns with the hexagon starting a new paragraphm the large T-shapes start each new line, and the hooked bars are for adding extra information to words.  

Elae (Ayl-ah-ay) is a test font for a commission for a friend. It was easier to play with the shapes and finalize them a little on fontstruct before I switched to Illustrator and FontLab. It lacks a lot of characters as the commission only called for basics. The vowels are set up to function as diacritics with the capital vowels being used for standalone, initial, and multiple vowel sequences. i.e.; font = font, rogue = rogUe, edict = Edict, acoustic = AcOustic. Sample text looks best at pixel. New characters may be added by request.

Espaniranto is a transitional "lost link" conscript between Latin and the "future" Desertborn Language conscripts like "Wadi Emet" and "Seeq Antique" from the planet Araxes at the Mu Draconis System http://slurl.com/secondlife/Splintered%20Rock/55/4/55 (A Second Life Sci-Fi RPG sim/server cluster ). It covers most of the basic latin script(english), some extended glyphs to write Esperanto(ĉ, ĝ, ĥ, ĵ, ŝ, ŭ) and Spanish(ñ) but without accents and with basic limited extra glyph support besides the alphabet. In accordance with Desertborn scholar Taquis Samiirah Sorciere from House Morloch, Desertborn culture has it's roots mostly out from earth-that-was Berber culture, so maybe the Desertborn scripts evolved through millennia from a common branch of pidgin alphabets of hybridized Latin, Tifinagh scripts, Berber Latin, and unknown space-farer scripts resembling the one at the "Singapore Stone". Espaniranto is highly regarded as the possible common Latin script ancestor. The numerals are binary coded glyphs and naturaly suitable to be used in base-12(ø being number 10 and Ø being 11). Yet is highly compatible with the common base-10 numeral system in the Empire. Desertborn culture is highly regarded as possessing superior engineering and for their creative technological solutions in contrast to the common starborn ways. Some other odd influences notorious in Espaniranto are: -It's peculiar punctuation that somehow resemble the Himalayan conventions of Tibeto-burmese or mongolian scripts like phagspa, uchen/umê, and newa scripts. -It's "unicase" nature as in such scripts. A more solid link to the eurasian plateaus mysticism had been provided in the only especimen of Espaniranto writing being a XXIII'rd century treatise/manual on mysticism, the so called Lagrangian-Point Dzogchen-Zen-Sufi codex, a specimen with plenty of common mystic terminology between Persiand and Tibetan plateaus mysticism, but fully wrote in Classical Zamenhof's Esperanto. The lack of any ascender and descender in the Espaniranto script and it's awful readability supports the idea of it being mostly a religious script in opposition to daily use. [[--MKN(while at a long absence from that sandy planet my home)]]