Striped | FontStruct

2 1420214 Published: 6th October, 2020
Last edited: 7th October, 2020
Created: 25th June, 2017

Work in progress.

This is a clone

Striped

73 77912 Published: 19th March, 2020
Last edited: 19th March, 2020
Created: 7th March, 2020

Display

Striped

Creative Commons

41 0562 Published: 1st November, 2014
Last edited: 1st November, 2014
Created: 29th October, 2014
Clone of Systematic 2.This is a clone

Striped

FontStruct License

21 0301 Published: 27th October, 2014
Last edited: 28th October, 2014
Created: 27th October, 2014

Striped

FontStruct License

807 854736 Published: 24th April, 2014
Last edited: 24th December, 2020
Created: 19th April, 2014

Inspired by sound graphic interfaces and speakers. Full latin support

FontStruct License

219 126331 Published: 6th February, 2014
Last edited: 7th February, 2014
Created: 8th April, 2013
This one is a little older. It became interesting again for the inline competition, even if its not a "real" inliner

Creative Commons

3 87020 Published: 6th February, 2014
Last edited: 30th November, 2017
Created: 12th September, 2013

Day Five. A spin off of Sinaloa. Very I Love the 70's.

Display

Striped

132 1613314 Published: 4th February, 2014
Last edited: 5th February, 2014
Created: 30th January, 2014
This is a clone

Display

Inlinecomp (48)

Creative Commons

31 41598 Published: 25th January, 2014
Last edited: 25th January, 2014
Created: 19th January, 2014
A barcode-like font. Third entry for now, if I don't come up with something new.

Display

Striped

Creative Commons

44 198874 Published: 8th December, 2013
Last edited: 5th January, 2014
Created: 6th December, 2013
Letters with dual perspective. Logotype.This is a clone

Display

113 2114065 Published: 31st July, 2013
Last edited: 5th March, 2020
Created: 31st July, 2013

Inspired by Zonatta by Elmoyenique.

Stencil

Some fonts you just can’t FontStruct.
Buy & download premium fonts on MyFonts.com

108 226317 Published: 17th July, 2013
Last edited: 25th September, 2013
Created: 15th July, 2013
No terminada / Work in progress. Suggestion are welcomed.This is a clone

Display

Creative Commons

125 1811726 Published: 20th June, 2013
Last edited: 27th June, 2013
Created: 20th June, 2013
An accidentally made typeface :) Probably nothing new, so clone and make it better. Thanks.

Display

Striped

Creative Commons

148 219315 Published: 6th May, 2013
Last edited: 6th May, 2013
Created: 12th March, 2012
This is a clone

Creative Commons

139 75716 Published: 19th February, 2013
Last edited: 19th February, 2013
Created: 16th February, 2013

Display

Creative Commons

137 1215938 Published: 25th October, 2012
Last edited: 28th October, 2019
Created: 21st October, 2012

Striped

Creative Commons

22 88326 Published: 14th October, 2012
Last edited: 13th October, 2012
Created: 13th October, 2012
Inspired by "Under Contstruction" splash pages of the early web. Construx needs a laser cutter to make a sturdy stencil out of itself. Mostly All Caps, but lowercase has some alternates where applicable. Parenthesis create bounding effects. Why does it say 240 characters? I don't know. This font was derived from another font that had 240 characters, but clearing them doesn't reset the character counter... This is a clone

108 279323 Published: 4th October, 2012
Last edited: 4th October, 2012
Created: 16th March, 2012
This is a clone of zagzig linear eYe/FS

Striped

Stencilcomp (63)

Creative Commons

138 187553 Published: 14th August, 2012
Last edited: 24th August, 2012
Created: 12th August, 2012
***wip***

Striped

Creative Commons

125 228124 Published: 21st October, 2011
Last edited: 12th January, 2012
Created: 10th October, 2011
I want dedicate this font to my father AMD (1922-1995). He was telegraphist for the Spanish Army at Casablanca (Morocco) during three years (1941-1944). He tried to teach me the Morse Code, but I never got to learn it well. But here, now between these bricks they appears some letters and numbers in Morse. This one is for you, Daddy!

Display

Striped

Creative Commons

112 145526 Published: 3rd September, 2011
Last edited: 14th September, 2011
Created: 10th February, 2010
This fontstruction was started a long time ago. Yesterday, being bored (or something), I randomly clicked on page 7 of My FontStructions and found this. Being bored (or something), I clicked Edit.

Back in February 2010, I was able to take this fs only so far and came to a halt owing to geometry and FontStructor limitations. Those limitations, for the most part, seemed to have disappeared in the intervening time. I must've felt encouraged as I've been working on this fs all day today. As it turns out, when you work on something long enough, something will emerge. Et voilà. (I jest. ;)

Oh the soap box syndrome!

Visual aesthetics require two elements, namely, art and design. Let's examine each, shall we, the better to understand whence this came from and to what purpose.

Art has as many meanings as there are people giving them. For me, art is that visual that appeals to one, the stress being on 'one', and serves no practical purpose. Design, on the other hand, by definition*, must serve some purpose, must be reasonably attractive to those for who it is intended, and must stay within the limitation (whether explicit or implicit) of all that is (or will be) involved.

This and every other fontstruction, being visual in nature, has an element of art in it. Keeping the above art definition in mind, and as far as this fs is concerned, the art was my personal aspiration to try to do a diagonal stem of the A and the M and have the rest of the letters in such formation so that they fit like a glove with the A and M (without any effort on the user's part — but that jumps ahead to design). The February 2010 version of the FontStructor allowed me to achieve that very well. The art part was a start (yes, sorry, I couldn't resist the rhyme).

In my experience, any visual thing, no matter how simple or complex; no matter how involved or not; how unique or generic; how &c. and &c. may be termed art as if any one person appreciates it, it is art, albeit to that person only. So, I am satisfied how this fs looks, so the art is done. Also as per my personal experience, design is a much harder, difficult, involved element of getting something done right that also requires appropriate technical know-how to see it to fruition. The February 2010 version of the FontStructor did not allow the 'fit like a glove without user intervention' part. This morning when I started working on this fs, the September 2011 version of the FontStructor allowed me to do almost all that I wanted it to. (I say 'almost' because there were one or two custom bricks I required that I was unable to achieve, quite possibly due to my own inability).

The design confine [—if art gets a rhyme, so shall design—], with every letter overlapping just so, required quite a lot of geometric manipulation (not particularly apparent) to make sure any two letters fitted in properly. It got tedious quick fast in-a-hurry typing out manual kerning pairs (AM, ST, &c.). I had to type out all kerning pairs (AB, AC…RI, RJ, RK…SM, SN, SO…VS, VT, VY…ZZ…&c.) in Word (utilizing handy Replace functionality to speed kerning pair creation) and test every possible pair (even ones that are likely never to be used in reality—QK, for instance).

This being a design exercise, there had to be a purpose. My thinking was, staying within the limitations created by the art part, the font should work as an instant logo delivery system. Type a word in fs Instant—and, hey presto!, Logo (a gogo). It’s up to you to decide if I succeeded.

PS: I have no idea what ‘à gogo’ means. ;-)

*Gregg Berryman

Striped

639 36114159 Published: 31st August, 2011
Last edited: 18th September, 2011
Created: 3rd August, 2011
3D logotype. Work in progress.

Creative Commons

120 1120147 Published: 6th May, 2011
Last edited: 6th May, 2011
Created: 15th May, 2010
9 months later... the slab version of BlaxThis is a clone of Blax

Creative Commons

257 4267150 Published: 17th February, 2011
Last edited: 16th March, 2011
Created: 7th June, 2010
OK. Here's "VUVUZELA" A typeface inspired by the continent of africa, but mainly by the WorldCup of soccer 2010 in South Africa! To catch on of the strongest associations for me relating to africa, i chose black and white stripes, maybe to remind of zebras or other animal patterns. But the effect also stands for the "swoosh" of a ball flyin by, for just the the "sporty" feel i wanted it to have. Enjoy it. There's an alternative "a" on "=" cheers kix

Striped

Creative Commons

80 725515 Published: 11th January, 2011
Last edited: 25th April, 2011
Created: 10th January, 2011
The name is not definite. Capital are black, lower case are white. Use [], (), {}, \/ for frames. Use _ for a "grey space", that connects the words. The eszet is white, for a black eszet use § - or the new capital eszet! I guess the name is definite then.

Creative Commons

145 1420431 Published: 4th May, 2010
Last edited: 30th September, 2010
Created: 24th April, 2010
a V1.0 fontstruct - Minimalist 4 patterns font. I create this font with my head rotated. It's a classic clean font. It's fun to play with size for different screen result, always readable, very small readable in pale grey, mid size get a cool fuzzy , big size clean and clear. We can also overlay text to create shade and overlaping effect.

Creative Commons

153 98648 Published: 1st February, 2010
Last edited: 22nd December, 2010
Created: 31st January, 2010
Inspired by a picture found on this website.

Another diagonal line font so soon after fs Overlap. A mere coincidence. The application of each is very different. Overlap is about negative space while I-Tilic is about patterns and meta shapes. Post samples if you end-up playing with this fontstruction. Have fun.

[ = fi ligature
] = ti ligature
< = background fill (negative)
> = background fill (positive)
` = reverse tile (above base line)
~ = reverse tile (full height)
{ = top border
} = bottom border
| = side border

Display

Striped

18 45819 Published: 15th December, 2009
Last edited: 13th December, 2009
Created: 12th December, 2009
you would think there are a lot of lined fonts. not really. i googled to see what was out there. i was surprised i didn't find this one. just uc for now.This is a clone

Striped

246 3319364 Published: 23rd August, 2009
Last edited: 2nd March, 2010
Created: 23rd August, 2009
Based on sensen by 123da.

Display

Creative Commons

210 1616551 Published: 15th July, 2009
Last edited: 16th July, 2009
Created: 15th July, 2009
This is a clone

Display

Creative Commons

176 3606 Published: 6th March, 2009
Last edited: 16th June, 2009
Created: 6th March, 2009
Just an excuse to release something on the opening day of the WATCHMEN movie. It's a very rough negative linear rendition of the Futura Bold Condensed font that is used as the Watchmen title. A friend of mine let me read his copy of the Watchmen graphic novel. An epic deconstruction of the superhero genre with multi-threaded storylines and deep allegorical character analysis. A masterful work of sequential art and storytelling. This font hardly does it any justice. Hopefully the movie will do that. Ironically, I related to the character Ozymandias. Rendered at 1:2 scale. LC has alternating spacing. Dash creates linear spaces.

Display

Striped

Creative Commons

351 216645 Published: 23rd February, 2009
Last edited: 2nd May, 2012
Created: 14th January, 2009
A font defined by placing side by side slim layers got by laminating fat letterforms.

Display

Creative Commons

Fontstructions in the “Striped” set

db Jojo Solo

TT Daft Zebras

Systematic_Light

Systematic

soundwave

FS Tigerwood

Sinaloco

ztamina eYe/FS

Rezonans

Elendil

close shave

Neue Helvetica®

zonatta eYe/FS

Tamshy

zagzig linear eYe/FS

Bad Latitude

Linearis

G1 Construx

zagzig eYe/FS

Tentative

zmorse xDad eYe/FS

fs Instant [Logos À Gogo]

Rohan

Blax slab

FS Vuvuzela

Negativity

Blax

fs I-Tilic

Horizontally Phased

IR Summer Games

F25 Fontstruction 157

Futurity Watch

Lamina