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Fontstructions tagged with “Concept”

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Rediculous Greek 

by archiester
0.00 Click on the stars to rate this FontStruction.
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100761 Published: 1st May, 2024
Last edited: 1st May, 2024
Created: 1st May, 2024

this this the pixel font.

20 be4 the final font!

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        FontStruct License

        Notchiz 

        by Navanh
        8.47 Click on the stars to rate this FontStruction.
        Balanced Rating: 8.47
        Average Rating: 9.50
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         2 votes
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        601952 Published: 4th September, 2023
        Last edited: 4th September, 2023
        Created: 3rd September, 2023

        Based on my brother idea.

        Feel free to clone it 'v'

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              Rediculous Handwrite 

              by Qukudan
              7.15 Click on the stars to rate this FontStruction.
              Balanced Rating: 7.15
              Average Rating: 5.50
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              1712561 Published: 30th May, 2023
              Last edited: 30th May, 2023
              Created: 30th May, 2023

              This is the worst font

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                    Nobody Cares 

                    by James Holmes (JCEH-TV 3)
                    0.00 Click on the stars to rate this FontStruction.
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                    190540 Published: 12th November, 2022
                    Last edited: 28th November, 2022
                    Created: 12th November, 2022

                    Does anyone care? Not me!

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                          Z Serifs 

                          by jonrgrover
                          8.35 Click on the stars to rate this FontStruction.
                          Balanced Rating: 8.35
                          Average Rating: 8.43
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                           21 votes
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                          1311839 Published: 30th April, 2020
                          Last edited: 18th May, 2020
                          Created: 16th January, 2020

                          In the future, all serifs will be three dimensional.

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                              General Layout 

                              by jonrgrover
                              8.83 Click on the stars to rate this FontStruction.
                              Balanced Rating: 8.83
                              Average Rating: 10.00
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                               3 votes
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                              1222034 Published: 22nd January, 2019
                              Last edited: 14th February, 2019
                              Created: 22nd January, 2019

                              A general 2D endeme construction font designed to turn text into endemes, where the letters of each endeme are placed in each rectangle. With symbols used mostly for drawing within the grid.

                              This is a clone of WordBuilder
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                                    fs within 

                                    by ETHproductions
                                    8.63 Click on the stars to rate this FontStruction.
                                    Balanced Rating: 8.63
                                    Average Rating: 10.00
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                                     2 votes
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                                    124566 Published: 16th June, 2018
                                    Last edited: 1st June, 2018
                                    Created: 16th August, 2013

                                    Letters within letters! Type an uppercase letter followed by a lowercase letter to nest them. Type a period for an inner square, and > for an outer square.

                                    This was an experiment from several years ago that I found half-finished while looking for potential CounterComp entries. I added missing letters and quite dramatically improved the existing ones. It's not perfect, and some combinations don't work so well (I'm particularly unhappy with capital I), but I think it turned out pretty well nonetheless.

                                    Beware: for some reason, the downloaded font is huge-about 6 times the height of most other fonts-which makes it look horrible in e.g. MS Word, due to the pixel optimization at "small" sizes. I'm not sure what causes this, and consequentially, I don't know how to fix it.

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                                          Inspired  font 

                                          by Aeolien
                                          8.35 Click on the stars to rate this FontStruction.
                                          Balanced Rating: 8.35
                                          Average Rating: 8.75
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                                           4 votes
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                                          1413507 Published: 8th August, 2016
                                          Last edited: 28th August, 2019
                                          Created: 5th August, 2016

                                          Designed for those members who want inspiration, it could guide them when they need ideas on which to base a font. 

                                          Use this like a font: close your eyes and type a 'word' with at least 7 letters.

                                          If you can touch-type: forget it; you'll need to be quite unstructured in order to get a good variation of letters every time you want inspiration ;) If you want some uncertainty -bad spelling will be very helpful here;)- you could write the 'name' of the minute when you decided to get inspiration for a new font , inUpperCase  ... then follow this with one of your names in LowerCase. But for fun and better chance at not getting the same word every time you need inspiration I suggest you just hit different keys and then look at the line of glyphs ;)

                                          Just remember: use UpperCase to write the first part of this word, the LowerCase to write the other part of the word. Look at the [second or] fourth and the [penultimate or] third before last letter of your 'word'.

                                          The UC will give you an 'image'. Your font will transmit the meaning illustrated by this letter (in the widest sense).

                                          The LC gives the type of look your font should have. You now have 2 guides/ideas/starting points which influence the kind of font you make. 

                                          Remember that the UC should make you look at concepts, invisible messages and your own experience or lack of 'ken', as well as the visible things in the images I drew.

                                          To express that differently:

                                          Your font design is guided by a main theme (based on the UC) and a way to present it/a style of expression (based on the LC).The font will be influenced a little or a lot by each UC 'image';  you adjust the look of your font according to the "feeling"/a memory/a dream or wish/an experience/lack of familiarity that you have about what that which my playful  pixel illustration represents.

                                          The presentation of the font, the style, how the eye slides across  to absorb information or spends time to investigate the beauty or quality of every glyph, is determined by the LC.                               Combine these two aspects from UC and LC, that"s what your font will convey through the shapes  of th glyphs.

                                          In my 'comment' below I give you a few ideas of what could be linked to each of the  UC letters; it's up to your areas of study, experience, interest, and the time you want to use for designing and building your fonts,  which -if any- of the proposed words and concepts I mention will be the one(s) you want to combine with the type of presentation you found in the LC letter.  

                                          Choose a good name for your font, it's probably a good idea to have a name that isn't the keyword I gave in the UC list -- I can imagine that those key words have long been taken by font designers for their fonts.

                                          Note: the "INSPIRED FONT" is still in development; when I have more illustrations for objects, situations, feelings etc or styles of presentation (I am open to suggestions!) I will try to find a suitable design to add to the glyphs as there are still a few empty slots in the Basic Latin set ;)

                                          ..:*:.. Have fun ..:*:..

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                                              WAIF 

                                              by Jemurphy
                                              7.70 Click on the stars to rate this FontStruction.
                                              Balanced Rating: 7.70
                                              Average Rating: 7.33
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                                               3 votes
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                                              140320 Published: 30th October, 2012
                                              Last edited: 22nd November, 2012
                                              Created: 22nd October, 2012
                                              a research into dementia. This designed typeface represents the process of memory loss. Diagnosed, you lose all connections that you once took for granted. Now they are slowly drifting away from their once true and solid form. I wanted my typeface to appear slightly un-legible as a whole, but with it's original form still present.
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                                                    Framework 

                                                    by TomCavagin
                                                    7.55 Click on the stars to rate this FontStruction.
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                                                     3 votes
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                                                    140302 Published: 29th October, 2012
                                                    Last edited: 30th October, 2012
                                                    Created: 8th October, 2012
                                                    This is a font based on the concept of how little of a character must be shown in order to recognize that character,in the idea of wooden letters carved including the frame. Largely inspired by Wim Crouwels New Alphabet. Not complete, reworking dimensions of the characters within the frame.
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                                                          Cofmugg 

                                                          by Jamie Place (FontBlast)
                                                          8.75 Click on the stars to rate this FontStruction.
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                                                          Average Rating: 9.40
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                                                           5 votes
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                                                          285854 Published: 27th October, 2012
                                                          Last edited: 20th April, 2013
                                                          Created: 27th October, 2012
                                                          FontStruction based off one of the concept FontStruct Logos.
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                                                              Freestyle 

                                                              by Magic Sam
                                                              7.66 Click on the stars to rate this FontStruction.
                                                              Balanced Rating: 7.66
                                                              Average Rating: 7.57
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                                                               14 votes
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                                                              7316918 Published: 13th August, 2009
                                                              Last edited: 13th September, 2009
                                                              Created: 8th August, 2009
                                                              Freestyle is not a usual font, as you see. The concept was inspired by the "How very Tokyo"-poster by Spin (I posted it in the comments). I liked the idea of cutting every letter into pieces so it looks artistic but is still readable. Freestyle consists of three parts: the whole letter at the top and in the middle/at the bottom there are parts of it, cut vertically. Upper- and Lowercase are different. Under construction, more glyphs to come. This can be used e.g. for posters or magazine layouts. What do you think about this experiment? < = alt.I > = alt.I * = alt.space # = alt.space
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