GOSPEL ANGLOS

A insular half-uncial or insular majuscule script style typeface project that is inspired by ancient celtic bookhand & manuscripts.

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The project is aiming at solidifying a number of different insular script styles. The main goal is to create a single typeface that includes about everything required to replicate the decorative writing style seen in ancient celtic manuscripts.(except for the ornamental decoratives)

The font, though essentially a bi-linear or majuscule insular half-incial script, in reality is a combination of different styles and complementary lettersets. Each carefully designed for specific purpose.

For example, it includes a more decorative Anglo-Saxon-script capital letter, perfect for headline text or book bindings. These actually include a small number of short ascendin / descending letters, but it remains mainly a majuscule. Then there is a complete insular style lowercase set, but which resembles a more traditional style lowercase letterform. And instead of being proportional sized, these reflect the cap-height, remaining faithful to the bi-linear nature of the script.

Besides all that, there is a set of glyph-alternates for most of the Anglo-Saxon capitals, as well as numerous random stylistic glyph alternates scattered througout some other various unicode blocks.  Providing more than enough options to make variations.

To top it all off, I started making a set of more decorative lombardic initial letters, perfect for decorating paragraphs.

(This remains a WIP for now, as I am still experimenting aound with different styles and bits to narrow down the right one that suits this total package)

I like how some of these characters turned out, but many are jiust ideas and not yet reached their definitive forms. But this set proved a lot more difficult than I had anticipated. So,

Any suggestions helping me to complete the full set are very much welcome..

The major recources and guidelines for the creation of this project mainly evolved around the two medieval celtic manuscripts: 

"Book of kells" and "Liɴdisfarne Gospels"

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It has grown quite a bit already so far, but remains a WIP.

So beware of very little overall polishing or kerning.

The overall design has quite some rough character, even more so with the insular lowercase set, that obviously was not aimed at smooth edges. Actually the oposite, sort of trying to replicate that rough look seen with many scribes from that era.

But I would love to hear your opinions (or suggestions for that matter) on the work so far. I can really use a little refreshing vibes for this at this point.

;)

Cheers.

LOMBARDISM - A contemporary slighty simplified insular half uncial script style solely based on medieval Gaelic/Irish insular scripts.

This is a font I made that's inspired by the minuscule form of the insular script used by the Anglo-Saxons in Medieval England. It includes all of the special medieval characters, and features the character "wynn (Ƿ)" as the letter "W". Happy Typing! :-)

Links:

My Twitter

My 1001Fonts Page

Modern modular geometric minuscule script style sans-serif typeface.

Geometric Art Nouveau lettering inspired by as well as trying to mimic Uncial & medieval Insular script letters!

Another attempt at alien Latin. It's made to have an organic, almost writhing look, but also to be easily written with a brush or spray paint.

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Original size: 5.25px (use multiples of this value for pixel perfection)

I started with an omega symbol, then bent and twisted it many times. This is the result. Is Weirdo English my new calling?

Original size: 5.25px (use multiples of this value for pixel perfection)

A continuation of ideas present in Technokratz, with some imagination added for good measure!

This creates new ambigrams and ambiguous words. Here are a few that I found:

AND = ROD

FACE = FREE

FONT = FROM

FOX = HOT

FREE = TREE

INTO = TOMB

LAY = EAT

PHYSICS = EXISTES

SOLD = SAID

TECH = MECH/MEEK/NECK

THE = AXE

TOXIC = MOXIE

VICTORINOX = LAWSUIT (hah, just kidding) 

WATER = TAMER

YEATS = TEAMS

Since I like this ambiguity so much, I will keep working to make letters resemble other letters even more! The real trick is finding these synergies while still preserving enough variability in forms that things can still be read flawlessly.

Embellished/pattern-filled Technokratz:

"A futuristic attempt at 'insular' English. The main design rule was 'make it bend where it shouldn't'. This could symbolize some cyber-dystopia-lord-dude's desire to stop at nothing, or something."

This design inserts a dot into every empty grid square. Off-grid empty squares don't count - there must be an utterly empty space of 1 square's size ON the grid. The dotting further imparts a unique identity to every letter.

Shall I continue this one? Let me know. :D

A futuristic attempt at "insular" English. The main design rule was "make it bend where it shouldn't". This could symbolize some cyber-dystopia-lord-dude's desire to stop at nothing, or something.

A decorative insular display font.

This is still a work in progress. I'm pushing the new bricks, stacking and nudging to the limit to create some nice flowing shapes. This is also a great opportunity to get working with some good kerning. Once I have the basic character set, this is going to be submitted to Google Fonts for approval.

This is the second published gaelic font on FS, I think.