Conceptual (Tag) | FontStruct

10 0761 Published: 1st May, 2024
Last edited: 1st May, 2024
Created: 1st May, 2024

this this the pixel font.

20 be4 the final font!

FontStruct License

6 01952 Published: 4th September, 2023
Last edited: 4th September, 2023
Created: 3rd September, 2023

Based on my brother idea.

Feel free to clone it 'v'

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17 12561 Published: 30th May, 2023
Last edited: 30th May, 2023
Created: 30th May, 2023

This is the worst font

FontStruct License

5 1300 Published: 6th November, 2022
Last edited: 4th November, 2022
Created: 25th October, 2022

My typeface currently encapsulates the verb “protect” through two opposing connotations; one of them being to self protect; this phrase is conventionally associated with weapons, and I have illustrated this through sharp edged strokes to imitate knife-like objects. The other being is to hide; this is inferred the personification of the fact that elements of my letters are hiding themselves.

FontStruct License

24 0313 Published: 12th November, 2019
Last edited: 1st November, 2019
Created: 24th October, 2019

This font is inspired by the people that rebel, protest and defy our political stances. Taken from the word ‘unstable’ this font aims to convey a sense of political instability. Using the imagery and typefaces created from protest banners I created ‘f*ck boris’ whilst encompassing iconic rebellion symbols used throughout our history.

FontStruct License

9 2633 Published: 9th January, 2018
Last edited: 7th January, 2018
Created: 28th December, 2017

A font for parents with young children so that they can spell out the words they don't want them to hear. Lowercase is as normal. Upper case spells out words.

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14 0871 Published: 6th December, 2017
Last edited: 22nd January, 2018
Created: 6th November, 2017

Monospaced

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11 0523 Published: 2nd December, 2017
Last edited: 7th August, 2018
Created: 1st November, 2017

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11 4992 Published: 1st December, 2017
Last edited: 8th February, 2018
Created: 30th November, 2017

The Roman alphabet has far too many letters. 9 letters can be represented by combinations of others. This font resoves that problem. Letters replaced: FJKQVWXYZ, Letters used to replace them: BCDEGHIPSU, Other Letters: ALMNORT. Regarding V and B, instead of replacing V with BH, I could replace B with PV (which would be better).

Now that I have the set of letters down to 17, they can be stored in Hexadecimal. So the final alphabet is ABCDE.GHI..LMNOP.RSTU..... Punctuation - 13 symbols: ,-`':()<>!?|. 2 slots left over for other stuff. The space has stuff in it. Do I want that?

There are 32 characters - 17 letters and 12 symbols, a space and two empty slots.

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35 238511 Published: 30th October, 2017
Last edited: 6th December, 2017
Created: 29th October, 2017

Maze

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20 0680 Published: 26th October, 2014
Last edited: 24th October, 2014
Created: 23rd October, 2014
I looked into the definition of introverted as a word, which simply breaks down as ‘to turn into one’s self’ so leading off of this I went about recording and observing objects that I felt had this characteristic in common. The most successful and clearest representation of this I felt was blinds, as they turn into themselves and also act as deliberate screen mechanism. This then became the foundation of my type design, mimicking the lines of the blinds within my typeface. I also wanted to play with the idea of reducing the letterform as much as possible without losing legibility, as I felt that this helped to further portray introverts because it is as if the letters are becoming hidden with the background. This is a clone

26 Glyph Wonder

FontStruct License

31 0287 Published: 5th February, 2014
Last edited: 5th February, 2014
Created: 5th February, 2014
A 2x2'ish design I made using few of the standard objects.

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24 2863 Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.

Creative Commons

70 21060 Published: 26th October, 2011
Last edited: 12th November, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4. There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns. At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.

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28 02146 Published: 10th April, 2010
Last edited: 16th March, 2010
Created: 14th March, 2010
Not quite finnished yet..

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63 2847 Published: 11th May, 2008
Last edited: 15th June, 2009
Created: 11th May, 2008
Another experiment in breaking down the letterforms, trying to use the simplest shapes that would still hold true to the characters. Uppercase characters look fairly good, but the lowercase get a bit unreadable.

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31 0402 Published: 5th May, 2008
Last edited: 12th May, 2008
Created: 5th May, 2008
Experimental. Uses a 4x2 grid. Break down all the letter forms into their elemental components and see if its readable.