Playing with pattern capitals. Some alternates in the lowercase. Best viewed in large format.

This is my little contribution to the fantastic recovering universe
called LETTERS OP MAAT by the great @Sed4tives about the typographic world of the dutch artist and typographer Jurriaan Schrofer. Btw, I sincerely apologize to @Sed4tives for the undue delay and the time it took to publish this exciting addition to his magnificent series (I'm sure he thought I'd forgotten, didn't he, comp4ñero?). Hope you like and enjoy these two fonts in one.

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GUIDE TO FIND GLYPHS:

- Curved left unicase: A to Z + Ç, Ñ, Æ, Œ.

- Curved right unicase: a to z + ç, ñ, æ, œ.

- Curved left numbers: 0 to 9.

- Curved right numbers: for 0 type %, 1=<, 2= =, 3=>, 4=[, 5=], 6={, 7=|, 8=}, 9=^.

- Other curved left glyphs like ., , , ”, ’, ', ?, !, @, $, &, (, ) and -: in their own glyphs, plus :=/.

- Other curved right glyphs: ”=“, ’=‘, '=", @=*, &=#, -=+, .=:, ,=;, $=`,:=\, ?=¿, !=¡, (=_, )=~...

... The work still in progress (diacritics in the oven)...

SbB Astrometric Narrow is another attempt at a lowercase inspired unicase design. Really short ascenders and descenders. Still a work in progress. (I'm happy with the basic structure, so this is probably a prototype that I'll refine in Glyphs.)

Unicase with alternates. I was trying a monospaced font, but...

Happy 17th BD, FontStruct!

A narrowed zrebmun version, trying another different point of view for the original font. Let me know what do U prefers, please.

The NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.

My little personal and humble tribute to our Astonishing FontStruct on its 16th birthday, full of admiration and respect for the Great Creator & Big Chief Rob Meek and all fontstructors, big and small, who used it during these amazing years! LONG LIVE FONTSTRUCT!!!

Unicase font with "A" & "E" glyphs alternates. Inspired on DIN Condensed Bold and others.

TwentiesComp entry. Not really sure how twenties this is (maybe more 30s), but this is where inspiration led.

A tech-like font inspired (one more time) by some glyphs from Insider Bold, a work by the prolific Dmitriy Sychiov.

WIP

See more:

https://www.fontstruct.com/fontstructions/show/1549017/warner-brazils

https://www.fontstruct.com/fontstructions/show/1326545/elion-italic

https://www.fontstruct.com/fontstructions/show/987287/fs_gfo_3

https://www.fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=9&tag=Pixel&tagType=fave

https://www.fontstruct.com/fontstructions/show/32758/leiria_bold

https://www.fontstruct.com/fontstructions/show/209183/raphigraphy

an art deco version of "folletto"...

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon if there's demand.

Note: E-Keet Winterlate BC is bicameral (typical upper-and lowercase forms). This is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Extra note: The vertical metrics are present wonky compared to the BC version because they're primarily calculated off of a few lowercase letters... which are very different between the two! Once FontStruct gains more direct control of vertical metrics, the generated fonts will line up fine.

Revision 2019-11-14: In loose regex terms, revised [MWmwÑñĒ™⇑], moved [₀-₉] to their correct slots, added [£←↑→↓⇒] and Roman numerals.

Revision 2019-11-16: Added [★☆].

See more: https://fontstruct.com/fontstructions/show/467717/basketcase

X height: 1 and a half brick. Exist a second U in the "u" glyph.

My own Escher-style font, based on the title of dutchprofiles.com :

Allows multicoloring, blanks and 3D effects.

See also Tesselation by funk_king.