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WebFont is SIL Open Font License freeware (version 1.0). If you like it for a website, you can use it as a web font. You can clone it, download it, whatever. Hopefully, if you use it as a web font, you will add a link to my site, Font-Journal (https://www.Font-Journal.com), in the credits of your website or blog (professional sites & blogs give credit for the resources used that aren't theirs), if you use it or distribute it, but that is not required.
You can edit, modify, append or do whatever you need to do with this font, including using it commercially or in creating your own art/graphic works, even a new version of the font as long as all further redistributed derivatives use a new reserved font name and remain under the same "SIL Open Font License".
This is a freeware font, it should never be sold, unless it is included as bonus freeware part of a paid collection. WebFont is FREE.
Supports a large latin character set (lots of latin), with extras like the Copyright, Trademark, Tel: symbols, currency signs and an assortment of little Dingbats. I try to use Dingbats for the UI when I design websites, so I included a few without weighing the font down too much, it still loads quickly. Loading a vector based font for UI stuff is a lot easier and quicker than loading graphic files.
Any questions, character requests? Go ahead and ask!
If you see anything that needs to be addressed, be sure to shout out at me, I'll see if I can fix stuff. - Doug Peters, Symbiotic Design
https://Dougs.Work - https://Doug-Peters.com - https://Salamander.US
https://SymbioticDesign.com - https://Worthful.com - https://Worthful.net
A YouTube user named, Willow Rolfe, So it's time to make a typeface for real.
See more:
https://fontstruct.com/fontstructions/show/1149836/stencia
This is a clone of zharkonada eYe/FSIn 70s, India and Romania Founded Crew Sans Typography used as A-OTF. Crew Sans is a Heavy Sans Serif that used as brick round and much more, This design is also created by VTOTFS2021, The Crew Sans Font is now coming used in Romania and India. The Letter I and L are the same letters.
See more:
https://fontstruct.com/fontstructions/show/1270088/kirpich-1
https://fontstruct.com/fontstructions/show/2104517/zabbatek-eye-fs-1
This is a clone of zelonabar eYe/FSAn original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Weight: Heavy/Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
https://fontstruct.com/fonstructions/show/1509250
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
https://www.Font-Journal.com/fonts/13444/blown_out.php
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
https://github.com/google/fonts/issues/1528
Short Link: https://w3n.us/1528
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
My branding & marketing Co.:
https://www.SymbioticDesign.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneSuper4 - basic and more latin, including kerning after the "f" and before the "j".
I set out to create a regular pixel-based, square font. The unifying theme is the thicker vertical portion on most letters, most noticeable in the capitals, which are 4 pixels wide - hence the name Super4. It's my first font and I quite enjoyed working on it.
Font directly inspired by Cookielord's "Gargantua". That's why I thought of calling it "Pantagruel" (remembering the name of the other gluttonous giant, son of Gargantua, immortalized by the writer F. Rabelais), but it didn't start with z -hehehe :) - and I chose "zampatoo" (wich could mean something like "eat-it-all"). The final result has lost the rotund, forceful and fresh aspect of the original, but has retained some of its overall heaviness and massiveness. During the process it has also gained some curves. Risky font. Good for headlines, bad for body text. Extra "tt" ligature at the "fl" glyph. Hope you like it. Yummy, yummy... :D
See more:
https://fontstruct.com/fontstructions/show/14309/tfa_squaresans
https://fontstruct.com/fontstructions/show/1032972/dickson_2
https://fontstruct.com/fontstructions/show/324288/zame_eye_fs
This is a clone of ABC (All Black Characters)