When my mother was young (and specially after my birth) she supplemented the family's income from home by typing for students and businesses. When I was a student I used the same machine for my assignments, lesson plans and thesis. The years were not kind to the machine, the mechanics rusted or broke, the letters worn with frayed edges or disintegrating serifs and fine lines. Ruth's typewriter is a declaration of my appreciation of many years of service the brave little machine gave... As you can see I clearly didn't get the letters repaired ;) The font looks like I rearranged and glued down what was left of the raised surfaces, to continue using the typewriter and give my words a very modern look ;)) A "grunge-writer" ?? Did you notice that no typewriters were ever sold with this kind of modern destructured typefaces?! ;)

Since I started this font many years ago (Ruth was very amused and appreciated this hommage) this work has now become a memorial to her

Just a variation of an existing design. Spacing values were changed to break the chains, and "space" & "no-break space" were made blank.

From the vault of unpublished doodles, a permutation of earlier ideas.

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See also:Spacekapitan, Spacekommand

A formally-dressed Zigourat. :D

A design that looks like a top-down view of ziggurats!

I composited the diacritics so they'd fit into place, but this means that most anything non-English needs to be pretty large to be unambiguously read...

A design that looks like a gallery of paintings or postage stamps. Made with glyphs from my 5x5 designs - the pixel ones as well as the high-res ones!

There are very few sizes/ratios which make every glyph look pristine. This lets the user incorporate its own presentation into things! I think this looks best at 2x-4x Pixel size.

I'll make more glyphs once I have more unique designs to sample glyphs from! Perhaps some glyphs can be based on letterforms which I liked but didn't develop into full fonts...

Can you identify every font represented here? If so, good for you! I can't. :D

Some kind of great big ol' chain.

In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!

When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)

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12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.

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Design Rules:

1. Negative spaces will be areas of 0.5 bricks' effective length or width.

2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.

3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.

A big hulking Brutalist design.

Original size: 19pt

See also: Solidity

Portable Vengeance in negative. A few glyphs (such as "Q") were truncated for the grid.

Rather than spacing this so the blocks form a continuous reel, as I usually do, I decided to let things be a bit spaced out. This makes the font much better at attracting attention. And, since this is made to show system messages in games and consoles, it works out!

A set of 1x1 composite bricks that look like glyphs.

"Mythical Bursts" is an anagram of "Bismuth Crystal". The design is inspired by said crystals as well as Mayan/Aztec carvings (or at least, the comparatively simple forms they have in popular media) and sgraffito art in which a surface is scratched off to reveal a contrasting material underneath.

12SEP2018: I've edited every glyph in order to disconnect the letterforms from their enclosing shapes. This makes the font much more readable and consistent.

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Original size: 42pt (use multiples of this value for pixel perfection)

The "gremoji" symbols used in Virtual Gremlin. These are spoken to the player by those Gremlins who are not intelligent enough to form words, and can be used to guage the Gremlins' moods.

Original size: 21pt (use multiples of this value for pixel perfection)

Finally, an All Stars that is truly "all" "stars" HAHAHA GEDDIT 

Plain version of "All Stars" prepared for pixel art use.

Original size: 12pt (use multiples of this value for pixel perfection)

Variant of "All Stars", modified to be suited to pixel-art uses.

Original size: 12pt (use multiples of this value for pixel perfection)

A star font which combines a pixelated look with halftone shading.

It needs some form of antialiasing to be legible at small sizes. (See sample below or try the Pixel views). At larger sizes, you can use it with or without antialiasing!

Original size: 12pt (use multiples of this value for pixel perfection)

An attempt to make low-resolution, circled letters without the use of filters. Reminds me of branding irons or stencils. The name is based on a friend's joke about lost marbles. :^)

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TIP: This one looks best at smaller sizes (24pt or less) and with antialiasing/ClearType turned on!

11x11 version of Illuminated Flamingo. Made to achieve a hybrid look between Derpberd Condensed and Gremlin 3x6, allowing this to be used with a greater range of microfont styles.

A 12x12 pixel font designed for use alongside microfonts, especially the "Derpberd" family it's modeled after. These large letters help decorate the start of a new chapter in a manner similar to the art fonts of illuminated manuscripts. I think this makes a decent "high-tech" or "board game" font, too! :D

Alternate style on lowercase (alternate ,.!? are on <>/~). The symbols and numerals have a slightly altered frame to help differentiate them and add some flavor.

I have created this font using the word "destructive" as a theme. After experimenting with a number of ideas I created this font by cutting it out of card in a distressed way, then projecting light through it on the wall, photographing the results and recreating the result in fontstruct. I feel as if my font could be used for a number of different things such posters or advertisement for art or music event.