Recreated directly from screenshots I took of the game. I replicated every character I could find and extended the Latin set from there.
I haven't played much of the franchise, but I always loved the typeface used in the journals and was surprised no one else had recreated it.
i take the undertale/deltarune font and add glyphs that are not from basic latin because everyone always forgets to add them
In the private use area F000-F022 are some chars to help with custom symbols
Nothing Phone font inspired
See more:
https://fontstruct.com/fontstructions/show/2142870/dover-led-v2-4
https://fontstruct.com/fontstructions/show/1406099/nanopixel
https://fontstruct.com/fontstructions/show/2147398/pixel-sans-13-63
IMPORTANT NOTE: THIS FONT IS NO LONGER BEING WORKED ON. I HAVE A BIGGER FONT TO WORK ON FOR THE TIME BEING.
YOU ARE FREE TO CLONE AND FINISH THIS FONT IF YOU WANT.
Finally done. Phew! It took two days to make this. This is a full collection of 5×7 Dot Matrix characters as seen on many devices, like Texas Instruments calculators. A lot of these are custom. Sources include TI-83, TI-86, TI-89, Casio Monochrome Graphing Calculators, Casio fx-115ES PLUS, and the rest, I created them myself. I included fractions for those themes on Microsoft Office don't have matching "1/3" and other fractions with the "1/4", "1/2", and "3/4". The fullwidth characters are substitutes for the other characters in the regular style, such as the math "x" and "y" from Casio.
Please note that character sets like Arabic and some Math Operators are beyond 5×7 pixels. If you want to know why? Because Arabic is very big and if I put it all in 5×7 pixels, the text will look weird, won't really fit inside, and there would be no point to it. I left it as is. Roman Numerals cannot fit if you were doing the "VIII" character, for example.
Enjoy!
8/28/2019: Font created.
1/7/2020: Added characters in the following form: Fullwidth and Halfwidth are used for making TI-73 Explorer characters, plus actual monospace setting characters. Note that Runic, Tagalog, and Hanunoo are replaced with character variants. The last variation of a character is from Minecraft's font. The fractions are also changed to level the line spacing. The wide "M" is never ever for use on Monospacing.
1/8/2020: More variations are added, extended to replace Buhid. I also added other math symbols and more. To type x̄, press unicode shortcut and type 01b2. To type ȳ, press unicode shortcut and type 01b3. I also added over a hundred, or two hundred, more characters to stock up on the font. Oh and I changed the filters to separate the pixels for a more pixel and retro look. Also fixed the spacing on the "Щ" character.
9/8/2020: Added a bunch of more characters to the font set.
8/25/2023: fixed the license so that the download works now.
Feeling inspired after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari, I set out to make my own 8x8 pixel font. I worked with a similar approach to the one I used in the larger grid font offstruct rgb.
First started in Adobe Illustrator, each character consists of three iterations of the same 6x6 pixel letter: in RGB Red, Green and Blue. These were layered, offset by one pixel diagonally, filling the 8x8 box. To achieve additive blending, I applied the "Lighten" transparancy setting. Combinations of overlaying these three primary RGB colours result in the secondary RGB coloured pixels Yellow, Cyan and Magenta. In the additive mixing of coloured lights, the equal blending of all three primary colours results in White. All pixels were then entered manually into the fontstructor and black pixels were added for display purposes.
Last week my beloved iMac stopped working for good. It's been more than a decade of a fantastic relationship, but now I have to accept the fact that it won't be with me anymore... With that in mind, I've collected these vintage Mac icons, most (maybe all) made by the great Susan Kare in the best 80's. Curiously, you will see that many of them have remained until today with very few modifications, but others (that dot matrix printer, those faxes, those floppy disks...) have definitely passed into the History. I remember with particular displeasure the d*** Bomb, which appeared unexpectedly when the computer crashed -too frecuently- and you then lost all the work not saved manually. Freaky old times. My favourite character still being Clarus, the dogcow (at the Z, of course). Hope you like them.
A: Mac-happy / B: Mac-unhappy / C: Mac-working / D: Bin / E: Bomb / F: Watch / G: Save / H: Save-as / I: File-text / J: File-vector / K: File-graphic / L: New / M: New-text / N: New-vector / O: New-graphic / P: New-type / Q: Compress / R: Font-kit / S: Font-stack / T: Alert / U: Prompt / V: AppleLink / W: Fax / X: Fax-to / Y: Command / Z: Dogcow (Clarus).
a: Print / b: Arrow / c: Hand / d: Inbox / e: Inbox-in / f: Inbox-out / g: Mail-drown / h: Mail-wings / i: News-headlines / j: Newspaper / k: Easy-access / l: Quick-access / m: Direct-access / n: Folder / o: Folder-speedy / p: Folder-hierarchy / q: Compress / r: Box / s: Desk-drawer / t: Top-drawer / u: Global / v: Library / w: Personal-archive / x: Threaded / y: Volume / z: Zoom.
0: OK / 1: New-blank-file / 2: Pencil / 3: Eraser / 4: Lasso / 5: (Idem) / 6: Brush / 7: Fill / 8: Spray / 9: Apple-logo.
This font was created around the theme of community. I thought about different meanings of community, considering groups in close proximity. This led me to look at seed migration that eventaully led to fairy rings, also known as mushroom rings. I constructed this alphabet to work as a group, fitting together like mushrooms in a fairy ring.
Name is a pun and a work-in-progress.
This is my first try at a serif-style font.
If you need any character set specifically, message me and I'll add them ASAP.
Contains:
-Basic Latin 100%!
-Latin Supplement 100%!
-Latin Extended A 100%!
-Latin Extended B ~65% (will most likely never be finished)
-Cyrillic (Basic Russian: 75%)
More coming soon!
a humble handwritten pixel sans font
This is a clone of good morningWhat began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.
The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction.
More intriguing is the 1-bit “anti-aliasing” scheme I found myself progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.
At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.
Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).
Basic accented charaters and numerals are being added as I churn through the extended character set...