Fontstructions tagged with “Aesthetic”
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GL Pixelstile
by GreenLuigi0.00
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monospace cursive
by FishlandicFishy8.38
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Average Rating: 10.00
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Wired32768
by JrTignor0.00
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Simplexium One
by JrTignor0.00
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Columnar
by morganbea7.16
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Balanced Rating: 7.16
Average Rating: 5.50
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Average Rating: 5.50
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Stray Expanded
by anonymous-18290967.49
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Balanced Rating: 7.49
Average Rating: 5.50
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17149811
Published: 5th September, 2022
Last edited: 6th September, 2022
Created: 5th September, 2022
Last edited: 6th September, 2022
Created: 5th September, 2022
The main language seen in the videogame Stray, used by the robots as communication. However it's more of a cipher than a proper language. Therefore it can be transformed into a font/typeface for people to use.
Glyphs:
98
Version History:
9/5/2022 - First Release, only basic latin.
Original typeface credit given to developers of the game Stray, I only take credit for the portions added onto the already existing typeface.
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Quicksand 2,810,912 Condensed
by Klasky Wolf Lodge (Zackie1143)8.38
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Balanced Rating: 8.38
Average Rating: 10.00
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3D Block Sans
by petermax0.00
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Uniliteral Hieroglyphs
by Jac_20218.38
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Balanced Rating: 8.38
Average Rating: 10.00
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110550
Published: 19th June, 2021
Last edited: 19th June, 2021
Created: 19th June, 2021
Last edited: 19th June, 2021
Created: 19th June, 2021
Uniliteral Hieroglyphs - they connected to the equivalent sounding letter on the keyboard, in the cases of H,h and X,x all make a similar sound with some variation. If there are alternate signs available they are included as the capitalised versions. Note this cannot be used for transliteration purposes (for example, 'j' is not a leaf, but a snake as it is the closest to making a 'j' sound)
Disturbed Cowboy VW_MMXX
by fontmakerono0.00
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Introspectre Mono
by HabLab7.98
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Balanced Rating: 7.98
Average Rating: 8.00
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Average Rating: 8.00
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'Aisthitiki'
by amyglover7.78
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Balanced Rating: 7.78
Average Rating: 7.00
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170300
Published: 26th October, 2015
Last edited: 21st October, 2015
Created: 13th October, 2015
'Aisthitiki' is a decorative yet simple display font not suitable for blocks of text. Inspired by Ancient Greek ornamentation this typeface has developed into a font that has architectural elements and a aesthetic circular motif. I view the typeface I have created as a modern take on a historic theme.
Last edited: 21st October, 2015
Created: 13th October, 2015
'Aisthitiki' is a decorative yet simple display font not suitable for blocks of text. Inspired by Ancient Greek ornamentation this typeface has developed into a font that has architectural elements and a aesthetic circular motif. I view the typeface I have created as a modern take on a historic theme.
Aesthete
by no_comment8.52
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Average Rating: 8.63
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Average Rating: 8.63
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184187641
Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.