A font based on the IBM PS/55 Japan customized for Code Page 437 on the int10h.org site. 

Sep 25, 2025 - Added textures and building block type glyphs starting at U+E000. These work quite well as a loaded font in QB64 PE apps and I can mix the 12x24 with the 24x24. This gives me a way to create the maps on a square grid and add text that looks normal since two language letters fit in one square cell.

One pro/con about these glyphs is that they are intended to be displayed, and not printed, with a light color on a dark background. Many glyphs look like negative images and that's exactly how I'm designing them. I programmed a little drawing program that has two drawing areas with the second being a real-time reverse image of the first, and that helps when designing the glyphs to be entered into FontStruct. 

Sep 23, 2025 - Changing my plan to make all glyphs in the Unicode Private Use Area from U+E000-U+F8FF minimum size of 24 pixels by 24 pixels. They will be double-wide and possibly triple-wide or quad-wide. A capability of outline fonts is that a glyph can extend beyond the boundaries contrasted with legacy bitmap fonts. I need symbols and sprites that extend parts into the adjacent cells to represent actions like a swinging sword, fire breath, power bolt, etc. With 4096 Unicode Codepoints just from U+E000 - U+EFFF, I'll be able to define different textures, creatures, poses, and actions without being limited to a bounded box.

All glyphs in U+F000 - U+F8FF will be reserved for character sets from different computers starting with double-wide characters from IBM Code Page 437 represented with U+F000 - U+F0FF. Eventually, I'll add interesting sets from other computers that typically have 256 characters.

I wanted a Code Page 437 Font with 1x2 aspect ratio with dimensions evenly divisible by 4. A language glyph typically occupies 10 pixels wide by 16 pixels high centered horizontally and vertically. This gives a 1 pixel pad on the left and right and 4 pixels on the top and bottom, which looks better in text only, grid based programs. Letters and symbols with multiple vertical strokes, complex contours, or serifs, such as @, M, m, W, etc. may touch the boundaries. Letters with descenders can take up to 2 pixels below the base line. Diactric marks can extend up to 2 pixels above the letter height. All other graphic, block and line drawing glyphs can occupy the full 12x24. Originally designed for Roguelike programs, I use this font with QB64 Phoenix Edition which supports the default ASCII to Unicode mappings. I installed the TTF file in Windows 11 and have no problem so far. I may add support for other Unicode symbols or possibly in the Private Use Area.

I'm inspired by many different ideas, sprites and fonts from other websites:

Kreative Korp Apple Fonts Commodore 64 Fonts TRS-80 Fonts

https://graphicriver.net/item/monochrome-black-and-white-pixel-art-icons-set/41937705

https://www.gamedevmarket.net/asset/1700-sprite-assets-in-1bit

https://piiixl.itch.io/mega-1-bit-icons-bundle

https://piiixl.itch.io/1-bit-16px-icons-part-1

A:::a B>>>b C<<<c D<<<d E>>>e F:::f G<<<g G>>>g H---h I<<<|<<<i J___j J<<<j K---k L___l M+++[+++m N+++\___n O<<<o P:::p Q<<<q R:::r S>>>s T+++|+++t U___u V___v W___]___w X---x Y---~---y Z>>>z 0<<<) 1===} 2>>>@ 3>>>* 4---$ 5>>>% 6>>>^ 7:::& 8>>># 9>>>( ?:::{

FLΞKS, but you can use more symbols to change the width of the letter.

Heavily inspired by Stretch by AidenFont.

The extra-bold/black weight of Ari-W9500 Condensed.

The extra-bold/black weight of Ari-W9500.

The bold weight of Ari-W9500 Condensed.

The bold weight of Ari-W9500.

The condensed style of Ari-W9500.

Presenting... Ari-W9500 - a complete pixel font family with multiple weights & styles.

This is basically pixelated Arial. Nothing interesting, really. The font is heavily inspired by the pixelated font used in Microsoft's Windows 95. The project was originally meant to be an improved and revamped version of the popular W95FA pixel font.

With more than 1600 glyphs, the font can support a wide range of languages (primarily supports Latin, Greek and Cyrillic).

The alternative glyphs of all the font styles included in the family are stored in the "Braille Patterns" Unicode block.

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Extra context:

For those who are wondering, Ari-W9500 began under construction BEFORE Roguewas even planned. After done publishing Rogue, I just wanted to finish this project up and move on.

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The entirety of the Ari-W9500 font family (6 styles):

 • Ari-W9500 Regular

 • Ari-W9500 Bold

 • Ari-W9500 Display (Extra-bold)

 • Ari-W9500 Condensed Regular

 • Ari-W9500 Condensed Bold

 • Ari-W9500 Condensed Display

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Future plans:

Looking forward to adding Hebrew support soon.

Due to technical difficulties, I WILL NOT be making italic versions for the styles.

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If you see any glyphs in the font that's incorrectly designed, please tell me by commenting.

Feel free to clone the project and add additional language support (e.g.: CJK, Thai, Arabic, Devanagari) as you wish.

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Thanks for enjoying this moment with me.

this is my first published font since I joined. So, I am not a professional font designer. I just made this font for fun. So if you have any problems please feel free to share them in the comments. 

Yours sincerely,
Thank you.

Font ID: F017

original made by @delta999_._._._ on Discord

 Made as a complement to PixelMPlus12. Supports Greek and Cyrillic characters. Cyrillic lowercase letters are condensed to compensate for text length increasing in Russian.

My own attempt at a small, chunky, proportional font. Inspired by elements of similar small 4×4 fonts - though breaking out of a strict 4×4 restriction where absolutely necessary, and with the addition of some non-chunky punctuation and special characters.

Font ID: F003

font that i made

Variable width font with exaggerated serifs to evoke fonts used on old Japanese PC-98 games.

 Wackathetica is derived from Struck, both fonts were created by me (Doug Peters).

Wackathetica gets its name from the idea that I borrowed styling cues from serif, slab serif, and sans serif, even goth cuts and rounded font typographic designs to make a pretty wacky typeface.  A couple of alternates are included in the unicode Halfwidths and Fullwidths register.

Vertical lines are thick, horizontal lines are skinny.

Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design.  This quirky, wacky font is now available on Creative Fabrica...
https://w3n.us/Wackathetica

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

I classify it as: Hybrid, Semi-Serif, Casual.
Weight: Extrabold.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
Blog:
https://Worthful.com

Tiny pixel font intended for very small text accents in graphic displays.

A pretty simple looking variable sans-serif design.

The font allows you to modify the width of nearly every glyph. The one exception that can not be changed is the exclamation mark. I tried to simplify it the best I could, but it remains a little tricky to use, sorry.

HOW TO USE:

To type any sensible text you should start with the uppercase of a certain letter (this will create the left side of it). Followed by the corresponding extender to widen the glyph (repeat this step for a even wider result), and to complete the full letter you close the string with the lowercase glyph for this specific letter (this will create the right side).

There are a couple of glyphs that work slightly different.

These are I,M,T,W,Y, numerals and some punctuations.
To widen "I and T" the extenders are typed before and after the actual letter combination instead of in between.
M,W and Y are split in three (center stem is isolated) in order to allow one to make changes on both sides. To correctly type one of these you start with the uppercase for this specific letter, followed by the corresponding extender, followed by the corresponding center stem, followed with the extender once more, and as last to complete the full letter close the string with the lowercase glyph for this specific letter.

To extend the colon and semi-colon you complete the string for either period or comma first, followed by ;(semi-colon). This will place a dot above it.
And as last, to make a underscore simply use the string for period but with extra extenders.

The numerals work as listed bellow:
•  1|_
•  2z
•  #3
•  4-|-
•  5s
•  6s
•  7*
•  8b
•  9$
•  0o

The extenders are located in the following locations:

` - _ # = :

The isolated stems are located in the following locations:

|  } 

A clone of the variable-width pixel font PlainAndSimple (itself a clone of Nano OK) that adds small serifs to many letters and some numbers, with the same weight as the rest of the font.  Numbers are full-size here (about the size of a capital letter) instead of the narrrow versions in PlainAndSimple, with a slashed zero. Several other things have been updated, usually relating to the wider max width that the serifs require.

Derived from Nano OK, an earlier font of mine, but with more height and less weight on the capital letters. Having more height makes some of the punctuation less cramped as well. Extends 8 pixels above the baseline and 2 pixels below it. Variable width, with most capital letters 5 blocks wide, plus 1 more for spacing, and lower-case letters varying somewhat, though they are usually slightly narrower. Numbers are unusually narrow to help tell them apart from letters, and are between the lower-case and upper-case letters in height.

A small variable-width pixel font with slightly heavier capital letters than lower-case ones. Has some quirks to help distinguish letters and numbers (numbers are very narrow and are 5px tall, while capital letters are 6px tall and many lower-case letters are 4px tall). Descender is 2px below the baseline, maximum glyph height is 6px above the baseline. Doesn't use any bricks other than the full square. This version covers only ASCII and a handful of extra punctuation marks, like curly quotes.