Unbroke 2 is an update on my earlier Unbroke. It is a san-serif headline display typeface inspired by the prensent and the absent; the broken and whole. It is minimalist heavily derivative of stencil typography.
This is a cloneU+E000 is the .notdef glyph.
This is the largest Nokia font ever.
UPDATE [27 JUN 2023]: Fixed "ÿ". U+00FF
UPDATE [29 JUN 2023]: Fixed "ǐ". U+01D0
UPDATE [09 NOV 2023]: Fixed "ـ". U+0640
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneI created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneExtrapolation of the lettering found on a 1976 calender by Wim Crouwel.
I know this has already been done before, here is one that was done by Wilson Thomas. Who did a far more extensivey version that also includes extended Latin. Check his version out here: https://fontstruct.com/fontstructions/show/795855/kalendar_1976
Apart from a couple of glyphs that were done notably different and some other tiny differences in detais the two are pretty similar, but most certainly not copied.
XATURATE - Heavy weight Egyptian slab
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Here is another throwback of my original older works, now refurbished and expanded into a complete font that includes multilingual support.
As part of the recent endeavours into my older FontStruct works, digging for the forgotten and lost potential gems, I stumbled upon this Egyptian style Slab-Serif, called 'XATURATE'.
This classic looking heavy weight Slab-Serif design was left rather inconsistent and pretty incomplete. I don't remember why I abandoned
this back then, since this letterforms had great potential. They just needed a healthy fresh perspective and a little bit of extra love to make them shine after all.
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• polished shape and form
• Rebalenced full character set
• Added multilingual support
• Included many symbols & punctuations
• Overhauled entire metrics
• Partial kerning (WIP)
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I couldn't be more happy with the final result,
Let me know what you think...
Cheers