Based on the Timerider logo. This is definitely the most difficult font I've made - don't know if I can finish the accents and punctuation.
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.This is a clone of Raysan
This seems to have taken inspiration from my First-TP-font "Sandor Basic Stripes" :) but was in fact inspired by shattered windows of a deserted building.
A slanted and edgy typeface best used for display graphics.
All of the uppercase leans right while the lowercase leans left.
Thanks for taking a look!
A font that uses a simple diagonal line technique to give the illusion of depth. All letters are confined within monospaced parallelograms, just for fun.
A font in the "Compass" group which I started a few years ago and not finished yet. Living in Western Europe I wanted a swingy-light-rounded looking font for "West" on the compass to celebrate the gentle hills and open spaces around my home in France.
Black Duck is a typeface that is inspired from modern-blackletter typeface and duck characteristics combined. Duck meat's crispiness and strong taste, and the duck figure itself are the main characters inserted in the making of this typeface. The slanted figure shows its timeless and versatile characteristics.
Another of my new-style UC stencil fonts. The German word 'Trennung' means 'separation' or 'parting', a fitting name for a stencil I think.